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</v:shape><![endif]--><![if !vml]><img width=221 height=336 src="cid:image001.jpg@01CCFBB4.BEF739A0" align=left alt="Scenes from an Execution poster." v:shapes="Picture_x0020_2"><![endif]><span style='font-family:"Verdana","sans-serif";color:black'>Howard Barker&#8217;s <b>Scenes from an Execution</b> takes us to 16th century Venice, shortly after the Battle of Lepanto: an event that changed the course of history by preventing the Ottoman Empire from advancing further into Europe. In the play, the head of state has commissioned the most talented and extraordinary artist of the time to paint this pivotal victory on a canvas measuring 1,000 square feet. The size of the project alone suggests the outcome will be a major public event, but, as we discover in the play, the painting of the Battle of Lepanto proves also a contested encounter. Galactia, the artist, possesses a vision and approach to her art that turns the painting into a traumatic experience, mirroring the slaughter of the battle itself.<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white;orphans: 2;widows: 2;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px'><span style='font-family:"Verdana","sans-serif";color:black'>A contemporary British playwright, Howard Barker&#8217;s work often confronts art and politics. A master of incisive language and dark wit, his work at once illuminates and provokes. Barker wrote <b>Scenes from an Execution</b> in 1984, in part as a response to Margaret Thatcher&#8217;s aggressive attack on Argentina over British territory in the Falkland Islands. In many ways, his text is even more poignant today, post-911, after the wars in Iraq and Afghanistan, and in a time when the idea of Europe is questioned.<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white;orphans: 2;widows: 2;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px'><span style='font-family:"Verdana","sans-serif";color:black'>Along with the play, the Theatre of the Arts Gallery features <b>Blood &amp; Paint: A Feminine Response to War</b>, an exhibition of contemporary women artists&#8217; responses to military conflict. Paralleling the story on the stage, this exhibition features the original work of over a dozen diverse female artists, including prominent Canadian artist Gertrude Kearns, member of the Canadian Forces Artists&#8217; Program. Also on display in the Gallery during Scenes is a digital presentation on how the Battle of Lepanto served as a turning point in Europe&#8217;s history.<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white;orphans: 2;widows: 2;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px'><b><span style='font-family:"Verdana","sans-serif";color:black'>Scenes from an Execution</span></b><span style='font-family:"Verdana","sans-serif";color:black'> runs on March 8, 9, 10 and 15, 16, 17 at 8:00 p.m. The production is a collaboration between university members and theatre professionals: direction by professor Andy Houston; lighting and set designed by Arun Srinivasan and Kelly Wolf, respectively; costumes designed by Jocelyne Sobeski of the Drama department; original music and sound composed by Meghan Bunce; video segments by Drama/Digital Arts Communication student Tallen Kay; and, dramaturgy and gallery curation by Drama students Robert Motum and Simon Thibodeau.<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white'><b><span style='font-family:"Verdana","sans-serif";color:black'>For tickets</span></b><span style='font-family:"Verdana","sans-serif";color:black'>, call the Theatre Centre box office at 519-888-4908.<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white'><span style='font-family:"Verdana","sans-serif";color:black'>General Admission - $17<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white'><span style='font-family:"Verdana","sans-serif";color:black'>Students &amp; Seniors - $13<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white'><span style='font-family:"Verdana","sans-serif";color:black'>eyeGo - $5<o:p></o:p></span></p><p style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:9.0pt;margin-left:0cm;line-height:18.0pt;background:white'><span style='font-family:"Verdana","sans-serif";color:black'>10% off for groups of 10 or more<o:p></o:p></span></p></div></body></html>