<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
</head>
<body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; color: rgb(0, 0, 0); font-family: Calibri, sans-serif;">
<div style="font-size: 14px;">Dear colleagues, students, and friends,</div>
<div style="font-size: 14px;"><br>
</div>
<div style="font-size: 14px;">“Mediated Bodies,” the English faculty author event originally scheduled for this Wednesday, has had to be postponed. It will now take place on Friday, October 2, 2015 at 1:30 pm, in Hagey Hall 373. Please feel free to circulate
the revised poster widely. We look forward to seeing you in October.</div>
<div style="font-size: 14px;"><br>
</div>
<div style="font-size: 14px;">About our authors: </div>
<div><br>
</div>
<div>
<p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt; font-family: 'Times New Roman';">
<span lang="EN-US"><font color="#262626" face="Calibri,sans-serif">Beth Coleman is the author of </font><i style="color: rgb(38, 38, 38); font-family: Calibri, sans-serif;">Hello Avatar: Rise of the Networked Generation </i><font color="#262626" face="Calibri,sans-serif">(MIT
Press). <i>Hello Avatar</i></font></span><span lang="EN-US" style="color: rgb(27, 23, 24); font-family: Calibri, sans-serif;"> examines a crucial aspect of our cultural shift from analog to digital: the continuum between online and off-, what she calls the
“x-reality” that crosses between the virtual and the real. Coleman looks at the emergence of a world that is neither virtual nor real but encompasses a multiplicity of network combinations. And she argues that it is the role of the avatar to help us express
our new agency--our new power to customize our networked life.</span><span lang="EN-US" style="color: rgb(38, 38, 38); font-family: Calibri, sans-serif;"> </span><span lang="EN-US" style="color: rgb(27, 23, 24); font-family: Calibri, sans-serif;">By avatar,
Coleman means not just the animated figures that populate our screens but the gestalt of images, text, and multimedia that make up our online identities--in virtual worlds like Second Life and in the form of email, video chat, and other digital artifacts.
Exploring such network activities as embodiment, extreme (virtual) violence, and the work in virtual reality labs, and offering sidebar interviews with designers and practitioners, she argues that what is new is real-time collaboration and copresence, the
way we make connections using networked media and the cultures we have created around this. The star of this drama of expanded horizons is the networked subject--all of us who represent aspects of ourselves and our work across the mediascape.</span><span lang="EN-US" style="color: rgb(38, 38, 38); font-family: Calibri, sans-serif;"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"><br>
</p>
<p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">Jay Dolmage is the author of <i>Disability Rhetoric </i>(Syracuse University Press), winner of a 2015 PROSE Award. <i><span lang="EN-US" style="color: rgb(38, 38, 38);">Disability Rhetoric</span></i><span lang="EN-US" style="color: rgb(38, 38, 38);"> is
the first book to view rhetorical theory and history through the lens of disability studies. Traditionally, the body has been seen as, at best, a rhetorical distraction; at worst, those whose bodies do not conform to a narrow range of norms are disqualified
from speaking. Yet, Dolmage argues that communication has always been obsessed with the meaning of the body and that bodily difference is always highly rhetorical. Following from this rewriting of rhetorical history, he outlines the development of a new theory,
affirming the ideas that all communication is embodied, that the body plays a central role in all expression, and that greater attention to a range of bodies is therefore essential to a better understanding of rhetorical histories, theories, and possibilities.</span></p>
</div>
<div style="font-size: 14px;"><br>
</div>
</body>
</html>