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Sorry, seems that the previous email did not contain the date of the lecture, next Friday October 16th. My mistake. - Benoit</div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-size: 11.5pt; font-family: Calibri, sans-serif; color: windowtext;" class="">Please join our moderator Stephen Watt, Dean of the UW Faculty of Mathematics,
at the first Bridges Lecture Series event of the 2015-2016 year: <i style="font-weight: bold;" class="">Deep Surfaces: geometrical challenges in digital design </i><o:p class=""></o:p></span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="color: rgb(0, 0, 0); font-family: Calibri, sans-serif;" class="">This free lecture will being given by<b class=""> Benjamin Dillenburger</b> (<b class="">Architecture</b>,
University of Toronto) and <b class="">Daniel Hambleton</b> (<b class="">Mathematics</b>, MESH Consultants Inc.). It will take place in Siegfried Hall, St. Jerome’s University, 290 Westmount Road North, Waterloo starting at 7:30pm </span></span>on Friday October
16th<span style="font-size: 11pt;" class="">, with a reception to follow.</span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-size: 11.5pt; font-family: Calibri, sans-serif; color: windowtext;" class="">Central to the delivery of architecture is the digital representation and analysis
of surfaces. Digital designers seek to imbue otherwise pure geometry with real world significance to develop a model that “survives” the transition from design intent to constructed object. During this transition, fundamental properties of differential geometry
and topology interact with more real world considerations such as materiality, constructability, and cost. This lecture explores how recent developments in computation design enable the analysis and design of highly articulated, discrete surfaces and how these
new forms are realized using novel digital fabrication methods. Through a series of examples, we conclude that the surfaces that underlie much of the current design process are becoming increasingly enriched with information to facilitate their transition
to build objects.<o:p class=""></o:p></span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-size: 11.5pt; font-family: Calibri, sans-serif; color: windowtext;" class=""> </span></span></div>
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<span class="A9" style="font-size: 11pt; font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-size: 11.5pt; font-family: Calibri, sans-serif; color: windowtext;" class="">For further information please follow the links: </span></span><font color="#954f72" class=""><span style="font-size: 11pt;" class=""><a href="http://sju.ca/bridges" class="">sju.ca/bridges</a></span></font> <span style="font-size: 11pt;" class="">.</span></div>
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<span style="font-size: 11pt;" class="">Register for our </span><a href="http://www.sju.ca/contactus" class="">mailing list</a><span style="font-size: 11pt;" class=""> if you would like to be included on further communications regarding the Bridges Lecture
Series.</span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class="">Please mark our upcoming lectures in your calendars:<o:p class=""></o:p></span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class="">November 27, 2015: <i class=""> </i><b style="font-style: italic;" class="">Thinking Machines </b></span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class=""><span class="Apple-tab-span" style="white-space: pre;"></span>by Fiona Coll (English, SUNY Oswego)
and E. Bruce Pitman (Math, SUNY Buffalo)<i class=""><o:p class=""></o:p></i></span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class="">February 26, 2016:<i class=""> </i><b style="font-style: italic;" class="">The Harmonograph</b> </span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class=""><span class="Apple-tab-span" style="white-space: pre;"></span>by Anita Chowdry (Visual Art, London,
UK) and John Baez (Math, UC Riverside)<o:p class=""></o:p></span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class="">March 11, 2016:<i class=""> </i><b style="font-style: italic;" class="">Mathematics, Music, and Visual
Art</b> </span></span></div>
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<span class="A9" style="font-family: 'Avenir 65 Medium', sans-serif; color: white;"><span style="font-family: Calibri, sans-serif; color: windowtext;" class=""><span class="Apple-tab-span" style="white-space: pre;"></span>by Nathan Selikoff (Visual Art, Orlando,
FL) and Dmitri Tymoczko (Math and Music, Princeton)</span></span></div>
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<div style="margin: 0in 0in 0.0001pt;" class=""><span class="A9" style="font-size: 15px;"><font face="Calibri, sans-serif" class="">Contact Information:<br class="">
Benoit Charbonneau
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Pure Mathematics
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519-888-4567 x37336
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<a href="mailto:benoit.charbonneau@uwaterloo.ca" class="">benoit.charbonneau@uwaterloo.ca</a><br class="">
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Alysia Kolentsis
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St Jerome's University
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519-884-8110 x28280
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<a href="mailto:amkolentsis@uwaterloo.ca" class="">amkolentsis@uwaterloo.ca</a></font></span></div>
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