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<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">The <span style="color:black">
University of Waterloo’s <a href="https://uwaterloo.ca/fine-arts/">Department of Fine Arts</a> in association with McGill-University Press invites you to a Book Launch:
</span><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black">Bojana Videkanic
<i>Nonaligned Modernism: Socialist Postcolonial Aesthetic in Yugoslavia, 1945-1985</i></span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black">(McGill-Queens University Press, 2020)</span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black">When: Friday February 5, 2021 at 6:30pm (EST)</span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span lang="EN-CA" style="font-size:11.0pt;color:black">Where: <u>ONLINE</u><span class="apple-converted-space"> </span> via Webex, please register at:
</span><span lang="EN-CA" style="font-size:11.0pt"><a href="https://uwaterloo.webex.com/uwaterloo/onstage/g.php?MTID=ea5ed806cc20d6e2b4d833c615c0e0c78"><span style="color:#0096D6;background:white">https://uwaterloo.webex.com/uwaterloo/onstage/g.php?MTID=ea5ed806cc20d6e2b4d833c615c0e0c78</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"><img border="0" width="137" height="205" style="width:1.425in;height:2.1333in" id="Picture_x0020_1" src="cid:image001.png@01D6F8B9.A86926B0"></span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">Speaker: Bojana Videkanic, Associate Professor Department of Fine Arts University of Waterloo
<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">Chair: <a href="https://uwaterloo.ca/fine-arts/about/people/faculty/joan-coutu">
Joan Coutu</a>, Professor Department of Fine Arts University of Waterloo<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">Discussants: <a href="https://recherche.umontreal.ca/nos-chercheurs/repertoire-des-professeurs/chercheur/is/in19284/">
Tamara Vukov</a>, Associate Professor Department of Communication Université de Montréal
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:.5in"><span lang="EN-CA" style="font-size:11.0pt"> <a href="http://www.buffalo.edu/cas/arts_management/who-we-are/praznik.html">Katja Praznik</a>, Associate Professor Arts Management Program, SUNY Buffalo<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-CA" style="font-size:11.0pt">About the book:
</span></u></b><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a
modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country's principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from
the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanic explores how cultural workers collaborated with others from the Global South to create alternative
artistic and cultural networks that countered Western hegemony. Videkanic focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous,
Western, and global influences.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt">An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia's key role in the creation of a global modernist ethos and international postcolonial culture.<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><b><u><span lang="EN-CA" style="font-size:11.0pt">Participants Bios:
</span></u></b><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-CA" style="font-size:11.0pt"> </span></b><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><!--[if gte vml 1]><v:shapetype id="_x0000_t75" coordsize="21600,21600" o:spt="75" o:preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f">
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</v:shape><![endif]--><![if !vml]><img width="139" height="201" style="width:1.45in;height:2.0916in" src="cid:image013.jpg@01D6F945.877B1B20" align="left" hspace="12" alt="A picture containing person, posing
Description automatically generated" v:shapes="Picture_x0020_2"><![endif]><b><span lang="EN-CA" style="font-size:11.0pt;color:black">Joan
Coutu</span></b><span lang="EN-CA" style="font-size:11.0pt;color:black"> is Professor of Art History and Visual Culture at the University Waterloo. Her research areas are the built environment of 18<sup>th</sup>-century Britain and early 20<sup>th</sup>-century
Canada, with a focus on aesthetics and memory in space, politics, time, and social differentiation. Coutu has published two books, <i>Persuasion and Propaganda: Monuments and the Eighteenth-century British Empire</i> (2006) and <i>Then and Now: Collecting
and Classicism in Eighteenth-century England</i> (2015), and has authored several essays on monuments, landscape design, and collecting. She is especially intrigued by the states of ‘emerging’ and ‘in-between.’</span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></b></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNoSpacing"><!--[if gte vml 1]><v:shape id="Picture_x0020_3" o:spid="_x0000_s1028" type="#_x0000_t75" alt="A person taking a selfie
Description automatically generated with medium confidence" style='position:absolute;margin-left:0;margin-top:0;width:139.5pt;height:105pt;z-index:251659264;visibility:visible;mso-wrap-style:square;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:text;mso-position-vertical:absolute;mso-position-vertical-relative:line;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:page' o:allowoverlap="f">
<v:imagedata src="cid:image003.jpg@01D6F8B9.A86926B0" o:title="A person taking a selfie
Description automatically generated with medium confidence" />
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</v:shape><![endif]--><![if !vml]><img width="186" height="140" style="width:1.9333in;height:1.4583in" src="cid:image003.jpg@01D6F8B9.A86926B0" align="left" hspace="12" alt="A person taking a selfie
Description automatically generated with medium confidence" v:shapes="Picture_x0020_3"><![endif]><b><span lang="EN-CA" style="font-size:11.0pt">Tamara Vukov</span></b><span lang="EN-CA" style="font-size:11.0pt">
is a researcher, filmmaker/media artist, educator and writer based in Montréal / Tiohtiá:ke / Mooniyang. She is an Associate Professor in the Department of Communication at the Université de Montréal, where she teaches courses in political communication and
research-creation. Her research is anchored in critical approaches to political communication, engaged media and art, with a focus on mobilities, borders, social movements, and the contestation of social exclusions (including in the domains of migration, sexuality,
labour, public health, housing justice, and Yugoslav regional legacies). Her work draws on media studies, social and political theory, engaged and participatory research, and research creation (particularly documentary and experimental media). She has published
in such venues as the <i>International Journal of Cultural Studies</i><span style="color:black;background:white">, </span><i>Canadian Journal of Communication</i><span style="color:black;background:white">, </span><i>Transfers</i><span style="color:black;background:white"> </span><i>Journal
of Mobility Studies</i><span style="color:black;background:white">, </span><i>Topia</i><span style="color:black;background:white">, </span><i>Public</i><span style="color:black;background:white">, </span><i>Social Semiotics</i><span style="color:black;background:white">,
and such exhibition catalogues/essay collections as </span><i>Le Soulèvement Infini</i><span style="color:black;background:white"> (</span><i>Infinite Uprising, </i><span style="color:black;background:white">eds. Didi-Huberman et Déry). Her films and videos
have been presented internationally in over 15 countries. The trajectory of her work has developed out of long-term engagement in social movement and independent media arts spaces over the past several decades.</span><o:p></o:p></span></p>
<p class="MsoNoSpacing"><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNoSpacing"><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><!--[if gte vml 1]><v:shape id="Picture_x0020_4" o:spid="_x0000_s1027" type="#_x0000_t75" style='position:absolute;margin-left:0;margin-top:0;width:107.25pt;height:160.5pt;z-index:251660288;visibility:visible;mso-wrap-style:square;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:text;mso-position-vertical:absolute;mso-position-vertical-relative:line;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:page' o:allowoverlap="f">
<v:imagedata src="cid:image004.png@01D6F8B9.A86926B0" o:title="" />
<w:wrap type="square" anchory="line"/>
</v:shape><![endif]--><![if !vml]><img width="143" height="214" style="width:1.4916in;height:2.2333in" src="cid:image014.png@01D6F945.877B1B20" align="left" hspace="12" v:shapes="Picture_x0020_4"><![endif]><b><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white">Katja Praznik</span></b><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white">
is Associate Professor in University at Buffalo’s Arts Management Program/Department of Media Study. She holds a PhD in Sociology from the University of Ljubljana. She teaches courses related to the political economy of the arts, cultural policy, and research
in the field of arts management. She is the author of</span><i><span lang="EN-CA" style="font-size:11.0pt;color:black"> The Paradox of Unpaid Artistic Labor: Autonomy of Art, the Avant-Garde and Cultural Policy in the Transition to Post-Socialism</span></i><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white"> (Ljubljana:
Sophia, 2016) and </span><i><span lang="EN-CA" style="font-size:11.0pt;color:black">Art Work: Invisible Labor and the Legacy of Yugoslav Socialism</span></i><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white"> (forthcoming with University
of Toronto Press). Her research focuses on labor issues in the arts during the demise of the welfare-state regimes, and has been published in various peer-reviewed journals, such as </span><i><span lang="EN-CA" style="font-size:11.0pt;color:black">Social
Text</span></i><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white">,
</span><i><span lang="EN-CA" style="font-size:11.0pt;color:black">Historical Materialism</span></i><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white">, </span><i><span lang="EN-CA" style="font-size:11.0pt;color:black">Journal for the Critique
of Science </span></i><span lang="EN-CA" style="font-size:11.0pt;color:black">(<i>ČKZ</i>)<span style="background:white">, and </span><i>KPY Cultural Policy Yearbook</i><span style="background:white"> as well as in edited volumes, among them in </span><i>NSK
From Kapital to Capital</i><span style="background:white"> (MIT Press 2015), and </span><i>Crisis and New Beginnings: Art in Slovenia 2005–2015</i><span style="background:white"> (Moderna galerija 2015). Before moving to the United States, she worked as a
freelancer in the Slovenian independent art scene. She was the editor-in-chief of a performing arts journal </span><i>Maska</i><span style="background:white"> and was engaged in the struggles for improving working conditions of art workers at Društvo Asociacija. </span></span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white"> </span><span lang="EN-CA" style="font-size:11.0pt;background:white"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black;background:white"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><!--[if gte vml 1]><v:shape id="Picture_x0020_5" o:spid="_x0000_s1026" type="#_x0000_t75" style='position:absolute;margin-left:0;margin-top:0;width:112.5pt;height:134.25pt;z-index:251661312;visibility:visible;mso-wrap-style:square;mso-width-percent:0;mso-height-percent:0;mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;mso-wrap-distance-bottom:0;mso-position-horizontal:left;mso-position-horizontal-relative:text;mso-position-vertical:absolute;mso-position-vertical-relative:line;mso-width-percent:0;mso-height-percent:0;mso-width-relative:page;mso-height-relative:page' o:allowoverlap="f">
<v:imagedata src="cid:image005.png@01D6F8B9.A86926B0" o:title="" />
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</v:shape><![endif]--><![if !vml]><img width="150" height="179" style="width:1.5666in;height:1.8666in" src="cid:image015.png@01D6F945.877B1B20" align="left" hspace="12" v:shapes="Picture_x0020_5"><![endif]><b><span lang="EN-CA" style="font-size:11.0pt">Bojana
Videkanic </span></b><span lang="EN-CA" style="font-size:11.0pt">is an Associate Professor of contemporary art and visual culture in the Department of Fine Arts at the University of Waterloo. Her research focuses on the 20<sup>th</sup>-century socialist art
in Yugoslavia and its contributions to the rise of global modernisms through Yugoslavia’s participation in the Non-Aligned Movement and various de-colonial cultural practices. Videkanic has also written about contemporary artists from Canada (Lori Blondeau,
Kinga Araya, Vessna Perunovich, Camille Turner, Terrance Houle), and about artists coming from the Yugoslav region, most recently about Tanja Ostojic’s seven-year long project
<i>Lexicon of Tanjas Ostojic</i>. Her new research project deals with politically engaged Yugoslav art from the 20<sup>th</sup> century such as partisan art and Naïve art, and its relationships to similar art practices in Mexico, Egypt, Nigeria and other parts
of the world. <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt"> <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black">For more information on the launch, or on how to log on the Webex platform please send your questions to: Sharon<span class="apple-converted-space"> </span>Dahmer <a href="mailto:Sharon.dahmer@uwaterloo.ca">Sharon.dahmer@uwaterloo.ca</a></span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"> </span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black">This event is sponsored by the Department of Fine Arts, Faculty of Arts at University of Waterloo, and in association with the McGill-Queens University Press.
</span><span lang="EN-CA" style="font-size:11.0pt"><o:p></o:p></span></p>
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<p class="MsoNormal"><span lang="EN-CA" style="font-size:11.0pt;color:black"><img border="0" width="330" height="101" style="width:3.4416in;height:1.05in" id="Picture_x0020_10" src="cid:image016.png@01D6F945.877B1B20"><img border="0" width="303" height="46" style="width:3.1583in;height:.4833in" id="Picture_x0020_9" src="cid:image017.png@01D6F945.877B1B20"></span><span lang="EN-CA" style="font-size:11.0pt;color:black">
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