Fwd: Shifting Images (fwd)

Julie Salverson (by way of Kathy Chung <kchung@chass.utoronto.ca>) jsalverson at OISE.UTORONTO.CA
Tue Mar 30 09:26:26 EST 1999


---------- Forwarded message ----------
Date: Mon, 29 Mar 1999 20:12:27 -0500
From: Roger Simon <rsimon at oise.utoronto.ca>
To: ceppert at oise.utoronto.ca, sfletcher at oise.utoronto.ca,
    fsicoli at oise.utoronto.ca, clamen at chass.utoronto.ca,
    lberes at oise.utoronto.ca, jsalverson at oise.utoronto.ca, ldavis at yesic.com,
    mdipaolantonio at oise.utoronto.ca, nancyc at bronskill.com,
    mweinberg at oise.utoronto.ca, sharonr at yorku.ca
Subject: Fwd: Shifting Images (fwd)

Please circulated to those interested

>Panel on the Arts and The Politics of Difference in Canadian Culture
>Tuesday, April 6, 1998, 5:30pm
>Leigha Lee Browne Theatre,
>University of Toronto at Scarborough.
>
>On April 6, 1998,  a dynamic group of scholars  and artists  will come
>together on a panel at The University of Toronto at Scarborough  to
>discuss issues and concerns related to a new field of study being built by
>the Arts Management Program  - that of Arts in a Pluralist Society.
>
>Drawing on their own cultural practice and/or research, panelists will
>examine what is at stake in creating and sustaining artistic work which
>challenges and transforms racism and which also represents and serves a
>racially and culturally diverse Canada.  The panel will be called
>“Shifting Images: Arts Practice, Institutional Change and the politics of
>difference in Canadian Culture”.
>
>Cultural institutions in Canada are faced with the challenge of responding
>to rapid social and technological change in a society characterized by
>global migration, diasporic communities  and increasing demands for the
>recognition of difference within the nation state.  The Arts in a
>Pluralist Society field of study aims to develop and sustain Canadian
>artistic diversity by providing a context for the study of issues of race
>and representation, cultural production and diasporic communities, culture
>and social change.
>
>By focusing on issues related to communities of colour, aboriginal
>communities and  other groups, the program aims to build an innovative
>field of study appropriate to re-imagining the cultural landscape.  Arts
>in a Pluralist Society will combine theory, policy, institutional reform
>and artistic practice.
>
>APS appointed its first lecturer in January.  She is Honor Ford-Smith who
>has a long history of work in theatre for social change and  whose current
>research is on post colonial Caribbean performance. She  is teaching an
>Introductory course in Arts in A Pluralist Society this term and will
>chair the panel on the 6th.
>
>The panel discussion is both a celebration of the progress made so far in
>developing the program and a means of sketching out some of the challenges
>involved in thinking about the field of study.  It is a means of
>continuing dialogue with the many communities and individuals who have
>supported the initiative and who have helped to develop the vision.
>
>ABOUT THE PANELISTS
>
>Sarindar Dhaliwal:
>
>Is a visual artist working primarily with mixed media on paper as well as
>large installations.  Recent themes  treat  family history and

>autobiography and chart a cartography of a 20th century diaspora and the
>colonial legacy which shaped it. She has exhibited extensively in Canada
>since 1983 and has had eleven solo shows.  Her most recent solo exhibition
>was in 1998 at the Edward Day Gallery and Koffler Gallery in Toronto.  She
>has served as a trustree of the Art Gallery of Ontario from 1991-97 and
>currently sits on the board of the Toronto Arts Council and that of “Fuse”
>magazine.
>
>Sharon Fernandez
>
>Is currently Equity Coordinator at the Canada Council. She is a visual
>Artist, previously based in Toronto, and she has worked in community
>contexts as well as in arts organizations.   She has extensive
>experience in organizational change work both at the Toronto Arts Council
>and the Toronto Women’s Bookstore.
>
>Sherene Razack
>
>Is Associate Professor of Sociology and Equity Studies in Education at
>OISE/UT.   Her most recent book “Looking White People in the
>Eye: Race, Gender and Culture in Classroom and Courtroom “ takes up the
>question of how racialized representations affect ways of seeing and
>hearing in social situations such as the courtroom and the classroom.
>Sherene has also been instrumental in the setting up of the Centre for
>Anti Racism and Equity Studies at OISE/UT
>
>Rinaldo Walcott
>
>Is Assistant Professor of Humanities at York University. His particular
>area of work is Black Cultural Studies.  His book “ Black like Who?
>Writing Black Canada” is a critical study of representations of
>blackness in the Canadian nation.  Currently he is writing on problems of
>developing a critical tradition around black cultural production.
>
>The panel will take place in the the Leigha Lee Browne Theatre at 5:30pm on
>April 6, 1999
>A Reception will follow.
>
>
>Greg Baeker
>ph. 922-1744
>fax. 929-7234
>



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