Canadian Theatre Review #114, Spring 2003 - Celebrating Canadian Plays and Playwrights

[Hawkins, Tamara]

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Canadian Theatre Review 114

Celebrating Canadian Plays and Playwrights

Edited by Ric Knowles



Dedicated to the Memory of Timothy Findley (1930-2002)





CONTENTS

xx

Where Were You in '52?

Canadian theatre, making money and damning cities on the eve of the
Stratford Festival

JERRY WASSERMAN



xx

Fantasies of Origin

Staging the birth of the Canadian stage in Tempest Tost and The Drawer Boy;
or, thinking local, acting global

ELLEN MACKAY



xx

Canadian Theatre, the State and Industrial Development

It's not about Nation any more; it's about political economy. The myth of
the LIP grants and the origins of contemporary Canadian theatre.

MICHAEL McKINNIE



xx

Ironic Images

Sharon Pollock's Stratford productions and the role of the large
institution.

ANNE NOTHOF



xx

How Passionate Are You?

Canadian plays at Stratford, economics, audiences and Canadian theatre
today.

SHARON POLLOCK in conversation with SHERRILL GRACE



xx

Judith Thompson's Ghosts

The revenants that haunt the plays of one of Canada's leading playwrights.

CLAUDIA BARNETT



xx

Language and Racism

Wendy Lill's The Occupation of Heather Rose and the anatomy of racism.

JAQUELINE PETROPOULOS



xx

Wrestling with Regionalism

The region, the provinces and the Playwrights Atlantic Resource Centre; or,
thinking regionally and funding provincially.

BRUCE BARTON



xx

Translation and Adaptation

A panel discussion of the complexities of translating and adapting for the
stage.

GEORGE ELLIOTT CLARKE, BILL GLASSCO, CONNI MASSING, JASON SHERMAN and JUDITH
THOMPSON



xx

SCRIPT

Shadows

Timothy Findley's last play for the stage, from the 2002 season at the new
Studio Theatre of the Stratford Festival.





VIEWS AND REVIEWS

xx

Performing Canada: The Nation Enacted in the Imagined Theatre by Alan
Filewod

Reviewed by Wendy Philpott



xx

Getting Out of the Script Stack: An Introduction

Commentary by Rachel Ditor



xx

Chronic by Linda Griffiths

Directed by Simon Heath, Factory Theatre, 2003
Reviewed by Andrew Houston

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