Theatre of Neptune and Sinking Neptune

[Jerry Wasserman]

Denis Salter wrote:

> *[See sidebar information and illustration at the bottom on the right.]*
> *//*
> */TheChronicleHerald.ca/*
> *13 November 2006*
> **
> *Altering the course of history
> *
> *Two theatre productions re-enact Lescarbot’s 400-year-old play; one 
> with a slice of political correctness and a post-colonial bent
> *
> *By MICHAEL LIGHTSTONE Staff Reporter*
>
> *The play’s the thing, according to William Shakespeare, but in 
> contemporary society it is a distinctly different interpretation of 
> its colonial-era content that’s spawned the controversy.*
>
> *Within the next week, two competing productions of Canada’s first 
> drama written and produced by European settlers — a short pageant 
> staged by the French 400 years ago in Nova Scotia — will be performed 
> in Annapolis Royal and Halifax.*
>
> *One will be a faithful version of the 1606 work by Marc Lescarbot, 
> The Theatre of Neptune in New France, while the other show is to be a 
> "deconstructed" adaptation with a politically-correct, post-colonial 
> bent.*
>
> *History, it seems, is not only written by the victors, it can be 
> rewritten by unconventional theatre activists, with an eye toward 
> advocating for 21st-century native rights.*
>
> *"You are getting certain slices of the original work" but also 
> elements of new work that "in a sense reframe the debate," Montreal 
> drama teacher Donovan King said recently.*
>
> *His small troupe, which will be performing the alternative play, 
> Sinking Neptune, in Annapolis Royal and Halifax from Tuesday to 
> Thursday, aims to present a thought-provoking "theatrical subversion" 
> of Lescarbot’s Theatre of Neptune.*
>
> *"Instead of it being this celebratory re-enactment," said King, "the 
> issues of racism and imperialism are looked at through the 
> deconstruction" of the original production. "So, by the end of it, the 
> audience will go away reflecting on those themes."*
>
> *King is ferrying his merry band of amateur actors to this province in 
> a van that he alone must drive because "I’m the only one with a license."*
>
> *He said celebrating the 1606 composition is not exactly his kind of 
> anniversary. He said what’s needed is "a moment of re-evaluation and 
> reflection" about the history of European domination in Canada over 
> First Nations people.*
>
> *Asked if he has native ancestry, King said he doesn’t but 
> acknowledged the co-founder of his group, the Optative Theatrical 
> Laboratories, is an aboriginal person and "a lot of our . . . members 
> have First Nations blood." *
>
> *According to The Canadian Encyclopedia, the drama by Lescarbot was 
> "written to welcome . . . Samuel de Champlain and Jean de Biencourt de 
> Poutrincourt on their return (to Port Royal) from coastal explorations."*
>
> *It was performed outdoors on Nov. 14, the encyclopedia says, "under 
> the author’s direction in barges and canoes on the waters" near the 
> Europeans’ settlement.*
>
> *Lescarbot, a lawyer and writer, died in France in 1642. His play 
> "depicts the god Neptune bidding the travellers welcome; he is 
> surrounded by a court of Tritons and Indians who recite the praises of 
> the colonial leaders and sing in chorus the glory of the king," the 
> encyclopedia says. *
>
> *Phil Roberts, who’s leading the effort to put on the genuine article 
> from Champlain’s day, welcomes the rival production.*
>
> *But he said to look back at a dramatic effort written by French 
> colonizers — one that uses the word "savages" — under the spotlight of 
> a theatre company operating in 2006 is off the mark.*
>
> *Roberts, a retired Annapolis Royal-area resident, said it’s 
> tantamount to condemning The Merchant of Venice for the shape of 
> Shakespeare’s crucial Shylock character, which many people today might 
> view as anti-Semitic.*
>
> *"Lescarbot wrote what he wrote," he said in an interview. "Beyond 
> that . . . the French had very amicable relations . . . with the 
> indigenous people. It was the British, unfortunately, that didn’t. And 
> further to the south (in North America), it was the Spanish that didn’t."*
>
> *Still, Roberts thinks King’s plan to stage a competing production "is 
> great." He said his own show, to be presented by a company called 
> Musique 400 Society, will be done outdoors by the waters of Annapolis 
> Basin unless the weather is bad, in which case it’ll be moved to a 
> local community hall.*
>
> *Musique 400 formed three years ago, Roberts said, and is dedicated to 
> learning and performing music and dances from 400 years ago. The 
> troupe uses period costumes and instruments to re-enact entertainment 
> from the 1600s. *
>
> *Forced to stand in the wings during these contentious anniversary 
> events is a Halifax theatre maven who was guiding a group that was 
> organizing gatherings linked to the 400-year-old play.*
>
> *Ken Pinto said this week his hopes were dashed after two applications 
> for Canada Council for the Arts grants were rejected. *
>
> *He said requests for about $35,000 in grant money were turned down 
> last year and in 2004. Pinto, director of the annual Atlantic Fringe 
> Festival, said his now-defunct group, Theatre 400, had wanted to 
> promote the 400th anniversary of the Lescarbot play by mounting 
> productions in Annapolis County and metro and by hosting a major 
> theatre conference that, if deemed feasible, would be going on this 
> weekend.*
>
> *The private sector was targeted for fundraising, too, he said. A 
> provincial grant was to cover the cost of printing posters and brochures.*
>
> *Regarding the Montreal troupe’s alternative production, Pinto said 
> it’s not right to cut a slice out of 17th-century life and paste it to 
> a theatrical work four centuries later. *
>
> *"It’s political correctness gone crazy," he said. "I mean I just hate 
> political correctness."*
>
> *Pinto, who is black, said he’s read the Lescarbot play and sees 
> nothing wrong with its depiction of natives.*
>
> *"The word ‘savages’ – that was the way it was back then," he said. 
> "Blacks were slaves back then. That’s the way it was."*
>
> *Pinto is unhappy with the way Canada Council’s jury handled his two 
> applications but said plans are in the works to stage Lescarbot’s play 
> in Halifax in 2010 at the Dingle Park on the Northwest Arm.*
>
> *"It would be a perfect location," he said. *
>
> *( **mlightstone at herald.ca* <mailto:mlightstone at herald.ca>*)*
>
> **
>
> <javascript:viewfullsize('firstplay_Provincial_11-11-06_GJ3SHUN.jpg')>
>
> This artist’s rendering depicts Canada’s first play written and 
> produced by European settlers, Marc Lescarbot’s The Theatre of Neptune 
> in New France, staged by French colonizers in Nova Scotia on Nov. 14, 
> 1606. To mark the 400th anniversary of the production, two amateur 
> theatre companies are putting on rival versions of the work in 
> Annapolis Royal and Halifax. A third group tried to mount a production 
> of the play, but its hopes were dashed after grant applications were 
> rejected.
>
> ON STAGE
>
> Amateur theatre productions marking the 400th anniversary of Canada’s 
> first drama written and produced by European colonizers are to be 
> staged in Nova Scotia during the next several days.
>
> •Sunday, in Annapolis Royal, a re-enactment of Marc Lescarbot’s The 
> Theatre of Neptune in New France will be performed by the Musique 400 
> Society at 3 p.m. on the shores of Annapolis Basin at the Port Royal 
> Habitation. If the weather is bad, the event will take place inside 
> Lower Granville Community Hall.
>
> •Tuesday, in Annapolis Royal, "a theatrical subversion" of Lescarbot’s 
> play, called Sinking Neptune, will be put on by Montreal’s Optative 
> Theatrical Laboratories at 8 p.m. at King’s Theatre, 209 George St.
>
> •Wednesday, in Halifax, Sinking Neptune will be performed by the same 
> troupe at 8 p.m. at The Bus Stop, 2203 Gottingen St.
>
> •Thursday, in Halifax, Sinking Neptune will be staged at 8 p.m. at The 
> Bus Stop.
>
> **
>
> **

Thanks for this, Denis. I've been an interested party to the unfolding 
of these events because I have just published a 400th anniversary 
commemorative edition of the play entitled Spectacle of Empire: Marc 
Lescarbot's Theatre of Neptune in New France (Talonbooks). It includes 
the original French script, two English translations (Harriette 
Richardson's and Eugene and Renate Benson's), Ben Jonson and Inigo 
Jones' contemporary Masque of Blackness, and 40+ pages of critical and 
historical introductions, including some discussion of the Sinking 
Neptune project. Oh, and 22 illustrations. You can hear me talking about 
it with Shelagh Rogers later this week on CBC radio's Sounds Like Canada.
best regards,
Jerry Wasserman