Now Available Online - CTR 148 / Fall 2011, =?Windows-1252?Q?=93Artists_?=and Communities"

[Greenwood, Audrey]

CTR 148 / Fall 2011, “Artists and Communities” is now available at http://utpjournals.metapress.com/content/pt4n2v1n230l/.

In this issue, contributors dig into the fertile ground of the artist and community theatrical collaboration. Our choice to focus on artists reflects a shift in how this work is placed within arts and culture funding bodies, neighbourhoods and organizations, and among artists. This field has now attracted the ardour of the mainstream. This development is accompanied by the delights and dangers all love affairs entail. Addressing the perspectives of outsiders, insiders, educators, creators, and audience members, the contributors to this issue grapple with the changing definitions of community arts. The collection offers a mix that reflects the integration of theory and practice, the virtual and the embodied, celebration and mourning, rage and reflection.
 This issue contains:
Artists and Communities<http://utpjournals.metapress.com/content/1645976068m965j8/>



Julie Salverson

DOI: 10.3138/ctr.148.3<http://utpjournals.metapress.com/content/1645976068m965j8/>



Is Anyone Political Anymore?<http://utpjournals.metapress.com/content/h3gv1nhh75374r7j/>

Ruth Howard

DOI: 10.3138/ctr.148.5<http://utpjournals.metapress.com/content/h3gv1nhh75374r7j/>



Local and Transnational Dialogues on Memory and Violence in Jamaica and Toronto: Staging Letters from the Dead among the Living<http://utpjournals.metapress.com/content/h124713446669j13/>

Honor Ford-Smith

DOI: 10.3138/ctr.148.10<http://utpjournals.metapress.com/content/h124713446669j13/>



The Bridge: Toward Relational Aesthetic Inquiry in the Montreal Life Stories Project<http://utpjournals.metapress.com/content/a1877t72v40764t7/>

Nisha Sajnani, Warren Linds, Lisa Ndejuru, et al.

DOI: 10.3138/ctr.148.18<http://utpjournals.metapress.com/content/a1877t72v40764t7/>



Squaw Hall—A Community Remembers<http://utpjournals.metapress.com/content/95k17072k20272j7/>

Nicola Harwood

DOI: 10.3138/ctr.148.25<http://utpjournals.metapress.com/content/95k17072k20272j7/>



Adapting City of Dreams: Staging an Urban Imaginary<http://utpjournals.metapress.com/content/h328455t82310452/>



Caleb Johnston

DOI: 10.3138/ctr.148.32<http://utpjournals.metapress.com/content/h328455t82310452/>



Speaking Out on Violence and Social Change: Transmedia Storytelling with Remotely Situated Women in Nepal and Canada<http://utpjournals.metapress.com/content/h73619q474j501t6/>



Emma Alexander, Edith Regier

DOI: 10.3138/ctr.148.38<http://utpjournals.metapress.com/content/h73619q474j501t6/>



Judith Thompson's Body and Soul: Tactics of Theatre in the Corporate Strategy<http://utpjournals.metapress.com/content/a352611h45q17547/>

Sorouja Moll

DOI: 10.3138/ctr.148.43<http://utpjournals.metapress.com/content/a352611h45q17547/>



Working with The EFry Group for A Moveable Feast<http://utpjournals.metapress.com/content/k00073x0l1r820x2/>

Donna-lee Iffla

DOI: 10.3138/ctr.148.50<http://utpjournals.metapress.com/content/k00073x0l1r820x2/>



Staging the Internet: Representation (Bodies, Memories) and Digital Audiences<http://utpjournals.metapress.com/content/405082w4m2347730/>

Kathleen Irwin

DOI: 10.3138/ctr.148.54<http://utpjournals.metapress.com/content/405082w4m2347730/>



About Uth Ink<http://utpjournals.metapress.com/content/lt1gu8n30312th25/>



Robin Sokoloski

DOI: 10.3138/ctr.148.61<http://utpjournals.metapress.com/content/lt1gu8n30312th25/>



Script
Night<http://utpjournals.metapress.com/content/d16513g1586725wm/>

Christopher Morris

DOI: 10.3138/ctr.148.65<http://utpjournals.metapress.com/content/d16513g1586725wm/>



Views and Reviews<http://utpjournals.metapress.com/content/ml268k387900625g/>

Jenn Stephenson

DOI: 10.3138/ctr.148.89<http://utpjournals.metapress.com/content/ml268k387900625g/>




Canadian Theatre Review is the major magazine of record for Canadian theatre. It is committed to excellence in the critical analysis and innovative coverage of current developments in Canadian theatre, to advocating new issues and artists, and to publishing at least one significant new playscript per issue. The editorial board is committed to CTR's practice of theme issues that present multi-faceted and in-depth examinations of the emerging issues of the day and to expanding the practice of criticism in Canadian theatre and to the development of new voices.
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