[Candrama] The S Word: Stanislavsky and Race - CFP.

Paul Fryer paul at paulfryer.me.uk
Wed Aug 11 12:39:44 EDT 2021


*CALL FOR PARTICIPATION*

The S Word in partnership with the University of Notre Dame London 
Global Gateway presents

*/Stanislavsky and Race: Questioning the 'System' in the 21st Century/*

An international online and in person symposium hosted by the University 
of Notre Dame London Global Gateway

Keynote Speakers:

  * *Dr Dominic Hingorani*, Professor of Performing Arts at University
    of East London and Co-Artistic Director of Brolly Productions (UK/)/
  * *Kristine Landon-Smith*, Director, Educator and Co-founder of
    Tamasha Theatre (UK)
  * *Dr Monica White Ndounou*,//Actor, Director, Associate Professor at
    Dartmouth College, Founding Executive Director of The CRAFT
    Institute and Convener of The International Black Theatre Summit (US)

Co-conveners:
Siiri Scott, Head of Acting and Directing, Affiliate Faculty of the 
Initiative on Race and Resilience, University of Notre Dame (US)
Dr Gerald 'Jay' Paul Skelton, Lecturer, Royal Central School of Speech 
and Drama (UK)

*Friday and Saturday
19 and 20 November 2021*

Venues:
Online and Fischer Hall, University of Notre Dame London Global Gateway, 
London, England

The work of Konstantin Stanislavsky and the Moscow Art Theatre has been 
translated, appropriated, and adopted as the basis of actor training for 
a century. The language of Stanislavsky’s 'system' of acting is 
ubiquitous in universities and professional stages, and directors expect 
performers to be fluent in its terminology and application/s. How can we 
as scholars, practitioners, teachers and performers-in-training excavate 
Stanislavsky’s writings, cull effective modalities, and develop 
inclusive techniques moving forward? Or is Stanislavsky's 'system' 
simply no longer useful in the twenty-first century as we create 
anti-racist approaches to our work?

We invite proposals for participation in the following formats:

  * an individual conventional paper (15 minutes);
  * practical/workshop session (30 minutes);
  * panel presentations - a minimum of 3 speakers (45 minutes)

We also welcome participation in new and/or non-traditional formats that 
reflect your specific content or needs. Please also note your 
contribution can be offered in person or online (streamed or recorded) 
as necessary.

Please send a short written proposal of no more than 200 words to Siiri 
Scott (sscott2 at nd.edu <mailto:sscott2 at nd.edu>) and Dr Gerald 'Jay' Paul 
Skelton (jay.skelton at cssd.ac.uk <mailto:jay.skelton at cssd.ac.uk>) to 
arrive no later than *Friday 17 September 2021*. Please also include a 
short biography.

The symposium serves as the key source for 'Stanislavsky & Race', the 
first title in a series of books to be published by Routledge under the 
banner 'Stanislavsky & …' that focuses on the legacy and teaching of 
Konstantin Stanislavsky in the context of major contemporary themes and 
creative /performance genres.

*The S Word* is a collaborative international research project with 
partners in The UK, Europe, USA and Australia. Founded by Bella Merlin 
and Paul Fryer, the project explores the legacy of Stanislavsky's work 
within a contemporary context. The S Word is based at London South Bank 
University, and is supported by The Stanislavsky Research Centre.

-- 
Prof. Paul Fryer PhD, FRSA, FHEA.
Visiting Professor, School of Performance and Creative Industries, University of Leeds.
Visiting Professor, School of Arts and Creative Industries, London South Bank University.
Hon. Visiting Professor, School of Arts and Digital Industries, University of East London.
Director, The Stanislavsky Research Centre.
Editor-in-Chief, Stanislavski Studies (Taylor & Francis).

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://artsservices.uwaterloo.ca/pipermail/candrama/attachments/20210811/04b73734/attachment.htm>


More information about the Candrama mailing list