[Candrama] New Issue of Performance Matters Published: Vol 8, No. 2--The Syllabus is the Thing

Peter Dickinson peter_dickinson at sfu.ca
Fri Apr 28 11:08:53 EDT 2023


Dear Colleagues,

The latest issue of Performance Matters, “The Syllabus is the Thing: Materialities of the Performance Studies Classroom," has been published, guest-edited by Dr. Karin Shankar and Dr. Julia Steinmetz.

Please peruse the Table of Contents below, and access the full issue here<https://performancematters-thejournal.com/index.php/pm/issue/view/23>.


Vol. 8 No. 2 (2023): The Syllabus is the Thing: Materialities of the Performance Studies Classroom
[cover_issue_23_en_US.jpg]<https://performancematters-thejournal.com/index.php/pm/issue/view/23>

Image Caption: "Karolina and Gio." Photo: Julia Steinmetz, 2018.

Issue Editors: Karin Shankar and Julia Steinmetz

What does a performance studies syllabus instantiate or call into being in the classroom? In this special issue, contributors respond to this question, while simultaneously seeking to reframe the performance studies syllabus. If the syllabus (from its Greek origins, meaning “title,” “slip” or “label”) is a protocol for an experiment, how might we design syllabi to serve radical spaces of knowledge-making and modes of coming-to-know? In turn, how might syllabi create new structures within which to learn, reformulating the dynamics and relationships between teacher, student, and institution?



PUBLISHED: 2023-04-28
FULL ISSUE

  *    PDF<https://performancematters-thejournal.com/index.php/pm/issue/view/23/61>

INTRODUCTION

  *
Introduction: The Stuff of Teaching<https://performancematters-thejournal.com/index.php/pm/article/view/403>
Dr. Karin Shankar , Dr. Julia Steinmetz
1-5
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/403/453>

PEDAGOGICAL DUETS

  *
Syllabus for Race, Performance, and Media Studies<https://performancematters-thejournal.com/index.php/pm/article/view/407>
Miriam J. Petty, Joshua Chambers-Letson
6-10
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/407/449>
  *
The Unwieldy Otherwise: Rethinking the Roots of Performance Studies in and through the Black Freedom Struggle<https://performancematters-thejournal.com/index.php/pm/article/view/377>
Leon Hilton, Mariahdessa Ekere Tallie
11-20
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/377/467>
  *
Performance, Protest, and Feminism in Latin America<https://performancematters-thejournal.com/index.php/pm/article/view/393>
Dr. CK Snyder, Dr. Sabrina González
21-41
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/393/469>
  *
The Studio in the Seminar: Performing Theory in an MFA Classroom<https://performancematters-thejournal.com/index.php/pm/article/view/405>
Dr. Karin Shankar, Dr. Julia Steinmetz
42-49
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/405/451>

FROM PRO FORMA TO PERFORMATIVE

  *
Awe of What a Body Can Be: Disability Justice, the Syllabus, and Academic Labour<https://performancematters-thejournal.com/index.php/pm/article/view/387>
Jess Dorrance, Julia Havard, Caleb Luna, Olivia K. Young
50-71
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/387/457>
  *
Performativity, Possibility, and Land Acknowledgments in Academia: Community-Engaged Work as Decolonial Praxis in the COVID-19 Context<https://performancematters-thejournal.com/index.php/pm/article/view/383>
Sammy Roth, Tria Blu Wakpa
72-93
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/383/461>
  *
Un/Commoning Pedagogies: Forging Collectivity Through Difference in the Embodied Classroom and Beyond<https://performancematters-thejournal.com/index.php/pm/article/view/385>
Dasha A. Chapman, J Dellecave, Adanna Kai Jones, Sharon Freda Kivenko, Mario LaMothe, Lailye Weidman, Queen Meccasia Zabriskie
94-105
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/385/459>

BETWEEN STUDENTS AND TEACHERS

  *
Four Handouts<https://performancematters-thejournal.com/index.php/pm/article/view/391>
Ethan Philbrick
106-110
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/391/455>
  *
Pedagogies of NegationNotes on the Politics of Refusal<https://performancematters-thejournal.com/index.php/pm/article/view/379>
Michelle Velasquez-Potts
111-122
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/379/465>
  *
Pandemic Pedagogy: Snapshots from a Year of COVID-Impacted Teaching in Three Artifacts<https://performancematters-thejournal.com/index.php/pm/article/view/381>
Sharon Green
123-131
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/381/463>

CLASSROOM EXPERIMENTS

  *
Collective Curation across Difference: Performing Live with Race, Gender, and Sexuality<https://performancematters-thejournal.com/index.php/pm/article/view/397>
Sandra Ruiz
132-141
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/397/447>
  *
Pedagogies of Praxis: Exercises in Embodying Social Justice for Performance Studies Seminars<https://performancematters-thejournal.com/index.php/pm/article/view/395>
Serap Erincin
142-148
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/395/473>
  *
Bathtub Dramaturgy: An Experimental Syllabus for Theatre and Performance Studies Classrooms<https://performancematters-thejournal.com/index.php/pm/article/view/389>
Chloë Rae Edmonson
149-159
     *    PDF<https://performancematters-thejournal.com/index.php/pm/article/view/389/471>

___________________
Peter Dickinson, PhD
Professor, Associate Director, and Graduate Chair
School for the Contemporary Arts | SFU
Director, Institute for Performance Studies | SFU
T:  604-908-0993
W: http://www.sfu.ca/~ped

At Simon Fraser University, we live and work on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations.

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