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<p class=MsoNormal><font size=2 color=navy face="Times New Roman"><span
style='font-size:10.0pt;color:navy;mso-no-proof:yes'>Didaskalia’s <span
style='mso-spacerun:yes'> </span>interest in interdisciplinary approaches
may be of particular interest to CANDRAMA subscribers. <o:p></o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face="Times New Roman"><span
style='font-size:10.0pt;color:navy;mso-no-proof:yes'><o:p> </o:p></span></font></p>

<p class=MsoNormal><font size=2 color=navy face="Times New Roman"><span
style='font-size:10.0pt;color:navy;mso-no-proof:yes'><span
style='mso-spacerun:yes'> </span></span></font><b><span style='font-weight:
bold'>From: </span></b>Hugh <span class=SpellE>Denard</span>
<Hugh.Denard@kcl.ac.uk><br>
<b><span style='font-weight:bold'>Date: </span></b>Thu <st1:date Month="8"
Day="10" Year="2006">Aug 10, 2006</st1:date> 10:06:13 <span class=GramE>AM</span>
<st1:country-region><st1:place>America</st1:place></st1:country-region>/<st1:City><st1:place>Vancouver</st1:place></st1:City><br>
<b><span style='font-weight:bold'>To: </span></b>didaskalia@linnet.cch.kcl.ac.uk<br>
<b><span style='font-weight:bold'>Subject: </span></b>[Didaskalia] Call for
Papers: The Mask<br>
<br>
<?fontfamily><?param Arial><?smaller>Call For Papers: The Mask<br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller> <br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller>Didaskalia, an electronic journal and
resource dedicated to the study of ancient Greek and Roman drama in performance
(www.didaskalia.net<span class=GramE>),</span> is looking for papers and
discussions of the Mask as it relates to Classics and the theatre, for a
thematic issue to appear in 2007. <br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller> <br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller>The mask was a defining feature of ancient
stage performance, and yet how it functioned continues to mystify. We are
looking for discussions from academics and theatre practitioners to explore how
the mask creates meaning and changes experience on the stage. All approaches
are welcome, but we are particularly keen for interdisciplinary discussions
(from psychology, Asian studies, anthropology, etc.) and for practical
discussions of the effect of masks on actors and audience: anything that can
cast light on the mask and its function in antiquity. <br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller> <br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller>As an electronic resource, Didaskalia has
no specific limits in terms of length, and multimedia submissions are
encouraged, which take advantage of this electronic format. Electronic
submissions and requests for further information should be addressed to C. W.
Marshall, Classical, Near Eastern, and Religious Studies, <st1:place><st1:PlaceType>University</st1:PlaceType>
 of <st1:PlaceName>British Columbia</st1:PlaceName></st1:place>
(toph@interchange.ubc.ca), ideally before <st1:date Month="12" Day="1"
Year="2006">December 1, 2006</st1:date>. All submissions will be peer reviewed.<br>
<?/smaller><?/fontfamily><br>
<?fontfamily><?param Arial><?smaller> <o:p></o:p></p>

<?/smaller><?/fontfamily>

<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>

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