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<P style="TEXT-ALIGN: center; mso-outline-level: 1" align=center><B><SPAN lang=EN-CA style="FONT-SIZE: 14pt; mso-ansi-language: EN-CA">CALL FOR PAPERS<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center" align=center><B><SPAN lang=EN-CA style="FONT-SIZE: 22pt; mso-ansi-language: EN-CA">Wartime Shakespeare in a Global Context/<o:p></o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center" align=center><B><SPAN lang=FR-CA style="FONT-SIZE: 22pt; mso-ansi-language: FR-CA">Shakespeare au temps de la guerre<o:p></o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center" align=center><B><SPAN lang=FR-CA style="mso-ansi-language: FR-CA"><SPAN style="mso-spacerun: yes"> </SPAN></SPAN></B><?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:place w:st="on"><st1:PlaceType w:st="on"><B><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">University</SPAN></B></st1:PlaceType><B><SPAN lang=EN-CA style="mso-ansi-language: EN-CA"> of <st1:PlaceName w:st="on">Ottawa</st1:PlaceName></SPAN></B></st1:place><B><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">, September 18-21, 2009<o:p></o:p></SPAN></B></P>
<P class=MsoNormal><SPAN lang=EN-GB style="mso-ansi-language: EN-GB">Fought on every continent except <st1:place w:st="on">Antarctica</st1:place>, the Second World War offers a unique, temporally limited but geographically inclusive period in which to analyse and probe the role and significance of the theatre in times of extreme social duress. As the most frequently performed and translated playwright in the world, Shakespeare is arguably one of the most useful touchstones for examining a range of issues and questions brought to the fore during wartime which this international conference -- coinciding with the 70<SUP>th</SUP> anniversary of the declaration of war --- aims to address: <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN-LEFT: 36pt"><SPAN lang=EN-GB style="mso-ansi-language: EN-GB"><o:p> </o:p></SPAN></P>
<P class=MsoNormal style="MARGIN-LEFT: 36pt"><SPAN lang=EN-GB style="mso-ansi-language: EN-GB">What can the classics and, more broadly, theatre offer people suffering under the horrific conditions of war? How does culture (both as an anthropological and as an aesthetic concept) change in wartime? Are some aesthetic genres and modes more conducive than others in such a period? How effective is the imposition from “above” of aesthetic criteria or of particular works? How do ordinarily benign artistic productions suddenly become usable, even necessary, as political propaganda? How are claims about the universality of authors revised or revisited in wartime when special pressures and demands are placed on literary and dramatic work? How are issues of character and poetic language dealt with in circumstances which require collective, not individualistic, thought? What kind of relationship develops between “world classics” and indigenous canons of theatre and literature in wartime? How do issues of gender, class, or political formation play into these debates? Post-colonialism? Translation? Adaptation? How do terms like “high” and “low” art function in wartime? In periods of post-war reconstruction? Where does the issue of globalization fit? Do answers to any of <SPAN style="mso-spacerun: yes"> </SPAN>these questions about the Second World War still hold true today?<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN-LEFT: 36pt"><o:p> </o:p></P>
<P class=MsoNormal><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">The Organizing Committee especially encourages comparative and interdisciplinary submissions. A <B style="mso-bidi-font-weight: normal">250 word abstract</B> of proposed papers, along with a brief <B style="mso-bidi-font-weight: normal">curriculum vitae</B>, must be submitted electronically (preferably in Word or Rich Text format) <B style="mso-bidi-font-weight: normal">by 1 November 2008</B> either in English or in French to the Organizing Committee care of<SPAN style="mso-spacerun: yes"> </SPAN>Professor Irene (Irena) Makaryk at <A href="mailto:makaryk@uottawa.ca">makaryk@uottawa.ca</A> .<SPAN style="mso-spacerun: yes"> </SPAN></SPAN><SPAN lang=EN-GB style="mso-ansi-language: EN-GB">Selected conference papers will be published in a special volume. </SPAN>Pending a successful grant application, limited funding will be available for graduate students.<SPAN style="mso-spacerun: yes"> </SPAN></P>
<P class=MsoNormal><B style="mso-bidi-font-weight: normal"><SPAN lang=EN-CA style="mso-ansi-language: EN-CA"><o:p> </o:p></SPAN></B></P>
<P class=MsoNormal><B style="mso-bidi-font-weight: normal"><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">The Organizing Committee:<o:p></o:p></SPAN></B></P>
<P class=MsoNormal><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">Irene (Irena) R. Makaryk, Chair of the Organizing Committee, Department of English <o:p></o:p></SPAN></P>
<P class=MsoNormal><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">Yana Meerzon, Département de théâtre/Department of Theatre<o:p></o:p></SPAN></P>
<P class=MsoNormal><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">Tibor Egervari, Département de theatre/Department of Theatre<o:p></o:p></SPAN></P>
<P class=MsoNormal><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">Jeff Keshen, Département d’histoire/Department of History <o:p></o:p></SPAN></P>
<P class=MsoNormal><SPAN lang=FR-CA style="mso-ansi-language: FR-CA">Annie Brisset, École de traduction et d’ interprétation/Department of Translation and Interpretation<o:p></o:p></SPAN></P>
<P class=MsoNormal><SPAN lang=EN-CA style="mso-ansi-language: EN-CA">Marissa McHugh, graduate student, Department of English</SPAN></P><BR>
<DIV>Yana Meerzon, Ph.D.<BR>Associate Professor, Department of Theatre<BR>
<P align=left>University of Ottawa,135 Seraphin-Marion St. Room 304B</P>Ottawa, ON K1N 6N5 Canada<BR>tel. 613-562-5800 ext.2243; <A href="mailto:yana.meerzon@uottawa.ca">yana.meerzon@uottawa.ca</A><BR> <BR></DIV><BR><br /><hr /> <a href='' target='_new'></a></body>
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