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<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Joan MacLeod and Judith Thompson!<o:p></o:p></span></p>
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color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Tee Schneider<o:p></o:p></span></p>
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color:#1F497D'>Randolph Academy for the Performing Arts<o:p></o:p></span></p>
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color:#1F497D'><a href="mailto:studentservices@randolphacademy.com">studentservices@randolphacademy.com</a><o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>416-997-3482<o:p></o:p></span></p>
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color:#1F497D'><o:p> </o:p></span></p>
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<p class=MsoNormal><b><span lang=EN-US style='font-size:10.0pt;font-family:
"Tahoma","sans-serif"'>From:</span></b><span lang=EN-US style='font-size:10.0pt;
font-family:"Tahoma","sans-serif"'> Canadian Theatre Research
[mailto:CANDRAMA@LISTSERV.UNB.CA] <b>On Behalf Of </b>Hanrahan, Gail<br>
<b>Sent:</b> June-26-10 5:18 PM<br>
<b>To:</b> CANDRAMA@LISTSERV.UNB.CA<br>
<b>Subject:</b> Re: Women in Canadian Theatre<o:p></o:p></span></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif";
color:black'>Sharon Pollock</span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif";
color:black'>Gail Hanrahan</span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Assistant
Professor</span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Theatre
and Dramatic Arts</span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>University
of Lethbridge</span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>(403)
332-5230</span><o:p></o:p></p>
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<p class=MsoNormal><o:p> </o:p></p>
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<p class=MsoNormal style='margin-bottom:12.0pt'><b><span style='font-size:10.0pt;
font-family:"Tahoma","sans-serif"'>From:</span></b><span style='font-size:10.0pt;
font-family:"Tahoma","sans-serif"'> Canadian Theatre Research on behalf of
David Ferry<br>
<b>Sent:</b> Sat 26/06/2010 2:13 PM<br>
<b>To:</b> CANDRAMA@LISTSERV.UNB.CA<br>
<b>Subject:</b> Re: Women in Canadian Theatre</span><o:p></o:p></p>
</div>
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<p class=MsoNormal style='margin-bottom:12.0pt'>Joy Coghill first female
Artistic Director of a major regional theatre (Vancouver Playhouse)
commissioned one of the most influential plays in the development of modern
English Canadian plays (The Ecstasy of Rita Joe ) first woman artistic director
of the National Theatre School of Canada -Order of Canada.<br>
<br>
Amelia Hall-first Canadian actor to speak at Stratford (Lady Anne to Alec
Guiness in Richard 3 in first production) and head of influential Ottawa
theatre company in early 50s (Canadian Repertory Theatre-first year round
professional theatre company). This company was the early home to William Hutt,
Chris Plummer, William Shatner, Donald Davis, Eric House, Ted Follows, David
Gardner and many others.<br>
<br>
Sue Kramer-actor and co-founder of influential Globe Theatre in Regina (died in
1978)<br>
<br>
Dora Mavor Moore-influential Toronto actor and teacher.<o:p></o:p></p>
<p>Sent from my BlackBerry® wireless device<o:p></o:p></p>
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<p class=MsoNormal><b>From: </b>"Louise . Forsyth"
<louise.forsyth@SHAW.CA> <o:p></o:p></p>
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<div>
<p class=MsoNormal><b>Sender: </b>Canadian Theatre Research
<CANDRAMA@LISTSERV.UNB.CA> <o:p></o:p></p>
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<div>
<p class=MsoNormal><b>Date: </b>Sat, 26 Jun 2010 08:51:54 -0600<o:p></o:p></p>
</div>
<div>
<p class=MsoNormal><b>To: </b><CANDRAMA@LISTSERV.UNB.CA><o:p></o:p></p>
</div>
<div>
<p class=MsoNormal><b>ReplyTo: </b>"Louise . Forsyth"
<louise.forsyth@SHAW.CA> <o:p></o:p></p>
</div>
<div>
<p class=MsoNormal><b>Subject: </b>Women in Canadian Theatre<o:p></o:p></p>
</div>
<div>
<p class=MsoNormal><o:p> </o:p></p>
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<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Dear
colleagues,</span><o:p></o:p></p>
<p class=MsoNormal> <o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>I
have been invited to contribute articles to a 4-volume dictionary currently
being prepared on women in theatre everywhere for the publishing house in Paris
Des femmes. My contribution will be an overview of women in anglophone Canadian
theatre and short pieces on 5-10 Canadian “personalities” from the past and the
present: playwrights, directors, actors, technicians, stage managers,
designers, costumers, artistic directors, etc.</span><o:p></o:p></p>
<p class=MsoNormal> <o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Do
you have suggestions for me of women in Canadian theatre who are/were
outstanding artists and who have made a significant contribution and
difference? I don’t want to overlook anyone and Canada is a vast country with a
significant history. My knowledge certainly has its limits and I thank you in
advance for allowing me to draw on yours.</span><o:p></o:p></p>
<p class=MsoNormal> <o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Thanks
for your ideas and any names you can send me.</span><o:p></o:p></p>
<p class=MsoNormal> <o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Louise
Forsyth (louise.forsyth@usask.ca)</span><o:p></o:p></p>
</div>
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