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</o:shapelayout></xml><![endif]--></head><body lang=EN-US link="#3B5998" vlink=purple><div class=WordSection1><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#00B050'>CTR 144, Fall 2010, Theatre in an Age of Eco-Crisis is now available at </span></strong><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'><a href="http://utpjournals.metapress.com/content/m26h44316vv8/" target="_blank">http://utpjournals.metapress.com/content/m26h44316vv8/</a>.</span></strong><span lang=EN style='color:#333333'><o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'>This latest issue of the Canadian Theatre Review takes a lively, thought-provoking, and sometimes controversial look at the role of theatre with respect to some of the most pressing ecological issues of our time.<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'>How do plays and performances respond to instances of species loss, climate change and environmental injustice? How do directors and critics respond to such plays? How do we create theatre that is more sustainable?<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'>Co-editors Sheila Rabillard and Nelson Gray have brought together a community of artists, directors and scholars to address these questions from a wide range of perspectives. The result is both informative and inspiring: an engaging series of articles, artistic accounts, interviews and reviews on a topic of vital interest to everyone, along with a newly published script—The Eco Show--by Daniel Brooks, one of this country’s most celebrated theatre artists.<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'> <o:p></o:p></span></p><p style='background:white'><b><span lang=EN style='color:#00B050'>This issue contains:<o:p></o:p></span></b></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Theatre in an Age of Eco-crisis</span></strong><span lang=EN style='color:#333333'><br>Nelson Gray, Sheila Rabillard<br> <a href="http://utpjournals.metapress.com/content/a0570153275t27v4/?p=2241cab912374232a4093493bc27be31&pi=0" target="_blank">http://utpjournals.metapress.com/content/a0570153275t27v4/?p=2241cab912374232a4093493bc27be31&pi=0</a><br>DOI: 10.3138/ctr.144.3<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Kneading Marie Clements' Burning Vision</span></strong><span lang=EN style='color:#333333'><br>Theresa J. May<br><a href="http://utpjournals.metapress.com/content/a676n3l854lu6257/?p=2241cab912374232a4093493bc27be31&pi=1" target="_blank">http://utpjournals.metapress.com/content/a676n3l854lu6257/?p=2241cab912374232a4093493bc27be31&pi=1</a><br>DOI: 10.3138/ctr.144.5<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Becoming Eco-sexual</span></strong><span lang=EN style='color:#333333'><br>Elizabeth Stephens<br><a href="http://utpjournals.metapress.com/content/a86h645134h3921g/?p=2241cab912374232a4093493bc27be31&pi=2" target="_blank">http://utpjournals.metapress.com/content/a86h645134h3921g/?p=2241cab912374232a4093493bc27be31&pi=2</a><br>DOI: 10.3138/ctr.144.13<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'> “Yes to Everything”—A Conversation about Theatre and Ecology with Daniel Brooks, Marie Clements, Kendra Fanconi, and Karen Hines</span></strong><span lang=EN style='color:#333333'><br>Nelson Gray<br><a href="http://utpjournals.metapress.com/content/a617j87577127p12/?p=2241cab912374232a4093493bc27be31&pi=3" target="_blank">http://utpjournals.metapress.com/content/a617j87577127p12/?p=2241cab912374232a4093493bc27be31&pi=3</a><br>DOI: 10.3138/ctr.144.20<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>The Burton Auditorium: A Sustainable Theatre at York University</span></strong><span lang=EN style='color:#333333'><br>James B. McKernan, Marlis Schweitzer<br><a href="http://utpjournals.metapress.com/content/a82w13273145n30k/?p=2241cab912374232a4093493bc27be31&pi=4" target="_blank">http://utpjournals.metapress.com/content/a82w13273145n30k/?p=2241cab912374232a4093493bc27be31&pi=4</a><br>DOI: 10.3138/ctr.144.29<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Complexion as Metaphor: Eco-Satire in The Pochsy Plays</span></strong><span lang=EN style='color:#333333'><br>Celeste Derksen<br><a href="http://utpjournals.metapress.com/content/aj7n701lv530gw01/?p=2241cab912374232a4093493bc27be31&pi=5" target="_blank">http://utpjournals.metapress.com/content/aj7n701lv530gw01/?p=2241cab912374232a4093493bc27be31&pi=5</a><br>DOI: 10.3138/ctr.144.35<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Xstine Cook and Spirit of White Buffalo</span></strong><span lang=EN style='color:#333333'><br>Allan Boss<br><a href="http://utpjournals.metapress.com/content/a8166267tlw67275/?p=2241cab912374232a4093493bc27be31&pi=6" target="_blank">http://utpjournals.metapress.com/content/a8166267tlw67275/?p=2241cab912374232a4093493bc27be31&pi=6</a><br>DOI: 10.3138/ctr.144.42<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Ground Rules: Live Performance and Eco-art</span></strong><span lang=EN style='color:#333333'><br>Denise Kenney<br><a href="http://utpjournals.metapress.com/content/a622mk8kn8716l58/?p=2241cab912374232a4093493bc27be31&pi=7" target="_blank">http://utpjournals.metapress.com/content/a622mk8kn8716l58/?p=2241cab912374232a4093493bc27be31&pi=7</a><br>DOI: 10.3138/ctr.144.48<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'><o:p> </o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>Atomies of Desire: Directing Burning Vision in Northern Alberta</span></strong><span lang=EN style='color:#333333'><br>Annie Smith<br><a href="http://utpjournals.metapress.com/content/l882257422t2585r/?p=2241cab912374232a4093493bc27be31&pi=8" target="_blank">http://utpjournals.metapress.com/content/l882257422t2585r/?p=2241cab912374232a4093493bc27be31&pi=8</a><br>DOI: 10.3138/ctr.144.54<o:p></o:p></span></p><p style='background:white'><b><span lang=EN style='color:#333333'><o:p> </o:p></span></b></p><p style='background:white'><b><span lang=EN style='color:#00B050'>Script <br></span></b><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>The Eco Show</span></strong><span lang=EN style='color:#333333'><br>Daniel Brooks<br><a href="http://utpjournals.metapress.com/content/d020318078081v04/?p=2241cab912374232a4093493bc27be31&pi=9" target="_blank">http://utpjournals.metapress.com/content/d020318078081v04/?p=2241cab912374232a4093493bc27be31&pi=9</a><br>DOI: 10.3138/ctr.144.60</span><b><span lang=EN style='color:#00B050'><o:p></o:p></span></b></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'> </span></strong><span lang=EN style='color:#333333'><o:p></o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#00B050'>Views and Reviews</span></strong><span lang=EN style='color:#333333'><br>Jenn Stephenson<br><a href="http://utpjournals.metapress.com/content/dh518l31428w7614/?p=bf7ec86862c645ebac6332be61f64598&pi=10" target="_blank">http://utpjournals.metapress.com/content/dh518l31428w7614/?p=bf7ec86862c645ebac6332be61f64598&pi=10</a><br>DOI: 10.3138/ctr.144.85<o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'> <o:p></o:p></span></p><p style='background:white'><span lang=EN style='color:#333333'> <o:p></o:p></span></p><p style='background:white'><strong><span lang=EN style='font-family:"Tahoma","sans-serif";color:#333333'>For more information, please contact CTR:</span></strong><span lang=EN style='color:#333333'><br>University of Toronto Press - Journals Division<br>5201 Dufferin St., Toronto, ON M3H 5T8<br>Tel: (416) 667-7810 Fax: (416) 667-7881<br>Email: <a href="mailto:journals@utpress.utoronto.ca">journals@utpress.utoronto.ca</a><br><a href="http://www.utpjournals.com/ctr" target="_blank">www.utpjournals.com/ctr</a><o:p></o:p></span></p><p class=MsoNormal><img border=0 width=170 height=211 id="Picture_x0020_1" src="cid:image001.jpg@01CB66D9.FD78F450"></p></div></body></html>