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<p><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:black"><o:p> </o:p></span></p>
<p><b><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:black">CTR 145/Winter 2011, “Memory” is now available at
</span></b><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#0070C0"><a href="http://utpjournals.metapress.com/content/t7l484140303/"><span style="color:#0070C0">http://utpjournals.metapress.com/content/t7l484140303/</span></a>.</span><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#00B0F0"><o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Arial","sans-serif""><o:p> </o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#221E1F">Over the past ten years the generally accepted understanding of human memory has shifted radically, reflecting popularized articulations of recent advances in the cognitive sciences.
 While the relationship between cultural memory and theatre has been addressed extensively— particularly in Canada—questions of how the dynamics and mechanics of memory inform and act on creative strategies in Canadian dance, performance, and theatre have rarely
 been raised. <o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#221E1F"><o:p> </o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#221E1F">This issue of
<i>CTR </i>is a response to a junction between this perceived shift in understanding and a growing body of Canadian performance projects that involve artistic questions and strategies of memory. In these projects — and in these articles — simplistic and outdated
 understandings of memory are challenged and split open by practices that are acutely aware of memory as a complex process that affects artists and audiences in multiple ways. These essays and performance documents offer inspiration to imagine what both artistic
 and scholarly exploration of memory in theatre, performance, and dance can lead to in terms of creative strategies and understandings of how performance
<i>acts</i>.<o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Arial","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:0pt"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
<p><b><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:black">This issue contains:
<o:p></o:p></span></b></p>
<p class="MsoNormal" style="mso-line-height-alt:0pt"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x582371192150w73/">Memory</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Pil Hansen, Bruce Barton<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x582371192150w73/">10.3138/ctr.145.3</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x75j381nm9550313/">And in the Future I Don't Remember What Happened Yet: A Back and Forth on the Experience
 of Memory in relay</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Marie Claire Forté, Jacob Zimmer<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x75j381nm9550313/">10.3138/ctr.145.6</a><o:p></o:p></span></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x267x2l6q3550672/">Processing Memory in 300 TAPES and relay</a><o:p></o:p></span></p>
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<td nowrap="" style="padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
</td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Pil Hansen<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x267x2l6q3550672/">10.3138/ctr.145.11</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x57wv7q444815r77/">300 TAPES</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x57wv7q444815r77/">10.3138/ctr.145.17</a><o:p></o:p></span></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x51151136855x156/">100 Steps: Working on Memory</a><o:p></o:p></span></p>
</td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Evan Webber<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x51151136855x156/">10.3138/ctr.145.21</a><o:p></o:p></span></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x514516764075724/">Me Talking to Myself in the Future: An Interview with Marie Brassard</a><o:p></o:p></span></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">J. Paul Halferty<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x514516764075724/">10.3138/ctr.145.26</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x8752850k7l5x771/">A Hopeful Present</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Yvette Nolan<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x8752850k7l5x771/">10.3138/ctr.145.31</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x5p46n56q3301n53/">How Does a Forgetful Woman Dance?</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Aimée Dawn Robinson<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/x5p46n56q3301n53/">10.3138/ctr.145.35</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/9755083255r62421/">Undressing</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">Maiko Bae Yamamoto<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#404040">DOI:
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