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<p style="background:white"><em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Canadian Theatre Review</span></em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">, Volume 145,
Winter 2011 is now available at Project MUSE <a href="http://muse.uq.edu.au/content/alerts/journals/canadian_theatre_review/toc/ctr.145.html" target="_blank">
http://muse.uq.edu.au/content/alerts/journals/canadian_theatre_review/toc/ctr.145.html</a><o:p></o:p></span></p>
<p style="background:white"><strong><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#002060"><o:p> </o:p></span></strong></p>
<p style="background:white"><strong><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:black">This issue contains:</span></strong><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:black"><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Memory<br>
Pil Hansen, Bruce Barton<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.hansen.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.hansen.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">And in the Future I Don't Remember What Happened Yet: A Back and Forth on the Experience of Memory in
<em><span style="font-family:"Arial","sans-serif"">relay</span></em><br>
Marie Claire Forté, Jacob Zimmer<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.forte.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.forte.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Processing Memory in
<em><span style="font-family:"Arial","sans-serif"">300 TAPES</span></em> and <em>
<span style="font-family:"Arial","sans-serif"">relay</span></em><br>
Pil Hansen<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.hansen01.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.hansen01.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">300 Tapes<br>
Public Recordings<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.article.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.article.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">100 Steps: Working on Memory<br>
Evan Webber<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.webber.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.webber.html</a><o:p></o:p></span></p>
<p style="background:white"><em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Me Talking to Myself in the Future</span></em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">: An
Interview with Marie Brassard<br>
J. Paul Halferty<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.halferty.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.halferty.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">A Hopeful Present<br>
Yvette Nolan<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.nolan.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.nolan.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">How Does a Forgetful Woman Dance?<br>
Aimée Dawn Robinson<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.robinson.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.robinson.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Undressing<br>
Maiko Bae Yamamoto<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.yamamoto.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.yamamoto.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Memory's Borderlands: Onelight Theatre's<em><span style="font-family:"Arial","sans-serif""> Return Ticket</span></em>:
<em><span style="font-family:"Arial","sans-serif"">Halifax-Abadan-Halifax</span></em><br>
Roberta Barker<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.barker.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.barker.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">A Trip to Bohemia: The Paranoid Confesses<br>
Sky Gilbert<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.gilbert.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.gilbert.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Peterborough
<em><span style="font-family:"Arial","sans-serif"">In Memoriam</span></em><br>
P.K. Brask<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.brask.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.brask.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Dear Citizens of Tennessee<br>
James Long<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.long.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.long.html</a><o:p></o:p></span></p>
<p style="background:white"><em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Edna's Archive</span></em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">: Performing Absence in
a Troubled Home of Memory<br>
Andrew Houston<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.houston.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.houston.html</a><o:p></o:p></span></p>
<p style="background:white"><em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Before we get into the event—I would like to hear from you in what way you think that my love affected you</span></em><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">:
(verbatim fragments on memory and loss—from a piece that I have been working on my whole adult life and may never write)<br>
Marcus Youssef<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.youssef.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.youssef.html</a><o:p></o:p></span></p>
<p style="background:white"><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">Swimmer (68): A perfomance text-in-progress<br>
Ker Wells, Bruce Barton<br>
<a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.wells.html" target="_blank">http://muse.jhu.edu/journals/canadian_theatre_review/summary/v145/145.wells.html</a><o:p></o:p></span></p>
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