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<p><i><span style="font-size:11.0pt">CTR</span></i><span style="font-size:11.0pt"> 146 / Spring 2011 “<span style="color:black"><a href="http://utpjournals.metapress.com/content/48v0506221650l78/"><span style="color:black">Performance and Health</span></a></span>“
 is now available at <a href="http://utpjournals.metapress.com/content/v465272v8t60/">
http://utpjournals.metapress.com/content/v465272v8t60/</a>.<o:p></o:p></span></p>
<p><span style="font-size:11.0pt"><span class="A0"><span style="font-family:"Tahoma","sans-serif"">Health studies and performance studies have too rarely walked hand-in-hand despite their mutual interest in the practical relations between human bodies and their
 environments. This issue of <i>CTR </i>features the work of artists, health researchers, and theatre scholars collaborating at the intersections between performance studies and health and traversing the professed boundary between different ways of knowing.
 The lived, experiencing body stands at the centre of these inquiries, which raise a number of provocative questions of interest to theatre and health practitioners alike. Can performance be a site of healing? Are we still invested in the ideal of the “tortured
 artist” or can artistic creation begin from a place of pleasure rather than pain? Who defines what kinds of emotional relationships are “useful” in the context of medical education? How do social identities get constructed around expectations of health? Do
 representations of illness in the social sphere build expectations of how we should experience it? What ethical blind spots arise in research-based performance? These inquiries are anchored by an investment in the potentialities of performance to make visible
 what is otherwise made socially invisible in subjects and bodies defined by health issues. The projects in this issue seek, each in their own way, to inspire changes in relationships and priorities among participants who are enabled by performance to imagine
 different modes of engagement and new possibilities for action around health and health care.</span></span><b><o:p></o:p></b></span></p>
<p><b><span style="font-size:11.0pt"><o:p> </o:p></span></b></p>
<p><span style="font-size:11.0pt">This issue contains: </span><span style="font-size:11.0pt;color:#404040"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/48v0506221650l78/">Performance and Health</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Natalie Alvarez, Catherine Graham<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/48v0506221650l78/">10.3138/ctr.146.3</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/4k4v416167305285/">My Leaky Performances</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Julie Devaney<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/4k4v416167305285/">10.3138/ctr.146.6</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Katherine Boydell<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/4jp58v174l852458/">10.3138/ctr.146.12</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/4687h4ul27h12358/">You Can't Get There From Here Redux (The Essay)</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Liss Platt<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/4687h4ul27h12358/">10.3138/ctr.146.18</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/m8x576380146r782/">Countering Stigma with Understanding: The Role of Theatre in Social Change and Transformation</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Gail J. Mitchell, Sherry Dupuis, Christine Jonas-Simpson<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/m8x576380146r782/">10.3138/ctr.146.22</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/dtx608845082u7pk/">Going to the Centre: Performance Works and Other Thoughts</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Dana Claxton<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
<a href="http://utpjournals.metapress.com/content/dtx608845082u7pk/">10.3138/ctr.146.28</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Christina Sinding, Lisa Schwartz, Matthew Hunt<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">DOI:
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040"><a href="http://utpjournals.metapress.com/content/x538505610xtm545/">Children and Bad Mothers: Breast Cancer and Constructions of Femininity</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">Marlene Moser<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Tahoma","sans-serif";color:#404040">David Fancy<o:p></o:p></span></p>
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