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<i><span style="font-size:11.0pt;font-family:"Arial","sans-serif"">CTR </span></i><span style="font-size:11.0pt;font-family:"Arial","sans-serif"">148 / Fall 2011, “Artists and Communities<b>”
</b>is now available on <a href="http://muse.jhu.edu/journals/canadian_theatre_review/toc/ctr.148.html">
Project MUSE</a><o:p></o:p></span></p>
<p style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:.25in;margin-left:0in">
<span style="font-size:11.0pt;font-family:"Arial","sans-serif"">In this issue, contributors dig into the fertile ground of the artist and community theatrical collaboration. Our choice to focus on artists reflects a shift in how this work is placed within arts
and culture funding bodies, neighbourhoods and organizations, and among artists. This field has now attracted the ardour of the mainstream. This development is accompanied by the delights and dangers all love affairs entail. Addressing the perspectives of
outsiders, insiders, educators, creators, and audience members, the contributors to this issue grapple with the changing definitions of community arts. The collection offers a mix that reflects the integration of theory and practice, the virtual and the embodied,
celebration and mourning, rage and reflection.<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> </span><strong><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:black;font-weight:normal">This issue
contains:</span></strong><b><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:black"><o:p></o:p></span></b></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.salverson.html">Artists and Communities</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Julie Salverson<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.howard.html">Is Anyone Political Anymore?</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Ruth Howard<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.ford-smith.html">Local and Transnational Dialogues on Memory and Violence in Jamaica and Toronto:
Staging <i>Letters from the Dead</i> among the Living</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Honor Ford-Smith<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.sajnani.html">The Bridge: Toward Relational Aesthetic Inquiry in the Montreal
<i>Life Stories</i> Project</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Nisha Sajnani, Warren Linds, Lisa Ndejuru, et al.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.harwood.html">Squaw Hall—A Community Remembers</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Nicola Harwood<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.johnston.html">Adapting
<i>City of Dreams</i>: Staging an Urban Imaginary</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Caleb Johnston<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.alexander.html">Speaking Out on Violence and Social Change: Transmedia Storytelling with Remotely
Situated Women in Nepal and Canada</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Emma Alexander, Edith Regier<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.moll.html">Judith Thompson's
<i>Body and Soul</i>: Tactics of Theatre in the Corporate Strategy</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Sorouja Moll<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.iffla.html">Working with The EFry Group for
<i>A Moveable Feast</i></a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Donna-lee Iffla<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.irwin.html">Staging the Internet: Representation (Bodies, Memories) and Digital Audiences</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Kathleen Irwin<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.sokoloski.html">About U<sup>th</sup> Ink</a><span style="color:#404040"><o:p></o:p></span></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Robin Sokoloski<o:p></o:p></span></p>
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</span></b><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/summary/v148/148.morris.html">Night</a></span><b><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#365F91"><o:p></o:p></span></b></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040">Christopher Morris<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p> </o:p></span></p>
<p><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/index.html">Project MUSE</a> is a unique collaboration between libraries and publishers, providing 100% full-text, affordable and user-friendly online
access to a comprehensive selection of prestigious humanities and social sciences journals. MUSE's online journal collections support a diverse array of research needs at academic, public, special and school libraries worldwide. <o:p></o:p></span></p>
<p><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:black">For more information about the journal, please visit
<i>CTR </i>at <a href="http://www.utpjournals.com/ctr"><span style="font-weight:normal">www.utpjournals.com/ctr</span></a></span></b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#404040"> <o:p></o:p></span></p>
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