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<p class="MsoNormal" style="margin-bottom:12.0pt"><i><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">CTR</span></i><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""> 149 / Winter 2012 “Queer Performance: Women and Trans Artists”
is now available </span><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/k5594343203v/?p=d2bdfd2fc22d48da962042706080be73&pi=0">online</a><o:p></o:p></span></p>
<p class="BasicParagraph" style="margin-bottom:12.0pt;line-height:normal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">This important issue reflects on a contemporary alternative queer performance scene with a transnational scope, and features
the script of Jess Dobkin’s <i>Everything I’ve Got</i>, along with articles on, and interviews with, several influential Canadian women, lesbian and trans performers including: Rosemary Rowe’s chronicle of the electric atmosphere of the
<i>Anne Made Me Gay </i>cabaret; Erin Hurley’s examination of Nathalie Claude’s <i>
Madness Trilog</i>y; and a boychoir’s experiments with gender fluidity discussed by David Bateman. The goal of the material in this publication is to bring to light some of the most edgy, vibrant, and under-represented performance work Canada has to offer,
and to help develop a critical discourse around the fluctuating and creative methods of queer artistic production.<o:p></o:p></span></p>
<p style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">This issue contains:
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/89603p25g5368215/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=0">Queer Performance: Women and Trans Artists</a>
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Moynan King<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#002060">DOI: 10.3138/ctr.149.3<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/88t531t4k8446104/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=1"><i>Anne Made Me Gay</i>: When Kindred Spirits Get Naked</a>
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Rosemary Rowe<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#002060">DOI: 10.3138/ctr.149.6<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/83t517810j867785/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=2">The Boychoir of Lesbos: Between the Folds/From Throat to Shining
Throat</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">David Bateman<br>
<span style="color:#002060">DOI: 10.3138/ctr.<i>149.12</i></span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/85n01u72g0441788/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=3">Getting Kinky Inside and Outside: A Conversation with Trey Anthony</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Spy Dénommé-Welch<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.17</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/9p66l40470w58l80/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=4">Companioned Solos: Nathalie Claude's
<i>Trilogie de la folie</i></a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Erin Hurley<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.22</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/f2127604r8178340/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=5">A Sadly Overlooked Lesbian Gem: Hope Thompson's
<i>Green</i></a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Sky Gilbert<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.27</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/1145613217240n17/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=6">Funny Girl: An Interview with Mariko Tamaki</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Abi Slone<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.31</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/8006j0x756m71751/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=7">The Extraction/Fusion Apparatus: Dayna McLeod's Engaged Mash-up
Art Practice</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Anne Golden<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.36</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/95665076564n2037/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=8">“An Act of Bravery”: Queer Women's Performance in Contemporary
Nova Scotia</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Roberta Barker and Susanne Shawyer<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.40</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/rq46k4n70nw13338/?p=3af5250848e94814b2bf6b5e4b4915c9&pi=9">Canada's Dandy Duet: The Performance Collaboration of Ivan Coyote
and Rae Spoon</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Moynan King<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.46</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/9317j6772861564n/?p=2cce6d29decd432ca1db0072c31e9440&pi=10">Giving us “Everything She's Got”: Processing the Script-as-Archive
in Jess Dobkin's Queer Performance Art</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Benjamin Gillespie<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.52</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/t443794g04j62688/?p=2cce6d29decd432ca1db0072c31e9440&pi=11">Queer Women's Performance Symposium</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Laine Newman<br>
<span style="color:#002060">DOI: 10.3138/ctr.149.64</span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/23025u4815p60762/?p=2cce6d29decd432ca1db0072c31e9440&pi=12">Performance Studies in Canada</a>
<br>
Natalie Alvarez<span class="MsoHyperlink"><o:p></o:p></span></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#002060">DOI: 10.3138/ctr.149.73<span class="MsoHyperlink"><span style="color:#002060"><o:p></o:p></span></span></span></p>
<div style="mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.0pt;padding:0in 0in 1.0pt 0in">
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