<html>
  <head>

    <meta http-equiv="content-type" content="text/html; charset=windows-1252">
  </head>
  <body bgcolor="#FFFFFF" text="#000000">
    Hi All,<br>
    <br>
    I'm forwarding this CFP from a colleague at York U. They've extended
    their deadline to <b>Feb 15</b> and have asked that I emphasize
    their interest in topics related to drama/theatre/performance.
    Please circulate.<br>
    <br>
    Cheers,<br>
    Robin.<br>
    <br>
    <pre class="moz-signature" cols="72">Robin C. Whittaker, PhD
Assistant Professor, Drama
Department of English
St. Thomas University
Fredericton, NB E3B 5G3
<a class="moz-txt-link-abbreviated" href="mailto:rwhit@stu.ca">rwhit@stu.ca</a></pre>
    <br>
    <div class="gmail_quote">
      <div class="gmail_quote">
        <div>
          <div dir="ltr"><br>
            <h1 style="font-family:Tahoma;font-size:10pt"><span
                style="font-size:16pt;font-family:Arial;color:rgb(204,51,204);background:none
                repeat scroll 0% 0% white" lang="EN-CA">Snickering
                Scholars: Humour and the
                Humanities</span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></h1>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                  repeat scroll 0% 0% white" lang="EN-CA">Graduate
                  Student Conference</span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                  repeat scroll 0% 0% white" lang="EN-CA">Friday,
                  March 16-Saturday, March 17, 2012</span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                  repeat scroll 0% 0% white" lang="EN-CA">Graduate
                  Program in Humanities, York University, Toronto,
                  Ontario</span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA"> </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">The discipline
                of the humanities has included from its beginnings a
                large helping of humour,
                and major scholars and critics from Ancient times
                onwards, within the Western
                tradition and outside of it, have taken full advantage
                of its capacity to
                engage, persuade, and amuse audiences.  Yet humour is
                also often ignored,
                and occasionally denigrated, as a rhetorical and
                educational technique in much
                of the scholarly world.  This conference is dedicated to
                bringing to light
                and exploring where, how, and to what effect humour is
                used in and around the
                humanities, both in primary texts and performances and
                in the works that
                comment on and elucidate them.  We invite submissions
                from graduate
                students working in the Humanities, as well as
                Interdisciplinary Studies,
                English, History, Philosophy, Theatre Studies,
                Comparative Literature,
                Education, Anthropology, Classics, Fine Arts,
                Psychology, Linguistics, Queer
                and Gender Studies, Art History, and other fields.</span><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"> </span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                  lang="EN-CA">Possible
                  panel and paper topics include but are not limited to:</span></b><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"> </span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA">1)  <b><i>Humour
                    and the human condition</i>.</b>  How does humour's
                “universal”
                character relate to the projects of the humanities?  </span><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">Does humour
                itself change through the centuries and millennia and
                across (or between)
                linguistic, ethnic, national, and cultural borders, or
                only our attitudes and
                approaches to it?  <span style="background:none repeat
                  scroll 0% 0% white">What about humour
                  in animals or in imagined non-human beings?  Is humour
                  as “human” a
                  feature as it is often claimed to be?</span></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA"> </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA">2)  </span><b><i><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                    lang="EN-CA">Humour and
                    aesthetics</span></i></b><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                  lang="EN-CA">. </span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> Humour is a
                major element of numerous artworks, but only rarely
                touched upon in “serious”
                discussions of aesthetics.  Does it have a place in
                theories of art? 
                If so, what sort of place?  How do mockery, parody, and
                farce relate or
                correspond to beauty, craftsmanship, and art in the
                works in which they
                appear?  Is irony any different?  What about other kinds
                of humour?</span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA"> </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA">3)  <b><i>Anti-humorists</i>. </b> What
does
                humour damage or destroy?  Do those who advocate the
                dismissal of
                humour from “serious” academic discussion have a point? 
                Are there
                “objective” objections to humour, or is it only ever an
                issue of style or
                taste?  Who benefits from the presence or absence of
                humour in the
                humanities? </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> </span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA">4)  </span><b><i><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                    lang="EN-CA">Humour,
                    performance, and spontaneity</span></i></b><b><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                  lang="EN-CA">. </span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> Humour
                and laughter are often associated with spontaneity,
                perhaps one of the chief
                reasons that they are is often deemed unsuitable for
                serious, planned
                discussion.  Yet some of the most widespread and
                successful (and
                ostensibly spontaneous) humour is minutely planned,
                rehearsed, and scripted -
                as, for example, in vaudeville, stand-up comics, film,
                radio, etc.  What
                is the relation of spontaneity and performance to humour
                and to the social,
                academic, and political interactions in which it
                appears?  <br>
              </span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"><br>
              </span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">5)  <b><i>Humour and health</i>. </b> Humour
is
                often connected with mental and/or physical well-being:
                it is used as a
                barometer to evaluate health and state of mind, and we
                are deeply disconcerted
                by either a complete absence or a notable excess of
                humour.  What are our
                assumptions about how humour relates to well-being? 
                What is the range of
                “allowable” variation in humour, and where is the border
                between “healthy” and
                “unhealthy” laughter?  What changes do we expect in
                humour when a person’s
                physical or mental state is permanently altered? </span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> </span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">6)  <b><i><span style="background:none
                      repeat scroll 0% 0% white">Humour in academic
                      articles, book reviews, textbooks, and other
                      scholarly materials</span></i><span
                    style="background:none repeat scroll 0% 0% white">. </span></b><span
                  style="background:none repeat scroll 0% 0% white">What
                  sorts of humour appear in scholarly work, and who
                  writes it?  With what goals?  What can be learned
                  about academia and
                  the humanities through humour that cannot be learned
                  any other way, and what
                  can be accomplished that would otherwise be left
                  undone?  Is humour used
                  in the same ways and for the same purposes by the
                  parvenus and the triumphantly
                  tenured, the cultural theorists and the classical
                  philologists?   How
                  is the humour of the humanities different from that of
                  other fields? </span></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA"> </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA">7)  <b><i>Humour
                    as a vehicle of critique</i>.  </b>Voltaire’s <i>Candide</i> is
only
                one of the many attempts to use humour to create a
                sustained argument for
                or against a philosophy, approach, or academic school. 
                What are the
                characteristics and techniques of this kind of humour? 
                Does it vary by
                discipline or region or over time?  What has caused it
                to come into or
                fall out of favour? </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                repeat scroll 0% 0% white" lang="EN-CA"> </span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-size:10pt;font-family:Tahoma"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34);background:none
                  repeat scroll 0% 0% white" lang="EN-CA">Other
                  possible paper topics include:</span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">-Multicultural
                and multiethnic humour in the humanities</span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">-Translation
                and humour, cross-cultural exchanges of humour</span><span
style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">-Jokes as
                self-positioning</span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">-Censorship and
                humour</span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">-Linguistics/language
                and humour</span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">-Knowledge/epistemologies
                of the funny</span><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"></span></p>
            <p style="font-family:Tahoma;font-size:10pt;margin:0in 0in
              0.0001pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"> </span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                  lang="EN-CA">Creative submissions</span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">, in the form of text,
                visual art, or performance will also be considered.  All
                participants will
                be invited to join the organizers at a comedy event in
                Toronto on the evening
                of the 17<sup>th</sup>.</span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> </span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                  lang="EN-CA">Keynote speakers:</span></b><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"></span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> </span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">1)  Prof. David McGimpsey, Creative
                Writing, Concordia
                University, Montreal</span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA">2)  TBA</span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><span
                style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                lang="EN-CA"> </span></p>
            <p class="MsoNormal"
              style="font-family:Tahoma;font-size:10pt"><b><span
                  style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                  lang="EN-CA">The Proposals Committee invites
                  submissions of 200-300
                  word abstracts to <a moz-do-not-send="true"
                    href="mailto:humourandthehumanities@gmail.com"
                    target="_blank"><span style="color:rgb(17,85,204)">humourandthehumanities@gmail.com</span></a> by
Jan.
                  15, 2011.  Submissions in English and French are
                  welcome. Abstracts may be in Word or RTF format and
                  should include, along
                  with the abstract, a title, the author’s name,
                  affiliation, email address, and
                  a short biographical statement (max 50 words). 
                  Proposals for panels will
                  also be considered: the proposal should include a
                  tentative title, short
                  description, and list of proposed participants and the
                  titles of their submissions. 
                  Notification of acceptance or rejection by the
                  Committee will be provided by
                  Feb. 5, 2012.</span></b><span class="HOEnZb"><font
                  color="#888888"><span
                    style="font-size:10pt;font-family:Arial;color:rgb(34,34,34)"
                    lang="EN-CA"></span></font></span></p>
            <span class="HOEnZb"><font color="#888888">
                <p class="MsoNormal"
                  style="font-family:Tahoma;font-size:10pt"><span
                    lang="EN-CA"> </span></p>
              </font></span></div>
        </div>
        <span class="HOEnZb"><font color="#888888">
          </font></span></div>
      <span class="HOEnZb"><font color="#888888"><br>
          <br clear="all">
          <br>
          <br>
        </font></span></div>
    <br>
    <br>
  </body>
</html>