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<i><span style="font-size:11.0pt;font-family:"Arial","sans-serif"">CTR</span></i><span style="font-size:11.0pt;font-family:"Arial","sans-serif""> 149 / Winter 2012 “Queer Performance: Women and Trans Artists” is now available on
<b><a href="http://muse.jhu.edu/journals/canadian_theatre_review/toc/ctr.149.html">Project MUSE</a></b><o:p></o:p></span></p>
<p class="BasicParagraph" style="margin-bottom:12.0pt;line-height:normal"><span style="font-size:11.0pt;font-family:"Arial","sans-serif"">This important issue reflects on a contemporary alternative queer performance scene with a transnational scope, and features
 the script of Jess Dobkin’s <i>Everything I’ve Got</i>, along with articles on, and interviews with, several influential Canadian women, lesbian and trans performers including: Rosemary Rowe’s chronicle of the electric atmosphere of the
<i>Anne Made Me Gay </i>cabaret; Erin Hurley’s examination of Nathalie Claude’s <i>
Madness Trilog</i>y; and a boychoir’s experiments with gender fluidity discussed by David Bateman. The goal of the material in this publication is to bring to light some of the most edgy, vibrant, and under-represented performance work Canada has to offer,
 and to help develop a critical discourse around the fluctuating and creative methods of queer artistic production.<o:p></o:p></span></p>
<p><span style="font-size:11.0pt;font-family:"Arial","sans-serif"">This issue contains:
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.king01.html">Queer Performance: Women and Trans Artists
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 3-5 | DOI: 10.1353/ctr.2012.0001
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333"><a href="http://muse.jhu.edu/results?section1=author&search1=Moynan%20King">Moynan King</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.rowe.html"><i>Anne Made Me Gay</i>: When Kindred Spirits Get
 Naked </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 6-11 | DOI: 10.1353/ctr.2012.0004
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333"><a href="http://muse.jhu.edu/results?section1=author&search1=Rosemary%20Rowe">Rosemary Rowe</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.bateman.html">The Boychoir of Lesbos: Between the Folds/From
 Throat to Shining Throat </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 12-16 | DOI: 10.1353/ctr.2012.0007
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333"><a href="http://muse.jhu.edu/results?section1=author&search1=David%20Bateman">David Bateman</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.denomme-welch.html">Getting Kinky Inside and Outside: A Conversation
 with Trey Anthony </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 17-21 | DOI: 10.1353/ctr.2012.0010
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333"><a href="http://muse.jhu.edu/results?section1=author&search1=Spy%20Dénommé-Welch">Spy Dénommé-Welch</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.hurley01.html">Companioned Solos: Nathalie Claude's
<i>Trilogie de la folie</i> </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 22-26 | DOI: 10.1353/ctr.2012.0013
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Erin%20Hurley">Erin Hurley</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.gilbert.html">A Sadly Overlooked Lesbian Gem: Hope Thompson's
<i>Green</i> </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 27-30 | DOI: 10.1353/ctr.2012.0016
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Sky%20Gilbert">Sky Gilbert</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.slone.html">Funny Girl: An Interview with Mariko Tamaki
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 31-35 | DOI: 10.1353/ctr.2012.0000
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Abi%20Slone">Abi Slone</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.golden.html">The Extraction/Fusion Apparatus: Dayna McLeod's
 Engaged Mash-up Art Practice </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 36-39 | DOI: 10.1353/ctr.2012.0003
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Anne%20Golden">Anne Golden</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.barker.html">''An Act of Bravery'': Queer Women's Performance
 in Contemporary Nova Scotia </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 40-45 | DOI: 10.1353/ctr.2012.0006
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Roberta%20Barker">Roberta Barker</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Susanne%20Shawyer">Susanne Shawyer</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.king.html">Canada's Dandy Duet: The Performance Collaboration
 of Ivan Coyote and Rae Spoon </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 46-51 | DOI: 10.1353/ctr.2012.0009
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Moynan%20King">Moynan King</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Ivan%20Coyote">Ivan Coyote</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Rae%20Spoon">Rae Spoon</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.gillespie.html">Giving us ''Everything She's Got'': Processing
 the Script-as-Archive in Jess Dobkin's Queer Performance Art </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 52-53 | DOI: 10.1353/ctr.2012.0012
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Benjamin%20Gillespie">Benjamin Gillespie</a>
<o:p></o:p></span></p>
<div style="mso-element:para-border-div;border:none;border-top:solid #D3CDC6 1.0pt;padding:4.0pt 0in 0in 0in;background:white;margin-left:18.75pt;margin-right:0in">
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;border:none;padding:0in">
<span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16">Script<o:p></o:p></span></p>
</div>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.gillespie_sub01.html">Everything I’ve Got
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#3B3B3B">pp. 54-63 | DOI: 10.1353/ctr.2012.0019
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Jess%20Dobkin">Jess Dobkin</a><o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.newman.html">Queer Women's Performance Symposium
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 64-72 | DOI: 10.1353/ctr.2012.0015
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Laine%20Newman">Laine Newman</a>
<o:p></o:p></span></p>
<div style="mso-element:para-border-div;border:none;border-top:solid #D3CDC6 1.0pt;padding:4.0pt 0in 0in 0in;background:white;margin-left:18.75pt;margin-right:0in">
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto;background:white;border:none;padding:0in">
<span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16">Views and Reviews<o:p></o:p></span></p>
</div>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.alvarez.html">Performance Studies in Canada
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 73-74 | DOI: 10.1353/ctr.2012.0018
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Natalie%20Alvarez">Natalie Alvarez</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.levin.html">In Search of PS North: Performance Studies in Canada
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 74-76 | DOI: 10.1353/ctr.2012.0002
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Laura%20Levin">Laura Levin</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.keleta-mae.html">Outskirts to Mainstream?: Performance Poetry
 on the Move </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 76-79 | DOI: 10.1353/ctr.2012.0005
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Naila%20Keleta-Mae">Naila Keleta-Mae</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.bennett.html">(No) Performance Studies in Canada
</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 79-81 | DOI: 10.1353/ctr.2012.0008
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Susan%20Bennett">Susan Bennett</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.carter.html">Towards Locating the Alchemy of Convergence in
 the Native Theatre Classroom </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 82-84 | DOI: 10.1353/ctr.2012.0011
<br>
<a href="http://muse.jhu.edu/results?section1=author&search1=Jill%20Carter">Jill Carter</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.hurley.html">Études théâtrales and Performance
 Studies in Quebec </a><br>
</span></b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 84-86 | DOI: 10.1353/ctr.2012.0014
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</span><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:#333333"><a href="http://muse.jhu.edu/results?section1=author&search1=Erin%20Hurley">Erin Hurley</a>
</span><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#4C3D16"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v149/149.knowles.html"><i>Canadian Theatre Review</i> Constitutes Performance
 Studies </a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:.25in;background:white"><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333">pp. 87-89 | DOI: 10.1353/ctr.2012.0017
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<a href="http://muse.jhu.edu/results?section1=author&search1=Ric%20Knowles">Ric Knowles</a>
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<p><b><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://muse.jhu.edu/index.html">Project MUSE</a></span></b><span lang="EN" style="font-size:11.0pt;font-family:"Arial","sans-serif""> is a unique collaboration between
 libraries and publishers, providing 100% full-text, affordable and user-friendly online access to a comprehensive selection of prestigious humanities and social sciences journals. MUSE's online journal collections support a diverse array of research needs
 at academic, public, special and school libraries worldwide.  <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:20.4pt;background:white"><b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:black">For more information about the journal, please visit
<i>CTR </i>at <a href="http://www.utpjournals.com/ctr">www.utpjournals.com/ctr</a></span></b><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:#333333"><o:p></o:p></span></p>
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