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<p class="MsoNormal" style="margin-bottom:.25in"><b><i><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">CTR
</span></i></b><b><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">150<i> /
</i></span></b><b><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Spring 2012
<i>“</i>Manifestos: Or Everything You’ve ever Wanted to Say about Theatre but Were Afraid to Put in Print” is now available
<a href="http://utpjournals.metapress.com/content/j25q6h34p7xv/?p=a04af712be0c4aba9210d937741ffd43&pi=0">
online</a><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;text-autospace:none;vertical-align:middle">
<span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:black">In celebration of
<i>CTR</i>’s 150th anniversary issue, Views and Reviews editors Natalie Alvarez and Jenn Stephenson stage a coup and take over the entire issue, which they devote entirely to views in the form of manifestos. Leading theatre artists and provocateurs share their
manifestos on the state of theatre in Canada. Their rants and raves, visions and vituperations evoke the halcyon days of the manifesto form as the vehicle of choice for avant-garde auteurs to express their views on the future of the theatre and how the artist
ought to proceed. Through creative interrogations of the manifesto form itself and anti-manifestos written in resistance to its formal dictates, contributors from coast to coast enjoin readers to consider the stakes in Canadian theatre today.
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt;text-autospace:none;vertical-align:middle">
<span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:black">The issue features an interactive manifesto by Montreal’s 2boys.tv, as well as featured videos in our online edition of contributors making their manifestos public at sites of their
choosing. Contributors include Daniel Brooks, Aluna Theatre’s Beatriz Pizano and Trevor Schwellnus, Waawaate Fobister, Nina Arsenault, Kristine Nutting, Leaky Heaven’s Steven Hill and Michele Valiquette, Ravi Jain and Michael Wheeler, Naomi Campbell, Olivier
Choiniere, T.L. Cowan, Jillian Keiley, Zuppa Theatre Company’s Alex McLean, d’bi young anitafrika, Yves Sioui Durand, performance artist Claudia Bernal, Nicholas Hanson, Madeleine Blais-Dahlem, Anand Rajaram, Rebecca Singh, Alex Lazaridis Ferguson, Louis Patrick
Leroux, Kathryn Harvey, Sarah Garton Stanley, Jacob Wren, Marcus Youssef, David Yee, and Suitcase in Point Theatre Company.
<o:p></o:p></span></p>
<p style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">This issue contains:
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/h3267t70409n4747/?p=8f378489887240a28c733c85ee27da5c&pi=0">Seek Electricity: A Multiple Theatre Manifesto</a>
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Alex McLean<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">DOI:10.3138/ctr.150.8<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/07388515565574xx/?p=8f378489887240a28c733c85ee27da5c&pi=1">A Statement of Objectives (and a Conversation)</a>
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Beatriz Pizano and Trevor Schwellnus<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">DOI:10.3138/ctr.150.14<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/0356043727475690/?p=8f378489887240a28c733c85ee27da5c&pi=2">GLITTERfesto: An Open Call in Trinity Formation for a Revolutionary
Movement of Activist Performance Based on the Premise That Social Justice is Fabulous</a>
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">T.L. Cowan<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">DOI:10.3138/ctr.150.17<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/00656l44g5135223/?p=8f378489887240a28c733c85ee27da5c&pi=3">r/evolution begins within</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">d'bi. young anitafrika<br>
DOI:10.3138/ctr.150.26<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/05t22178210127p5/?p=8f378489887240a28c733c85ee27da5c&pi=4">Administration is Eating Away at Us</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Olivier Choinière and Meg Moran<br>
DOI:10.3138/ctr.150.30<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/00w6x386r41j7263/?p=8f378489887240a28c733c85ee27da5c&pi=5">On the Beauty of Our Perpetual Marginality,
and Why it Might be Time for All of Us to Figure Out Our Position on Social Housing</a><br>
Marcus Youssef<br>
DOI:10.3138/ctr.150.34<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/222wj746167041t6/?p=8f378489887240a28c733c85ee27da5c&pi=6">Writing on the Wall</a><br>
Steven Hill and Michele Valiquette<br>
DOI:10.3138/ctr.150.36<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/2v8835323r1um767/?p=8f378489887240a28c733c85ee27da5c&pi=7">Space-ifesto 2012 (A Manifesto Toward Conditions and the Proliferation
of Culture in a BETTER CANADA)</a><br>
Rebecca Singh <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">DOI:10.3138/ctr.150.38<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/322n157n86718318/?p=8f378489887240a28c733c85ee27da5c&pi=8">On the Force of Time</a><br>
Anand Rajaram<br>
DOI:10.3138/ctr.150.42<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/uh465v582g585q04/?p=8f378489887240a28c733c85ee27da5c&pi=9">TYA =
<i>i</i> Assessing the Fair Market Value of Young People</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Nicholas Hanson<span class="MsoHyperlink"><br>
</span>DOI:10.3138/ctr.150.47<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/u21577n1175p6331/?p=4c7bf1b723ca4022a668d815998630c7&pi=10">Igniting Imaginations with Actor-manipulated Design</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Jillian Keiley<br>
DOI:10.3138/ctr.150.53<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/v048877575m0g512/?p=4c7bf1b723ca4022a668d815998630c7&pi=11">Ondinnok: the First Nations Theatre of Quebec</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Yves Sioui Durand and Meg Moran<br>
DOI:10.3138/ctr.150.56<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/vh465p40725p6271/?p=4c7bf1b723ca4022a668d815998630c7&pi=12">Tangible Archives of the Intangible, or Archiving the Ineluctable
Modality of the Theatrical</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Kathryn Harvey<br>
DOI:10.3138/ctr.150.61<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/6nr633757rp7013h/?p=4c7bf1b723ca4022a668d815998630c7&pi=13">A Manifesto of Living Self-portraiture (Identity, Transformation,
and Performance)</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Nina Arsenault<br>
DOI:10.3138/ctr.150.64<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/w781175264177447/?p=4c7bf1b723ca4022a668d815998630c7&pi=14">Dangers of the Theatrical–Dramaturgical Complex: A Call to Artists
to Run Faster and Jump Higher on Their Own Two Feet</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Alex Lazaridis Ferguson<br>
DOI:10.3138/ctr.150.70<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/xv01j7hn37304020/?p=4c7bf1b723ca4022a668d815998630c7&pi=15">Manifesto in a Cup</a>
<br>
DOI:10.3138/ctr.150.75<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/fq7v871p0j3q7u78/?p=4c7bf1b723ca4022a668d815998630c7&pi=16">On Moderation in Social Networks</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">David Yee<br>
DOI:10.3138/ctr.150.76<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/f285176t373xw544/?p=4c7bf1b723ca4022a668d815998630c7&pi=17">A Few Rules, Some Platitudes, a Bit of Advice, and a Prayer
for Producers of (Radical/Political/Meaningful) Theatre</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Naomi Campbell<br>
10.3138/ctr.150.80<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/8992107077q32435/?p=4c7bf1b723ca4022a668d815998630c7&pi=18">Synthesis!</a><br>
Michael Wheeler and Ravi Jain<br>
DOI:10.3138/ctr.150.84<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/8r127015h7h10511/?p=4c7bf1b723ca4022a668d815998630c7&pi=19">There is No Revolution, Televised or Otherwise</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Kristine Nutting<br>
DOI:10.3138/ctr.150.86<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/975k72637913626w/?p=ae5286e035954d02b05bff610734b501&pi=20">Manifesto for Confusion, Struggle, and Conflicted Feelings</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Jacob Wren<br>
10.3138/ctr.150.89<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/h85g140780212211/?p=ae5286e035954d02b05bff610734b501&pi=21">Why a Linguistic Minority Theatre is Essential: A Manifesto</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Madeleine Blais-Dahlem<br>
DOI:10.3138/ctr.150.91<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/a3686416716643r7/?p=ae5286e035954d02b05bff610734b501&pi=22">Theatre That is Not Just
<i>DEH-BIN-NOCK</i>!</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Waawaate Fobister<br>
DOI:10.3138/ctr.150.94<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/a141078011l8r667/?p=ae5286e035954d02b05bff610734b501&pi=23">Theatre Production, Experiential Learning, and Research–Creation
in the Academy: An Anti-manifesto of Sorts</a> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Louis Patrick Leroux<br>
DOI:10.3138/ctr.150.97<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/b0368q9374m44tv2/?p=ae5286e035954d02b05bff610734b501&pi=24">Failure Points</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Sarah Garton Stanley<br>
DOI:10.3138/ctr.150.100<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/b772mg0106185248/?p=ae5286e035954d02b05bff610734b501&pi=25">To Hell with Manifestos</a>
<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Daniel Brooks<br>
DOI:10.3138/ctr.150.103<o:p></o:p></span></p>
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