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<h1 style="margin-top:0in;mso-margin-bottom-alt:auto;mso-add-space:auto"><i><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">CTR</span></i><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">
 152 / Fall 2012 "<a href="http://utpjournals.metapress.com/content/h5259186152n/"><span style="color:black">Costumes and Costuming</span></a>" is now available on
</span><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/toc/ctr.152.html">Project MUSE</a><o:p></o:p></span></h1>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;mso-add-space:auto;text-autospace:none;vertical-align:baseline">
<span lang="EN-GB" style="font-size:13.0pt;font-family:"Calibri","sans-serif";color:black">Costumes are perhaps the least ephemeral element of a performance – how we come to think of them is the theme. This issue is unique as it features a portfolio of costume
 design research by François Barbeau, rather than a script. Full colour images with remarks by Barbeau narrate aspects of his research of costume materials at the Cirque du Soleil Research and Development lab. The nine featured articles emphasize the designing,
 making, wearing, and exhibiting of costumes. Interviews maintain ongoing dialogues with performance: design practice for First Nations performance; designing as collaborative dramaturgy; conceptualizing a Queen Mas for the Caribbean Carnival; wearing costumes
 at the Stratford Shakespeare Festival; and creating and managing the costume wardrobe for the Vancouver Olympics. Alongside these interviews are reflections on the process of bringing costumes out of performance and into the exhibition hall, without replacing
 actors by mannequins. Notes from the technological animation of the “catwalk” for Jean Paul Gaultier’s retrospective show affinities between performance and displays of fashion design. The issue is rounded out by advocacy to confront the status of designers
 in the contractual relations of professional theatre in Canada.<o:p></o:p></span></p>
<p style="margin-top:0in;mso-margin-bottom-alt:auto;mso-add-space:auto"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">This issue contains:
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.rewa01.html">Costumes and Costuming: Defining Current Performance Strategies
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 3-4 | DOI: 10.1353/ctr.2012.0069
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Natalie%20Rewa">Natalie Rewa</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.carter.html">Negotiating Tensions betwixt Presence and Absence amidst a Big Sadness: Cultural Reclamation,
 Reinvention, and Costume Design </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 5-12 | DOI: 10.1353/ctr.2012.0072
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Jill%20Carter">Jill Carter</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Erika%20A.%20Iserhoff">
Erika A. Iserhoff</a> <o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.pearce.html">The Spirit of Potentials: An
<i>Interview</i> with Bretta Gerecke </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 13-18 | DOI: 10.1353/ctr.2012.0075
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Wes%20D.%20Pearce">Wes D. Pearce</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.taucar.html">Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 19-24 | DOI: 10.1353/ctr.2012.0078
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Jacqueline%20Taucar">Jacqueline Taucar</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.smith.html">For Show Only—No Performers!
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 25-31 | DOI: 10.1353/ctr.2012.0081
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Jerrard%20Smith">Jerrard Smith</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Diana%20Smith">Diana Smith</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.topham.html">"The first time I put on a Maggie Smith ...": The Role of Costuming in the Artistic Process
 of Actresses at the Stratford Shakespeare Festival </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 32-37 | DOI: 10.1353/ctr.2012.0066
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Sara%20Topham">Sara Topham</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Marlis%20Schweitzer">
Marlis Schweitzer</a> <o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.jasmin.html">UBU at the Museum—Imaginary Travels through the World of Jean Paul Gaultier
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 38-43 | DOI: 10.1353/ctr.2012.0068
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=St%C3%A9phanie%20Jasmin">Stéphanie Jasmin</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Neil%20Kroetsch">Neil Kroetsch</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.kovacs.html">The "Stuff" That Games Are Made Of: Sharon E. Secord's Work for the Vancouver 2010 Olympic
 Opening and Closing Ceremonies </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 44-49 | DOI: 10.1353/ctr.2012.0071
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Sasha%20Kovacs">Sasha Kovacs</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Sharon%20E.%20Secord">
Sharon E. Secord</a> <o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.viczko.html">Peeking through the Racks: Shedding Light on Working Conditions of Costume Designers
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 50-56 | DOI: 10.1353/ctr.2012.0074
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=April%20Viczko">April Viczko</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.lemieux.html">François Barbeau: An Inspiration to Costume Designers: ADC and APASQ at the 2011 Quadrennial
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 57-60 | DOI: 10.1353/ctr.2012.0077
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Andr%C3%A9e%20Lemieux">Andrée Lemieux</a>
<o:p></o:p></span></p>
<h3><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">Portfolio<o:p></o:p></span></h3>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.barbeau.html">François Barbeau: Research on Materials
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. Barbeau 1-Barbeau 16 | DOI: 10.1353/ctr.2012.0080
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Fran%C3%A7ois%20Barbeau">François Barbeau</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Louise%20Campeau">Louise Campeau</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Andr%C3%A9e%20Lemieux">
Andrée Lemieux</a> <o:p></o:p></span></p>
<h3><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">Views and Reviews<o:p></o:p></span></h3>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.stephenson.html">Editorial
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 61-62 | DOI: 10.1353/ctr.2012.0065
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Jenn%20Stephenson">Jenn Stephenson</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.whittaker.html">Ottawa Little Theatre, the "Original Regional": Canada's Longest-Running English Language
 Theatre Turns 100 </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 62-65 | DOI: 10.1353/ctr.2012.0067
<o:p></o:p></span></p>
<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Robin%20C.%20Whittaker">Robin C. Whittaker</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.harrower.html"><span style="font-style:normal">This Girl's Got Your Back:</span>
<span style="font-style:normal">A Review of</span> Girls on Top </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 66-67 | DOI: 10.1353/ctr.2012.0070
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<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Natalie%20Harrower">Natalie Harrower</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.yee.html"><span style="font-style:normal">I Feel Like We've Been Here Before:</span>
<span style="font-style:normal">A Review of</span> The Godot Cycle </a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 68-69 | DOI: 10.1353/ctr.2012.0073
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<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=David%20Yee">David Yee</a>
<o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.high.html"><span style="font-style:normal">Ghosting</span> His Greatness
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 69-73 | DOI: 10.1353/ctr.2012.0076
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<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Bradley%20High">Bradley High</a>,
<a href="http://muse.jhu.edu/results?section1=author&search1=Kimberley%20McLeod">
Kimberley McLeod</a>, <a href="http://muse.jhu.edu/results?section1=author&search1=Katie%20McMillan">
Katie McMillan</a>, <a href="http://muse.jhu.edu/results?section1=author&search1=Lia%20Munro">
Lia Munro</a>, <a href="http://muse.jhu.edu/results?section1=author&search1=Brittany%20Ross%20Fichtner">
Brittany Ross Fichtner</a>, <a href="http://muse.jhu.edu/results?section1=author&search1=Shannon%20Roszell">
Shannon Roszell</a> <o:p></o:p></span></p>
<h4><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";font-style:normal"><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v152/152.rewa.html">PQ11: a "still point of the turning world"
</a><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-size:13.0pt;font-family:"Calibri","sans-serif"">pp. 73-76 | DOI: 10.1353/ctr.2012.0079
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<p class="MsoNormalCxSpLast" style="mso-margin-bottom-alt:auto;mso-add-space:auto">
<span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/results?section1=author&search1=Natalie%20Rewa">Natalie Rewa</a>
<o:p></o:p></span></p>
<p><span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/index.html"><b><span lang="EN">Project MUSE</span></b></a></span><span lang="EN" style="font-size:13.0pt;font-family:"Calibri","sans-serif""> is a unique collaboration
 between libraries and publishers, providing 100% full-text, affordable and user-friendly online access to a comprehensive selection of prestigious humanities and social sciences journals. MUSE's online journal collections support a diverse array of research
 needs at academic, public, special and school libraries worldwide.  <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:20.4pt;background:white"><b><span style="font-size:13.0pt;font-family:"Calibri","sans-serif";color:black">For more information about the journal, please visit
<i>CTR </i>at </span></b><span style="font-size:13.0pt;font-family:"Calibri","sans-serif""><a href="http://www.utpjournals.com/ctr"><b>www.utpjournals.com/ctr</b></a><span style="color:#333333"><o:p></o:p></span></span></p>
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