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<h3 style="margin:0in;margin-bottom:.0001pt"><i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">CTR</span></i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">
154 / Spring 2013 <br>
</span><span style="font-size:12.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/toc/ctr.154.html">The New Saskatchewan</a></span><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">
</span><i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></i></h3>
<p><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#7F7F7F;mso-style-textfill-fill-color:#7F7F7F;mso-style-textfill-fill-alpha:100.0%">This issue contains: </span><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#7F7F7F;mso-style-textfill-fill-color:#7F7F7F;mso-style-textfill-fill-alpha:100.0%"><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.blackstone.html">Theatre and Drama in the New Saskatchewan: Making Space and Place on and beyond the Land
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span style="font-family:"Calibri","sans-serif"">Mary Blackstone, Moira Day
<br>
pp. 3-6 | DOI: 10.1353/ctr.2013.0025 <o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.nolan.html">The Driest Cold: Surviving as a Theatre Artist in a “Cold Climate”
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Yvette Nolan, Philip Adams<br>
pp. 7-10 | DOI: 10.1353/ctr.2013.0028 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<span style="font-family:"Calibri","sans-serif"">Having recently moved from Ontario to Saskatoon,
<b>PHILIP ADAMS</b> and <b>YVETTE NOLAN</b> reveal that the creative allure of the “new” Saskatchewan has much to do with its grounding in the “old.”<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.powell.html">Growing Opportunities: Theatre Thrives in Rural Saskatchewan
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">M. E. Powell
<br>
pp. 11-17 | DOI: 10.1353/ctr.2013.0031 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<span style="font-family:"Calibri","sans-serif"">While the province’s cities may be growing rapidly,
<b>M.E. POWELL</b> demonstrates that theatres are helping to rejuvenate its small towns at the same time.<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.badham.html">Linking Who We Are and Where We Are: Saskatchewan’s Legacy of Community and Site-oriented Performance
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Marnie Badham,
<span style="color:black">Kathleen Irwin, </span></span><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?section1=author&search1=Rachael%20Van%20Fossen"><span style="color:black">Rachael Van Fossen</span></a></span><span style="font-family:"Calibri","sans-serif";color:black"><br>
</span><span style="font-family:"Calibri","sans-serif"">pp. 18-25 | DOI: 10.1353/ctr.2013.0034
<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<b><span style="font-family:"Calibri","sans-serif"">MARNIE BADHAM</span></b><span style="font-family:"Calibri","sans-serif"">,
<b>KATHLEEN IRWIN</b>, and <b>RACHAEL VAN FOSSEN</b> talk about the shifting tradition of a performative and participatory negotiation of place, belonging, and identity.<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.bracht.html">Homeless on the Range—Theatre without a Home
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Kathryn Bracht<br>
pp. 26-31 | DOI: 10.1353/ctr.2013.0037 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<span style="font-family:"Calibri","sans-serif"">For some Regina theatre companies, the challenge of finding a permanent home has been a creative obstacle, but
<b>KATHRYN BRACHT</b> discovers that for others it has inspired long-term creative success.<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.macdonald.html">Regina: The Little City with a Wild Side
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Daniel Macdonald<br>
pp. 32-36 | DOI: 10.1353/ctr.2013.0022 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<span style="font-family:"Calibri","sans-serif"">Regina is home to a surprising diversity of innovative performers, and
<b>DANIEL MACDONALD</b> traces the roots of their approach to comedy, dance, and drama back to the Canadian Improv Games.<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.linds.html">Layering Theatre’s Potential for Change: Drama, Education, and Community in Aboriginal Health Research
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Warren Linds, Heather Ritenburg, Linda Goulet, Jo-Ann Episkenew, Karen Schmidt, Nuno Ribeiro, Allison Whiteman<br>
pp. 37-43 | DOI: 10.1353/ctr.2013.0024 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<b><span style="font-family:"Calibri","sans-serif"">WARREN LINDS, HEATHER RITENBURG, LINDA GOULET, JO-ANN EPISKENEW, KAREN SCHMIDT , NUNO RIBEIRO,</span></b><span style="font-family:"Calibri","sans-serif""> and
<b>ALLISON WHITEMAN</b> show how drama is helping Aboriginal youth overcome historical and ongoing colonization to reclaim their place and explore new pathways forward.<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.clarke.html">La Troupe du Jour in the Fransaskois Community: Inclusion Strategies and Multicultural Spaces
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Marie-Diane Clarke, Ian C. Nelson<br>
pp. 44-49 | DOI: 10.1353/ctr.2013.0027 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<b><span style="font-family:"Calibri","sans-serif"">MARIE-DIANE CLARKE and IAN C. NELSON</span></b><span style="font-family:"Calibri","sans-serif""> show that French language theatre isn’t just surviving in Saskatoon—it’s thriving.
<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.mcwilliams.html">Saskatchewan
<s>Radio</s> Audio Drama </a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Ian McWilliams
<br>
pp. 50-54 | DOI: 10.1353/ctr.2013.0030 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<span style="font-family:"Calibri","sans-serif"">Now that CBC has abandoned one of the most enduringly popular and important forms of drama in Saskatchewan,
<b>IAN MCWILLIAMS</b> finds its enthusiasts are just carrying on using newer technology.<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.burke.html">Playwriting in the New Saskatchewan: A Round-table Discussion That Didn’t Really Happen
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Kelley Jo Burke<br>
pp. 55-60 | DOI: 10.1353/ctr.2013.0033 <o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:6.0pt;margin-right:0in;margin-bottom:12.0pt;margin-left:0in">
<span style="font-family:"Calibri","sans-serif"">Regina playwright <b>KELLEY JO BURKE</b> draws together her imagined community of past, present, and future playwrights for a chat about how things “old” and “new” are affecting the work of dramatic writers in
the province.<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.nolan01.html">Ham and the Ram
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Yvette Nolan
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">pp. 61-65 | DOI: 10.1353/ctr.2013.0036
<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.yi.html">Gramma
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Maki Yi<br>
pp. 66-80 | DOI: 10.1353/ctr.2013.0021 <o:p></o:p></span></p>
<h3><span style="font-size:12.0pt;font-family:"Calibri","sans-serif"">Views and Reviews<o:p></o:p></span></h3>
<h4><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.stephenson.html">Editorial
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Jenn Stephenson
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">pp. 81-82 | DOI: 10.1353/ctr.2013.0023<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.fishbane.html">Seeds of Prophecy: Annabel Soutar’s
<span style="font-style:normal">Seeds</span> </a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Joel Fishbane
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">pp. 82-83 | DOI: 10.1353/ctr.2013.0026
<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.kuling.html">Echoing Prairie Voices: Theatre Stories Resonating from the Western Provinces
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Peter Kuling<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">pp. 84-86 | DOI: 10.1353/ctr.2013.0029
<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.koller.html">Making Myth on the Prairies
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Katherine Koller
<br>
pp. 86-88 | DOI: 10.1353/ctr.2013.0032<o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.borody.html">The Wild West
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Claire Borody
<br>
pp. 88-90 | DOI: 10.1353/ctr.2013.0035 <o:p></o:p></span></p>
<h4 style="margin-top:12.0pt"><span style="font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v154/154.macarthur.html">#th8r_crt: A Live and Virtual Discussion
</a></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Michelle MacArthur<br>
pp. 91-94 | DOI: 10.1353/ctr.2013.0020 <o:p></o:p></span></p>
<p><span style="font-size:12.0pt;font-family:"Calibri","sans-serif""><a href="http://muse.jhu.edu/index.html"><b><span lang="EN">Project MUSE</span></b></a></span><span lang="EN" style="font-size:12.0pt;font-family:"Calibri","sans-serif""> is a unique collaboration
between libraries and publishers, providing 100% full-text, affordable and user-friendly online access to a comprehensive selection of prestigious humanities and social sciences journals. MUSE's online journal collections support a diverse array of research
needs at academic, public, special and school libraries worldwide. <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-top:12.0pt;background:white"><span style="font-family:"Calibri","sans-serif";color:black">For more information about the journal, please visit
<i>CTR </i>at </span><span style="font-family:"Calibri","sans-serif""><a href="http://www.utpjournals.com/ctr">www.utpjournals.com/ctr</a></span><span style="font-family:"Calibri","sans-serif";color:#333333"><o:p></o:p></span></p>
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