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<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><i><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Theatre Journal</span></i></b><b><span style="font-size:12.0pt;font-family:"Times New Roman","serif""><o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Special Issue<o:p></o:p></span></b></p>
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<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">“Adaptation”<o:p></o:p></span></b></p>
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<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Call for Papers<o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:12.0pt;font-family:"Times New Roman","serif""><o:p> </o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Adaptation charts a culture’s relationship(s) with other places and times. Whether understood through “doubleness” (Christine Geraghty), “intertextual dialogism” (Robert
 Stam), or other ways, adaptation suggests a negotiation of history and geography that may also encompass discourses of interculturalism. Structurally, adaptation can test the boundaries of textuality and genre: it is, after all, at the borders of an art form
 that its key features become most apparent. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Aside from studies of Shakespearean revisions and versions, theatre’s critical engagement with adaptation has been less well investigated than in narrative and film, even
 though theatre has a history of adapting: in addition to revisiting ‘old’ narratives, theatre has embraced ‘new’ technologies that intersect with issues of intermediality. The potential for applying David Bolter and Richard Grusin’s term, “remediation,” to
 theatre can effect a shift in how we understand the structural nature of theatre and its relationship with other places, times, and forms.<o:p></o:p></span></p>
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<p class="MsoPlainText"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">Adaptation studies no longer simply mark where a ‘reworked’ narrative is ‘faithful’ to (or even deviates from) an earlier version. This special issue invites contributions
 that challenge and expand the construction and interpretation of adaptation in theatre generically, theoretically, methodologically, or technically. Submissions may explore the current politics and practices of adaptation in theatre; the (re-)interpretation
 of adaptation through intertextuality and/or interculturalism; adaptation in the context of remediation and/or intermediality.
<o:p></o:p></span></p>
<p class="MsoPlainText" style="text-indent:36.0pt"><span style="font-size:12.0pt;font-family:"Times New Roman","serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman","serif";color:black">This special issue will be edited by
<i>Theatre Journal</i> co-editor Joanne Tompkins. Submissions (6000-9000 words) should be e-mailed to managing editor Bob Kowkabany (</span><a href="mailto:doriclay@aol.com"><span style="font-size:12.0pt;font-family:"Times New Roman","serif"">doriclay@aol.com</span></a><span style="font-size:12.0pt;font-family:"Times New Roman","serif";color:black">)
 no later than 15 April 2014.<o:p></o:p></span></p>
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<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">(Apologies for cross-postings.)<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">Professor Joanne Tompkins</span><span style="font-size:12.0pt;font-family:"Times New Roman","serif";mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">Drama Program</span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">School of English, Media Studies, and Art History</span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">University of Queensland</span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">Q, 4072 AUSTRALIA</span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-AU"> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-AU">Co-Editor, <i>Theatre Journal</i><o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-AU"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">Phone:  + 617 + 3365 1435</span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU">fax: + 617 + 3365 2799</span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-AU"><a href="mailto:j.tompkins@uq.edu.au"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";color:blue">j.tompkins@uq.edu.au</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial","sans-serif";mso-fareast-language:EN-AU"><a href="http://www.emsah.uq.edu.au/"><span style="color:blue">www.emsah.uq.edu.au</span></a></span><span style="mso-fareast-language:EN-AU"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-AU">CRICOS No. 00025B<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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