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</v:shape><![endif]--><![if !vml]><img width="180" height="235" src="cid:image002.jpg@01CF1C25.709C68A0" align="left" hspace="12" v:shapes="Picture_x0020_1"><![endif]><span style="font-family:"Arial","sans-serif";color:black">Hello
everyone!<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif";color:black">Please excuse my double posting. I recently sent out an announcement of
<i>CTR</i> 157 with two errors in the description of the issue, and the wrong link to the editorial. Please see the correct information below.<o:p></o:p></span></p>
<h2><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><a href="http://utpjournals.metapress.com/content/h6165j375817/?sortorder=asc"><i><span style="font-weight:normal">CTR</span></i><span style="font-weight:normal"> 157 / Winter 2014</span>
<span style="font-weight:normal">“Alternative Globalizations”</span></a></span><span style="font-size:11.0pt;font-family:"Arial","sans-serif";font-weight:normal">
</span><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><br>
</span><i><span style="font-size:11.0pt;font-family:"Arial","sans-serif";color:blue;font-weight:normal">Edited by Barry Freeman and Catherine Graham</span></i><span style="font-size:11.0pt;font-family:"Arial","sans-serif""><o:p></o:p></span></h2>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif";color:#1F497D"><o:p> </o:p></span></p>
<p class="BasicParagraph" style="margin-bottom:.25in"><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif"">This issue examines ways in which Canadian theatre companies and performers are working to create an alternative sense of
what globalization could mean. The issue looks especially at how Canadian artists are connecting to those in other countries, creating horizontal networks of performance that function outside the logic of market-based consumption to make the
</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">flow</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif""> of globalization visible. It aims to re-envision what it might mean
to participate as a citizen, rather than simply as a consumer, in an increasingly globalized flow of performances</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">,</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:red">
</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif"">and what this emphasis on the global could mean for our understanding of Canadian theatre. Topics discussed include Occupy Newfoundland</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">;</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif"">
Debajehmujig Theatre’s/Global Savages/project</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">;</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif""> Théâtre Parminou’s collaboration
with French and Belgian theatre companies to produce a series of plays on how we measure wealth</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">;</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif"">
Théâtre des Petites Lanternes’ international participatory Théâtre Citoyen projects</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">;</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif"">
Canadian responses to the war in Afghanistan</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">;</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:red">
</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif"">and discussions of how local
</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif";color:black">and</span><span style="font-size:11.0pt;line-height:120%;font-family:"Arial","sans-serif""> global concerns are linked in new performance works by Human Cargo,
Theatre Company Teesri Duniya Theatre, and Le Sensorium.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif""><a href="http://utpjournals.metapress.com/content/h6165j375817/?sortorder=asc">Click here</a> to read the editorial and view the full table of contents.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif"">Thank you,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Arial","sans-serif"">Audrey<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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