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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">Conrad<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">I think this is an important issue to bring forward and I applaud you for doing so.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">Gail<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span lang="EN-CA" style="color:#1F497D">Gail Hanrahan<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="color:#1F497D">Associate Professor<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="color:#1F497D">Theatre and Dramatic Arts<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="color:#1F497D">University of Lethbridge<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-CA" style="color:#1F497D">(403) 332-5230<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"><o:p> </o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">From:</span></b><span style="font-size:10.0pt;font-family:"Tahoma","sans-serif""> Canadian Theatre Research [mailto:CANDRAMA@listserv.unb.ca]
<b>On Behalf Of </b>Conrad Alexandrowicz<br>
<b>Sent:</b> Thursday, March 13, 2014 9:41 AM<br>
<b>To:</b> CANDRAMA@LISTSERV.UNB.CA<br>
<b>Subject:</b> Freddie Rokem-Distinguished Visiting Professor<br>
<b>Importance:</b> High<o:p></o:p></span></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">While I hesitate to bring this up because it causes distress, embarrassment, resentment and even anger, I feel I must do so in order to point directly to
an issue of great importance that the academy in Canada seems determined to ignore.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">In fact, in Canada as a whole we are very far behind in our recognition and understanding of this issue, that is, the international campaign of BDS—Boycott,
Divestment and Sanctions—that was initiated in 2005 against Israel for its crimes against the Palestinian people: its campaign of terror against a population under illegal military occupation, its ongoing program of land theft, its legally established program
of discrimination against Palestinian Israelis—at least 20% of the population— as well as the slow-motion genocide that is its appalling siege of Gaza.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">This boycott is not solely of goods and commercial interests; its aims and intents also includes the academic the academic sphere.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">Please note that the American Studies Association—among many other groups around the world—has endorsed the academic boycott. <a href="http://www.bdsmovement.net/activecamps/academic-boycott">http://www.bdsmovement.net/activecamps/academic-boycott</a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><em><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">“It can never be business as usual. Israeli Universities are an intimate part of the Israeli regime, by active choice. While Palestinians are not able
to access universities and schools, Israeli universities produce the research, technology, arguments and leaders for maintaining the occupation. [Ben Gurion University] is no exception. By maintaining links to both the Israeli defence forces and the arms industry,
BGU structurally supports and facilitates the Israeli occupation.” — </span></em><strong><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><a href="http://www.timeslive.co.za/world/article675369.ece/Israeli-ties--a-chance-to-do-the-right-thing">Desmond
Tutu</a>, </span></strong><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">talking shortly before the University of Johannesburg <a href="http://www.bdsmovement.net/2011/uj-bgu-5379" title="University of Johannesburg ends Israeli links">cut
its ties with Ben Gurion University</a>.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">I recall hearing Dr. Rokem speak at the 2012 <i>Memory, History, Performance</i> conference at U of O in which I participated, and I gleaned from what he
said at various times that he is one of a growing number of progressive Israelis who fully understands the terms of this conflict, as well as the nature of Zionism as a discriminatory ideology. The irony of this situation is that Dr. Rokem is very likely more
cognizant than Canada's academic community both of the real nature of the conflict—not that portrayed by media massively influenced by Zionist lobby groups— as well as of the international campaign of BDS—and the fact that it includes academic exchange as
much as any other variety.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">As difficult as it may be for scholars to address and engage with this issue, I believe that, as in the case of the apartheid regime in South Africa—to which
the situation in Palestine/Israel is often compared—the only way to effect real change is to endorse and participate in an all-encompassing program of boycott against a regime that consistently flouts human rights and international law, and has been doing
so for decades with impunity.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">I hope that you will consider this letter with the same serious intent with which it was written.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">Most sincerely,<o:p></o:p></span></p>
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<p class="MsoNormal"><span class="apple-style-span"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">-- </span></span><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">Conrad Alexandrowicz, Associate Professor<o:p></o:p></span></p>
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<div>
<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black">Movement, Acting and Devised Physical Theatre<br>
Department of Theatre<br>
University of Victoria<br>
P.O. Box 1700 STN CSC<br>
Victoria, BC. V8W 2Y2<br>
<br>
Office: 250.853.3727<br>
Cell: 250.580.5524<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><b><span style="font-family:"Trebuchet MS","sans-serif";color:black">From: </span></b><span style="font-family:"Trebuchet MS","sans-serif";color:black">Yana Meerzon <<a href="mailto:Yana.Meerzon@UOTTAWA.CA">Yana.Meerzon@UOTTAWA.CA</a>><br>
<b>Reply-To: </b>Yana Meerzon <<a href="mailto:Yana.Meerzon@UOTTAWA.CA">Yana.Meerzon@UOTTAWA.CA</a>><br>
<b>Date: </b>Wednesday, March 12, 2014 7:40 AM<br>
<b>To: </b>"Ric Knowles <<a href="mailto:rknowles@UOGUELPH.CA">rknowles@UOGUELPH.CA</a>>" <<a href="mailto:CANDRAMA@LISTSERV.UNB.CA">CANDRAMA@LISTSERV.UNB.CA</a>><br>
<b>Subject: </b>Dr. FREDDIE ROKEM: Distinguished Visiting Professor in Ottawa, March 24-29,2013<o:p></o:p></span></p>
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<div>
<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Trebuchet MS","sans-serif";color:black"><o:p> </o:p></span></p>
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<div>
<p class="MsoNormal"><span lang="EN-CA" style="color:black"> <o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<b><span lang="EN-CA" style="color:black"><img border="0" width="230" height="88" id="Picture_x0020_2" src="cid:image001.png@01CF3EB2.74349E60" alt="cid:image001.jpg@01CF3878.D4A72AF0"> </span></b><span lang="EN-CA" style="color:black"><img border="0" width="156" height="79" id="_x0000_i1026" src="cid:image002.png@01CF3EB2.74349E60"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<b><span lang="EN-CA" style="color:black"> </span></b><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<b><span lang="EN-CA" style="color:black"> </span></b><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<b><span lang="EN-CA" style="color:black">Dr. Freddie Rokem</span></b><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<span lang="EN-CA" style="color:black">Tel Aviv University<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<span lang="EN-CA" style="color:black">is the Distinguished Visiting Professor at the University of Ottawa<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center;mso-line-height-alt:10.5pt">
<span lang="EN-CA" style="color:black">March 2014<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="color:#1F497D"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-family:"Calibri","sans-serif";color:black">University of Ottawa is proud to host a world expert in theatre theory as its Distinguished Visiting Professor program. Dr. Freddie
Rokem is Emanuel Herzikowitz Professor for Nineteenth and Twentieth Century Art and teaches in the Department of Theatre Studies at Tel Aviv University. His areas of interest combine theatre and philosophy and his books include Performing History: Theatrical
Representations of the Past in Contemporary Theatre, which received the ATHE (Association for Theatre in Higher Education) Prize for best theatre studies book in 2001, and was translated into several languages. He is also author of Strindberg’s Secret Codes
(2004) and Philosophers and Thespians: Thinking Performance (2010). Rokem is the co-editor of Jews and the Making of Modern German Theatre (2010) and is also a translator and a dramaturg.</span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-family:"Calibri","sans-serif";color:black"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-family:"Calibri","sans-serif";color:black"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-family:"Calibri","sans-serif";color:black">During his stay as a visiting scholar the week of March 24, 2014 Professor Rokem will be meeting with students and faculty and
holding a round-table event for graduate students. Professor Rokem will also be delivering a public lecture titled "Possessed by Theatre: ‘The Dybbuk’ at Habima, 1922". Habima, the first institutionalized Hebrew theatre founded in Moscow during the 1917 Revolution,
staged a repertoire of experimental works, of which “The Dybbuk” remains the most renowned. The play presents the story of a young bride possessed by a dybbuk and was authored by folklorist Sh. Ansky based on materials he collected during his expeditions among
Eastern European Jews on the eve of World War I. Habima’s Hebrew-language seamlessly performance blended Soviet experimental theatre with Jewish folklore to great critical acclaim. Rokem will discuss the inaugural performance that forever changed the history
of Jewish theatre.</span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-family:"Calibri","sans-serif";color:black"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:black">The schedule is attached</span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:black"> </span><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><b><span lang="EN-CA" style="color:black">“Publishing-not-Perishing”</span></b><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><b><span lang="EN-CA" style="color:black">(</span></b><span lang="EN-CA" style="color:black">a workshop on publishing for the graduate students)<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><b><span lang="EN-CA" style="color:black">Thursday, March 27, 10-11:30 am</span></b><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="color:black">Department of Theatre, Room 309<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="color:black">(This event will be in English)<o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<b><span lang="EN-CA" style="color:black"> </span></b><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<b><span style="color:black">"Possessed by Theatre: ‘The Dybbuk’ at Habima, 1922"</span></b><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<span style="color:black">(open lecture)</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<b><span style="color:black">Thursday, March 27, 2:30 to 4 p.m.</span></b><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<span style="color:black">Department of Theatre, Academic Hall</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<span style="color:black">Free of charge. (This event will be in English)</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<span style="color:black"> </span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<b><span style="color:black">“The Use of Space in Chekhov’s Dramaturgy”</span></b><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoBodyText" style="margin:0in;margin-bottom:.0001pt;mso-line-height-alt:10.5pt">
<span style="color:black">(a dialogue with the students of THE 4123,</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
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<span style="color:black">Practice of Dramaturgy)</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
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<b><span style="color:black">Friday, March 28, 1 – 2:30 p.m</span></b><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
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<span style="color:black">Morriset Hall (MRT), Room 251 (This event will be in English)</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
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<span style="color:black">Information: Dr. Yana Meerzon, Telephone: 613-562-5800, ext. 2243</span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
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<span style="color:black">E-mail: </span><span style="font-family:"Garamond","serif";color:black"><a href="applewebdata://96DAD599-87B9-4EDF-B7FC-39E4F6081F49/privend/Downloads/ymeerzon@uOttawa.ca"><span style="font-family:"Times New Roman","serif"">ymeerzon@uOttawa.ca</span></a></span><span lang="EN-CA" style="font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="color:black">Professor Rokem’s visit is sponsored by University of Ottawa’s program of Distinguished Visiting<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-line-height-alt:10.5pt"><span lang="EN-CA" style="color:black">professor, the Faculty of Arts, Department of Theatre, and Vered Jewish Canadian Studies Program.<o:p></o:p></span></p>
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<p class="MsoNormal"><b><span lang="EN-CA" style="color:black"> </span></b><span lang="EN-CA" style="color:black"><o:p></o:p></span></p>
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