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<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US">Dear Candrama colleagues,<br>
<br>
</span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US">I'm delighted to announce that the
next issue of <i style="mso-bidi-font-style:normal">Theatre
Research in Canada/
Recherches théâtrales au Canada</i> is on its way to you now!
Guest edited by <b style="mso-bidi-font-weight:normal">Hervé
Guay</b> and <b style="mso-bidi-font-weight:
normal">Erin Hurley</b>, number 35.3, <i
style="mso-bidi-font-style:normal">Quebecois
Theatre Without Borders / Théâtre Québécois Sans Frontières, </i>features:<o:p></o:p></span></p>
<blockquote>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New Roman"" lang="EN-US">Sylvain
Schryburt</span></b><span style="font-family:"Times New
Roman"" lang="EN-US">’s exploration of the
international networks in which the Festival TransAmeriques
and its
representatives participate as well as the festival’s role as
mediator between
Montreal and abroad.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New Roman"" lang="EN-US">Andrea
</span></b><b style="mso-bidi-font-weight:
normal"><span style="font-family:"Times New
Roman";mso-fareast-font-family:
"Times New Roman";mso-ansi-language:FR-CA"
lang="FR-CA">Pelegrí Kristić</span></b><b
style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New Roman"" lang="EN-US">’s</span></b><span
style="font-family:"Times New Roman"" lang="EN-US">
examination of the Chilean
translation of Daniel Danis’s play <i
style="mso-bidi-font-style:normal">Le
Chant de dire-dire</i>, which follows the functionalist
principles of the <i style="mso-bidi-font-style:normal">skopos
</i>theory of translation.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New Roman"" lang="EN-US">Melissa
Poll</span></b><span style="font-family:"Times New
Roman"" lang="EN-US">’s analysis of the potential for
productive interculturalism through ‘scenographic dramaturgy’
in <i style="mso-bidi-font-style:normal">La Tempête</i></span><span
style="font-family:Symbol;mso-ascii-font-family:"Times
New Roman";mso-hansi-font-family:
"Times New
Roman";mso-char-type:symbol;mso-symbol-font-family:Symbol"
lang="EN-US"><span
style="mso-char-type:symbol;mso-symbol-font-family:Symbol">
- </span></span><span style="font-family:"Times New
Roman"" lang="EN-US">a collaboration between Robert
Lepage’s company, and the Huron-Wendat Nation on the Wendake
First Nations
reserve.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New Roman"" lang="EN-US">Karen
Fricker</span></b><span style="font-family:"Times New
Roman"" lang="EN-US">’s investigation of the production
and
reception of <i style="mso-bidi-font-style:normal">La Reine
de beauté de
Leenane</i> in its 2001 iteration, produced by Théâtre La
Licorne in Montreal.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US">The
issue also includes books reviews, and a forum section,
“Beyond Borders” with
remarks from <b style="mso-bidi-font-weight:normal">Dragana
Varagic</b>,<b style="mso-bidi-font-weight:normal"> Kathleen
Irwin</b>,<b style="mso-bidi-font-weight:
normal"> Samer A-Saber</b>, and<b
style="mso-bidi-font-weight:normal"> Patrick
Blenkarn</b>.<o:p></o:p></span></p>
</blockquote>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US">~~~~~~~~~~~~~~~~~~~<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA">La nouvelle livraison de <i
style="mso-bidi-font-style:
normal">Recherches théâtrales au Canada</i> est arrivée ! Dans
le numéro 35.3
intitulé « Théâtre québécois sans frontières / Quebecois Theatre
Without
Borders » et placé sous la direction des rédacteurs invités <b
style="mso-bidi-font-weight:normal">Hervé Guay</b> et <b
style="mso-bidi-font-weight:
normal">Erin Hurley</b>, les articles suivants vous sont
proposés : <o:p></o:p></span></p>
<blockquote>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Sylvain
Schryburt</span></b><span style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA"> explore
les réseaux internationaux auxquels participent le Festival
TransAmériques et
ses représentants et présente le rôle de médiateur que joue le
festival entre
Montréal et l’étranger.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Andrea </span></b><b
style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New Roman";
mso-fareast-font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Pelegrí
Kristić’s</span></b><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA"> examine la traduction
chilienne de la pièce <i style="mso-bidi-font-style:normal">Le
Chant de dire-dire</i>, de Daniel Danis,<i
style="mso-bidi-font-style:normal"> </i>selon la théorie
fonctionnaliste du <i style="mso-bidi-font-style:normal">skopos</i>.
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Melissa
Poll</span></b><span style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA"> analyse
le potentiel productif de l’interculturalisme dans la
« dramaturgie
scénographique » de <i style="mso-bidi-font-style:normal">La
Tempête</i> issue
de la collaboration de la compagnie de Robert Lepage et de la
nation
huronne-wendat de Wendake.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Karen
Fricker</span></b><span style="font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA"> scrute
la production et la réception de <i
style="mso-bidi-font-style:normal">La Reine
de beauté de Leenane</i>, une production du Théâtre La
Licorne, présentée à
Montréal, en 2001.<span style="mso-spacerun:yes"> </span><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Times New
Roman";
mso-ansi-language:FR-CA" lang="FR-CA">Vous trouverez également
dans ce numéro des recensions
d’ouvrages et la section forum « Au-delà des frontières », à
laquelle
ont collaboré <b style="mso-bidi-font-weight:normal">Dragana
Varagic</b>,<b style="mso-bidi-font-weight:normal"> Kathleen
Irwin</b>,<b style="mso-bidi-font-weight:
normal"> Samer A-Saber</b> et <b
style="mso-bidi-font-weight:normal">Patrick
Blenkarn</b>.<o:p></o:p></span></p>
</blockquote>
<p class="MsoNormal"><span style="font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
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<pre class="moz-signature" cols="72">--
<font face="Helvetica, Arial, sans-serif">Marlis Schweitzer
Editor,<span style="mso-bidi-font-style:normal"><i>T</i></span><i style="mso-bidi-font-style:normal">heatre Research in Canada/
Recherches théâtrales au Canada</i>
Department of Theatre
York University
4700 Keele St.
Toronto, ON M3J 1P3</font>
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