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Dear Colleagues,<br/>
I have received some excellent chapter proposals for the new book, but I do have room for a few more.<br/>
As well as full chapters, I would be very interested in receiving proposals for "Composer shorts"<font face="Arial,sans-serif" color="black">, topics which might not fill an antire chapter, but would make for a fascinating short essay (around 2000 words).<br/>
Here is a little more detail.<br/>
</font>
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<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font color="black"><span name="searchHitInReadingPane" id="0.48328693554653235" class="highlight">Composers</span> on Screen: an edited collection of essays.</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font color="black">There are good studies of the role of the composer as a contributor to the creating of the moving picture, but few that specifically explore
the role of the composer as subject or principal character.</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font color="black">However, from the earliest years of the bio-pic, composer's lives and careers have been presented in a series of features that range from the
largely fictional and frankly absurd (e.g. Wagner as seen in Magic Fire - Dieterlie, 1955) to the intricately researched and intensely absorbing (Wagner as portrayed by Richard Burton in Tony Palmer's film of 1983).</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font color="black">The range is extraordinary: dating from the earliest silent composer biopics (Wagner and Verdi in 1913), and encompassing characters as diverse
as Handel and Vivaldi, Chopin, Liszt, Tchaikovsky, Puccini, Beethoven, Johan Strauss, Grieg, Dvorak - and Gilbert and Sullivan (Sidney Gilliat's treatment from 1953, contrasting vividly with Mike Leigh's in 1999).</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font color="black">A rich seam of directorial, acting and musical talents have been drawn to the challenges of portraying the elite world of the classical composer
in the most broadly democratic entertainment medium, the cinema.</font></span></font></div>
<div style="margin:0 0 12pt 0;"><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font face="Arial,sans-serif" color="black">This collection of essays will explore the principal examples of the genre by offering analysis of individual
films and subjects, whilst addressing the challenges and solutions faced and provided by the filmmakers themselves.</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font face="Arial,sans-serif" color="black">Chapters should be of between 7,000 and 10,000 words in length.</font></span></font></div>
<div style="margin:0 0 12pt 0;"><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font face="Arial,sans-serif" color="black">The submission for completed text is 1st November 2015.<br/>
<br/>
I would especially welcome proposals that address the screen presentation of Puccini, Beethoven or Handel - or shorter essays that would be included as "Composer shorts".<br/>
</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font face="Arial,sans-serif" color="black">In the first instance, please send a brief abstract/outline to me - alternatively, I am very happy to discuss ideas.</font></span></font></div>
<div style=margin:0;><font face="Times New Roman,serif" size="3"><span style=font-size:12pt;><font face="Arial,sans-serif" color="black">Regards,</font><font face="Arial,sans-serif" color="black"><br/>
Paul.</font></span></font></div>
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<div><font face="Arial"><strong><em>Dr Paul Fryer</em></strong></font></div>
<div><strong><em><font face="arial">Associate Director of Research</font></em></strong></div>
<div><strong><em><font face="arial">Head of The Stanislavski Centre<br/>
Editor, Stanislavski Studies e.journal<br/>
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<div><strong><font face="arial"><em>Rose Bruford College of Theatre and Performance (UK)</em></font></strong></div>
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