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<i><span style="color:black;letter-spacing:.05pt">CTR</span></i><span style="color:black;letter-spacing:.05pt"> 161 / Winter 2015<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height:120%;text-autospace:none;vertical-align:baseline">
<b><span style="color:black">Performance and Human Rights in the Americas<o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span style="color:black;letter-spacing:.05pt">Edited by Natalie Alvarez, Sasha Kovacs, and Jimena Ortuza</span></i><span style="color:black;letter-spacing:.05pt">r<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:11.9pt;line-height:120%;text-autospace:none;vertical-align:baseline">
<span style="color:black">Motivated by recent artistic and scholarly efforts to query Canada’s place in the hemisphere, this issue features activists, artists, and researchers working at the intersection of performance and human rights both within and beyond
Canadian borders. The performance actions examined in this issue travel across the geography and the history of the Americas in an effort to resist, redress, and protest human rights abuses. In the wake of the official opening of the Canadian Museum for Human
Rights in Winnipeg, this issue raises timely questions about how performance can serve as a potent site of inquiry that interrogates the very terms and conditions of human rights discourse, particularly in the curation of Canada as a human rights leader. While
each voice in this collection speaks to a distinct issue that is harrowing in scope (femicide, genocide, institutional violence, treaty rights, food insecurity, corporate violence), all unite in their call for continental coalitions and solidarity to expand
inter-American dialogue northwards and to assess Canada’s role in the complex, ongoing, and unfinished history of human rights. <b><i>CTR
</i>161 / Winter 2015<o:p></o:p></b></span></p>
<p class="MsoNormal">This issue contains: </p>
<p class="MsoNormal"> </p>
<table class="MsoNormalTable" border="0" cellpadding="0" width="95%" style="width:95.0%">
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161">No Más! Actions/Acciones against Femicide in the Americas</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Natalie Alvarez, Sasha Kovacs, Jimena Ortuzar</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/j324668818t4j61p/">
10.3138/ctr.161.001b</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<p class="MsoNormal"> </p>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161a">Performance and Human Rights in the Americas</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Natalie Alvarez, Sasha Kovacs, Jimena Ortuzar</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/u2lpx702380t7356/">
10.3138/ctr.161.001</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<p class="MsoNormal"> </p>
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<p class="MsoNormal"><a href="http://bit.ly/CTRonline161b">Sin Maíz No Hay Vida: Corn, Politics, and Ethical Hemispheric Engagements in a Collaborative Performance Intervention</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Brian Batchelor</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/b211182157165q10/">
10.3138/ctr.161.002</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
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<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161c">Urban Redevelopment and Displacement from Regent Park to El Cartucho</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Ryan K. James</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/3641r3712t348r53/">
10.3138/ctr.161.003</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
</td>
<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161d">Cultivating a Cross-border, Extra-theatrical Assemblage in Resistance to Femicide in the Americas</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Helene Vosters</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/4837640m40t6n718/">
10.3138/ctr.161.004</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
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<td style="padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161e">The Interpreter Made Visible: The Politics of Translation across the panamerican ROUTES/RUTAS panamericanas Festival</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Shelley Liebembuk</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/k7w87v3u76463271/">
10.3138/ctr.161.005</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
</td>
<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161f">Homeland Security—That’s an American Thing</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/j311787q507j7771/">
10.3138/ctr.161.006</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
</td>
<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161g">Are We All in the Same Boat? Staging the “Invisible Majority” in the Streets of Toronto</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Carla Melo</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/bh30l174441l2465/">
10.3138/ctr.161.007</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
</td>
<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161h">Performing Virtuosity: Queer Embodiment and Administrative Violence at the US–Canadian Border</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Benjamin Gillespie</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/53h2xp161685663q/">
10.3138/ctr.161.008</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
</td>
<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161i">Performance as Treatment in the James Bay Treaty No. 9</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Sasha Kovacs</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/w402t66j50870646/">
10.3138/ctr.161.009</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
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<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
<tr>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161j">Human Rights (and Their Appearances) in Performing Arts Festivals</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Keren Zaiontz</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/n51700w4w677x14j/">
10.3138/ctr.161.010</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
</td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161k">Make-Believing White Civility: Historical Re-enactments at Fort Langley, British Columbia</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Megan Davies</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/e644050227366083/">
10.3138/ctr.161.011</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"> </p>
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<td style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161l">Reconciliation Relations</a></p>
</td>
<td nowrap="" style="padding:.75pt .75pt .75pt .75pt"></td>
</tr>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">Dylan Robinson</p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/f28122x133412012/">
10.3138/ctr.161.012</a></p>
</td>
<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<p class="MsoNormal"><b><span style="color:black">Script</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><a href="http://bit.ly/CTRonline161m">The Last Walk of Adolfo Ich</a></p>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt">
<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/y347347p1347v421/">
10.3138/ctr.161.013</a></p>
</td>
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<p class="MsoNormal"><a href="http://bit.ly/CTRonline161n">Views and Reviews</a></p>
</td>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">DOI: <a href="http://utpjournals.metapress.com/content/87305177hh1014h5/">
10.3138/ctr.161.014</a></p>
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<td width="100%" nowrap="" style="width:100.0%;padding:.75pt .75pt .75pt .75pt"></td>
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<p class="Default" style="line-height:12.05pt"><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">The
<i>Canadian Theatre Review</i> features award-winning, thought-provoking plays and articles on current issues and trends in Canadian theatre.
<i>CTR</i> provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.
<o:p></o:p></span></p>
<p class="Default" style="line-height:12.05pt"><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext"><o:p> </o:p></span></p>
<p class="Default" style="line-height:12.05pt"><b><span lang="EN-CA" style="font-family:"Times New Roman","serif"">You can also access
<i>CTR</i> on the various online platforms below.<o:p></o:p></span></b></p>
<p class="Default" style="line-height:12.05pt"><i><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">CTR</span></i><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext"> Online (</span><span style="font-family:"Times New Roman","serif""><a href="http://bit.ly/CTRONLINE"><span lang="EN-CA">http://bit.ly/CTRONLINE</span></a></span><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">)<o:p></o:p></span></p>
<p class="Default" style="line-height:12.05pt"><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">Project MUSE (</span><span style="font-family:"Times New Roman","serif""><a href="http://bit.ly/ctrPMUSE"><span lang="EN-CA">http://bit.ly/ctrPMUSE</span></a></span><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">)
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<p class="Default" style="line-height:12.05pt"><i><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">CTR</span></i><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext"> on YouTube (</span><span style="font-family:"Times New Roman","serif""><a href="http://bit.ly/ctrYTUBEVIDEOS"><span lang="EN-CA">http://bit.ly/ctrYTUBEVIDEOS</span></a></span><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">)<o:p></o:p></span></p>
<p class="Default" style="line-height:12.05pt"><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">Website (</span><span style="font-family:"Times New Roman","serif""><a href="www.canadiantheatrereview.com"><span lang="EN-CA">www.canadiantheatrereview.com</span></a></span><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">)<o:p></o:p></span></p>
<p class="Default" style="line-height:12.05pt"><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">Facebook (</span><span style="font-family:"Times New Roman","serif""><a href="http://bit.ly/CTRFaceBook"><span lang="EN-CA">http://bit.ly/CTRFaceBook</span></a></span><span lang="EN-CA" style="font-family:"Times New Roman","serif";color:windowtext">)<o:p></o:p></span></p>
<p class="Default" style="line-height:12.05pt"><span style="font-family:"Times New Roman","serif"">Kobo Newsstand (<a href="http://bit.ly/CTRkobonewsstand">http://bit.ly/CTRkobonewsstand</a></span><span class="MsoHyperlink"><span style="font-family:"Times New Roman","serif"">)</span></span><span style="font-family:"Times New Roman","serif"">
<br>
Magazines Canada’s Cultural Boutique (<a href="http://bit.ly/CTR49thShelf">http://bit.ly/CTR49thShelf</a>)<br>
<br>
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<p class="Default" style="line-height:12.05pt"><span style="font-family:"Times New Roman","serif"">For more information about the
<i>Canadian Theatre</i> Review or for submissions information, please contact:<o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><b><i><span style="color:black">Canadian Theatre</span></i><span style="color:black"> Review</span></b><span style="color:black">
<br>
</span>University of Toronto Press, Journals Division<br>
5201 Dufferin Street, Toronto, ON M3H 5T8, Canada<br>
Tel: (416) 667-7810 Fax: (416) 667-7881<br>
Fax Toll Free in North America 1-800-221-9985<br>
Email: <a href="mailto:journals@utpress.utoronto.ca">journals@utpress.utoronto.ca</a><br>
<a href="http://www.canadiantheatrereview.com">www.canadiantheatrereview.com</a><span class="MsoHyperlink"><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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