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<div><font face="Verdana"><span lang="EN-US">**APOLOGIES FOR CROSS-POSTING**</span></font></div>
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<i>Theatre Research in Canada</i></span><span lang="EN-US"> is pleased to announce the appointment of Kim Solga as Associate Editor effective 1 June 2015. Following this transitional year, Dr. Solga will become Editor of TRIC 1 June 2016. </span><br>
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<pre wrap=""><big><font style="font-size: 14px;" face="Verdana">Kim Solga is Associate Professor of Theatre Studies in the Department of English and Writing Studies at Western University. From 2012-2014 she was Senior Lecturer in Drama at Queen Mary, University of London. Most recently, she is the author of <i>Theatre & Feminism</i> (Palgrave, 2015), and editor (with D.J. Hopkins) of <i>Performance and the Global City</i> (Palgrave, 2013), and <i>A Cultural History of Theatre: The Modern Age</i> (Bloomsbury, 2016). An award-winning teacher, Kim blogs about teaching, performance and activism at The Activist Classroom (<a class="moz-txt-link-freetext" href="http:/">http:\\</a><a moz-do-not-send="true" href="http://theactivistclassroom.wordpress.com/"><span style="color: rgb(56, 110, 255);">theactivistclassroom.wordpress.com</span></a>).</font></big></pre>
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<pre wrap=""><big><font style="font-size: 14px;" face="Verdana">L’équipe de <i>Theatre Research in Canada/ Recherches théâtrales au Canada</i> est heureuse d’annoncer la nomination de Kim Solga, Ph.D., au poste de rédactrice adjointe à compter du 1er juin 2015. Suite à une année de transition, Mme Solga occupera le poste de rédactrice en chef de la revue à compter du 1er juin 2016.
Kim Solga est professeure adjointe d’études théâtrales au Department of English and Writing Studies de l’Université Western. Elle a été chargée d’enseignement en théâtre de 2012 à 2014 au collègue Queen Mary de l’Université de Londres. Parmi ses plus récentes publications, citons <i>Theatre & Feminism</i> (Palgrave, 2015). Elle a également dirigé les collectifs <i>Performance and the Global City</i> (avec D.J. Hopkins; Palgrave, 2013) et <i>A Cultural History of Theatre: The Modern Age</i> (Bloomsbury, 2016). Une pédagogue primée, Kim tient un blogue sur la pédagogie, le théâtre et l’activisme intitulé The Activist Classroom (<a class="moz-txt-link-freetext" href="http://theactivistclassroom.wordpress.com">http://theactivistclassroom.wordpress.com</a>).</font></big></pre>
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<span style="font-size: 12px;">Jenn Stephenson</span><br style="font-size: 12px;">
<span style="font-size: 12px;">Associate Professor, Drama</span><br style="font-size: 12px;">
<span style="font-size: 12px;">Queen’s University</span><br style="font-size: 12px;">
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<span style="font-size: 12px;">Phone | (613) 533-6000 x78597</span><br style="font-size: 12px;">
<span style="font-size: 12px;">Web | <a href="http://www.queensu.ca/drama/jstephenson">www.queensu.ca/drama/jstephenson</a></span><br style="font-size: 12px;">
<span style="font-size: 12px;">Twitter | @queensjenn</span><br style="font-size: 12px;">
<span style="font-size: 12px;">Blog | <a href="http://www.realtheatre.wordpress.com">www.realtheatre.wordpress.com</a></span><br style="font-size: 12px;">
<br style="font-size: 12px;">
<span style="font-size: 12px;">Performing Autobiography: Contemporary Canadian Drama (UTP 2013)</span><br style="font-size: 12px;">
<span style="font-size: 12px;"><a href="http://www.utppublishing.com/Performing-Autobiography-Contemporary-Canadian-Drama.html">http://www.utppublishing.com/Performing-Autobiography-Contemporary-Canadian-Drama.html</a></span><br style="font-size: 12px;">
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<span style="font-size: 12px;">“There is no theory that is not a fragment, carefully prepared, of some autobiography” — Paul Valery</span><br style="font-size: 12px;">
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