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<p class="MsoPlainText"><b><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Modern Drama<o:p></o:p></span></i></b></p>
<p class="MsoPlainText"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Volume 58, Number 2, Summer 2015<br>
</span><a href="http://bit.ly/MDonline582"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">http://bit.ly/MDonline582</span></a><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></p>
<p class="MsoPlainText" style="margin-top:24.0pt"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">This issue contains:
<o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Messianism and the Third Kingdom: Intimations of the Twentieth Century in Ibsen$B!G(Bs
<i>An Enemy of the People</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Yde%2C+M"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Matthew Yde</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582a"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Prison, Time, <i>Kairos</i> in Langston Hughes$B!G(Bs
<i>Scottsboro, Limited</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Ryan%2C+K"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Katy Ryan</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582b"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black"> $B!H(BAttention Must Be Paid$B!I(B:
<i>Death of a Salesman</i>$B!G(Bs Counter-Adapted Yiddish Homecoming <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Caplan%2C+D"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Debra Caplan</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582c"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
<o:p></o:p></span></i></p>
<h1><span style="font-family:"Garamond","serif";color:black">Reading Collage Drama as Documentary Drama: Trash Archives and
<i>Dissensus</i> in Charles L. Mee$B!G(Bs Lives of the Artists <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Youker%2C+T"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Timothy Youker</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582d"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Rethinking Play Texts in the Age of Mediatization: Simon Stephens$B!G(Bs
<i>Pornography</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Ilter%2C+S"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Seda Ilter</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582e"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:#0070C0">Reviews<o:p></o:p></span></h1>
<h1><span style="font-family:"Garamond","serif";color:black">Alexander Feldman. <i>
Dramas of the Past on the Twentieth-Century Stage: In History$B!G(Bs Wings</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Mary Ann Frese Witt<o:p></o:p></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582f"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Erika Fischer-Lichte, Torsten Jost, and Saskya Iris Jain, eds.
<i>The Politics of Interweaving Performance Cultures: Beyond Postcolonialism</i><o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Latrell%2C+C"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Craig Latrell</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582g"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Iyorwuese Hagher. <i>
The Kwagh-hir Theater: A Weapon for Social Action</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Osakwe%2C+C"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Chima Osakwe</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDonline582h"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Michael V. Pisani. <i>
Music for the Melodramatic Theatre in Nineteenth-Century London and New York</i> <o:p>
</o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Miller%2C+D"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Derek Miller</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582i"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Alan Read. <i>Theatre in the Expanded Field: Seven Approaches to Performance</i>
<o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Worthen%2C+W"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">W.B. Worthen</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582j"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Richard Rankin Russell.
<i>Modernity, Community, and Place in Brian Friel$B!G(Bs Drama</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Richards%2C+S"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Shaun Richards</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582k"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Mark Taylor-Batty et al.
<i>The Theatre of Harold Pinter</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Begley%2C+V"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Varun Begley</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582l"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-family:"Garamond","serif";color:black">Scott T. Cummings and Erica Stevens Abbitt, eds.
<i>The Theatre of Naomi Wallace: Embodied Dialogues</i> <o:p></o:p></span></h1>
<p class="MsoNormal"><a href="http://www.utpjournals.press/action/doSearch?ContribStored=Barnett%2C+C"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Claudia Barnett</span></a><span class="nlmcontrib-group"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p></o:p></span></span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDOnline582m"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Click here to read the full abstract$B"*(B</span></i></a><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p> </o:p></span></p>
<div style="mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.0pt;padding:0in 0in 1.0pt 0in">
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;border:none;padding:0in"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"><o:p> </o:p></span></i></p>
</div>
<p class="MsoNormal" style="margin-top:24.0pt"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Modern Drama</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black"> was founded in 1958 and is the most
prominent journal in English to focus on dramatic literature. The terms "modern" and "drama" are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser-known
dramatic texts from a range of methodological perspectives. The journal features refereed articles written from a variety of geo-political points of view which enhance our understanding, both formal and historical, of the dramatic literature of the past two
centuries; there is also an extensive book review section.<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-top:24.0pt"><b><span style="font-size:14.0pt;font-family:"Garamond","serif";color:red">COMPLETE ARCHIVE NOW AVAILABLE!</span></b><b><span style="font-size:14.0pt;font-family:"Garamond","serif""><o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">Modern Drama
</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">'s complete archive of regular and special thematic issues, including over 3000 articles and reviews from 1958 to the present, is now available at
</span><a href="http://utpjournals.metapress.com/content/120885/" target="_blank"><i><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Modern Drama Online</span></i><span style="font-size:14.0pt;font-family:"Garamond","serif"">
</span></a><span style="font-size:14.0pt;font-family:"Garamond","serif"">and </span>
<a href="http://muse.jhu.edu/journals/modern_drama/" target="_blank"><span style="font-size:14.0pt;font-family:"Garamond","serif";color:#00B0F0">Project MUSE</span></a><span style="font-size:14.0pt;font-family:"Garamond","serif";color:black">.<o:p></o:p></span></p>
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