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<p class="MsoPlainText"><b><i><span style="font-size:14.0pt;font-family:"Times New Roman","serif";color:black">Modern Drama<o:p></o:p></span></i></b></p>
<p class="MsoNormal"><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583"><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Volume
58, Number 3, Fall 2015<b><o:p></o:p></b></span></a></span></p>
<p class="MsoNormal"><b><span style="font-size:14.0pt"><o:p> </o:p></span></b></p>
<p class="MsoNormal"><b><span style="font-size:14.0pt">The Field of <i>Modern Drama</i>, or Arcadia
<br>
</span></b><span style="font-size:14.0pt;color:black">R. Darren Gobert </span><span style="font-size:14.0pt"><br>
</span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583a"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><i><span style="font-size:14.0pt;color:#00B0F0">
</span></i><span style="font-size:14.0pt;color:#00B0F0"><o:p></o:p></span></p>
<h1><span style="font-size:14.0pt">Kinetic Texts: From Performance to Poetry <br>
</span><span style="font-size:14.0pt;font-weight:normal">Matt Cornish</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583b"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Learning from the Dramaturg: Suzan-Lori Parks$B!G(Bs
<i>The America Play</i> in the Literature Classroom <br>
</span><span style="font-size:14.0pt;font-weight:normal">Heidi R. Bean</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583c"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Unsettling Gertrude Stein: On the Citability of Baroque Gesture in
<i>Four Saints in Three Acts</i> <br>
</span><span style="font-size:14.0pt;font-weight:normal">Joseph Cermatori</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583d"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Krapp at the Hawk$B!G(Bs Well: Beckett, Yeats, and Joyce
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Paul Lawley</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583e"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h2 style="margin-top:24.0pt"><span style="font-size:16.0pt;font-family:"Times New Roman","serif";color:#002060">REVIEWS</span><span style="font-size:16.0pt;font-family:"Times New Roman","serif";color:#002060"><o:p></o:p></span></h2>
<h1><span style="font-size:14.0pt">Joshua Takano Chambers-Letson, <i>A Race So Different: Performance and Law in Asian America</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Christine Mok</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583f"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Una Chaudhuri and Holly Hughes, eds., <i>Animal Acts: Performing Species Today</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Lourdes Orozco</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583g"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Elizabeth Maddock Dillon, <i>New World Drama: The Performative Commons in the Atlantic World, 1649–1849</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Jason Shaffer</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583h"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Robert M. Dowling, <i>Eugene O$B!G(BNeill: A Life in Four Acts</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Alexander Pettit</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583i"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Kathleen M. Gough, <i>Kinship and Performance in the Black and Green Atlantic: Haptic Allegories</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Mary Trotter</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583j"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Mary Luckhurst and Emilie Morin, eds., <i>Theatre and Ghosts: Materiality, Performance and Modernity</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Andrew Sofer</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583k"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Paige A. McGinley, <i>Staging the Blues: From Tent Shows to Tourism</i>
<br>
</span><span style="font-size:14.0pt;color:black;font-weight:normal">Ulrich Adelt</span><span class="nlmcontrib-group"><span style="font-size:14.0pt;color:black">
</span></span><span class="nlmcontrib-group"><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583l"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<h1><span style="font-size:14.0pt">Tzachi Zamir, <i>Acts: Theatre, Philosophy, and the Performing Self</i>
<br>
</span><span style="font-size:14.0pt;font-weight:normal">Freddie Rokem</span><span class="nlmcontrib-group"><span style="font-size:14.0pt">
<br>
</span></span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/mdonline583m"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Click
here to read the full abstract$B"*(B</span></i></a></span><span style="font-size:14.0pt"><o:p></o:p></span></h1>
<div style="mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.0pt;padding:0in 0in 1.0pt 0in">
<p class="MsoNormal" style="border:none;padding:0in"><span style="font-size:14.0pt"><o:p> </o:p></span></p>
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<p class="MsoNormal" style="margin-top:24.0pt"><b><span style="font-size:14.0pt;color:#002060">COMPLETE ARCHIVE NOW AVAILABLE!<o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span style="font-size:14.0pt;color:black">Modern Drama </span>
</i><span style="font-size:14.0pt;color:black">'s complete archive of regular and special thematic issues, including over 3000 articles and reviews from 1958 to the present, is now available at
</span><a href="http://utpjournals.metapress.com/content/120885/" target="_blank"><i><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><span style="color:windowtext">Modern Drama Online</span></span></i><span style="font-size:14.0pt">
</span></a><span style="font-size:14.0pt">and </span><span style="color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%"><a href="http://muse.jhu.edu/journals/modern_drama/" target="_blank"><span style="font-size:14.0pt;color:#95B3D7;mso-style-textfill-fill-color:#95B3D7;mso-style-textfill-fill-alpha:100.0%">Project
MUSE</span></a></span><span style="font-size:14.0pt;color:black">.<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-top:24.0pt"><b><span style="font-size:14.0pt;color:#002060">Join
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