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<div style="direction: ltr;font-family: Tahoma;color: #000000;font-size: 10pt;">Hello all,
<br>
This a call for papers for the IFTR 2016 Architecture Working Group. This work group is dynamic and highly collegial.<br>
<br>
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<p class="MsoNormal"><span lang="EN-US">CALL FOR PAPERS</span></p>
<p class="MsoNormal"><span lang="EN-US">THEATRE ARCHITECTURE WORKING GROUP</span></p>
<p class="MsoNormal"><span lang="EN-US">IFTR 2016, Stockholm</span></p>
<p class="MsoNormal"><span lang="EN-US">13-17 June, 2016</span></p>
<p class="MsoNormal"><span lang="EN-US">http://www.iftr.org/conference</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">PRESENTING THE THEATRICAL PAST</span></p>
<p class="MsoNormal"><span lang="EN-US">INTERPLAYS OF ARTEFACTS, DISCOURSES AND PRACTICES</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">Deadline for bursary applications: 1 December 2015</span></p>
<p class="MsoNormal"><span lang="EN-US">Deadline for proposals: 15 January 2016</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">The Theatre Architecture Working Group of the International Federation for Theatre Research (IFTR) invites paper proposals for our forthcoming meeting at IFTR 2016 Stockholm, where we will be adopting the conference theme
to focus on critical perspectives on the history of theatre architecture, on exchanges between theatre and architecture, and on related historiographical issues. In addition, during the conference we will be holding a joint general panel with the Scenography
Working Group to explore genealogies of theatre architecture and scenography. We suggest the following topics as possible points of interest for either our Working Group sessions or for the joint panel between the Theatre Architecture and Scenography Working
Groups (but please feel free to propose your own topic). Information about who we are and how we work, and about submission procedures and bursaries can be found towards the end of this CFP.</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">1. THEATRE / ARCHITECTURE AND HISTORIOGRAPHY
</span></p>
<p class="MsoNormal"><span lang="EN-US">[WORKING GROUP SESSIONS]</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">Following the conference theme, we invite proposals that critically investigate historiographical issues relating to theatre architecture and the exchanges between the fields of theatre and architecture through attending
to the interplay between artefacts, practices and discourses. Major histories of theatre architecture and performance space including Richard and Helen Leacroft’s Theatre and Playhouse: An Illustrated Survey of Theatre Building from Ancient Greece to the Present
Day (1984), Marvin Carlson's Places of Performance (1989), and David Wiles' A Short History of Western Performance Space (2003), have provided valuable overviews of the changing shapes of our stages, and have shed light on why the theatre's stages and social
spaces have taken the forms they have. But much work remains to be done on how we understand and write the history of theatre architecture, how we critically frame practices of conservation, restoration and reconstruction, and how we address sizeable gaps
in our knowledge about the development of theatre architecture and performance space in Africa, Latin America, the Middle East, South Asia, East Asia, South-East Asia and the Pacific.
</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">Proposals may address (but are not limited to):</span></p>
<p class="MsoNormal"><span lang="EN-US">re-readings of historical theatres in the light of developments in critical theory (e.g. spatial theory)</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">artistic and critical practices that engage with historic theatre architectures and/or historic architectures (e.g. oral history, re-enactment, reconstruction)</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">theories and debates about the preservation, conservation or renovation of theatre buildings</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">re-assessments of historic relations between architecture, landscape, spectacle and performance</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">relations between dominant and local traditions and questions of cultural influence and/or appropriation in theatre architecture</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">questions that link the relevance of the purpose-built theatre in the twenty-first century to the broader development of the playhouse</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">theatre architecture and post-processual / interpretive (or other) archeologies</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">theatre architecture and post-positivist (or other) histories</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">2. HERE, THEN, NOW: GENEALOGIES OF THEATRE ARCHITECTURE AND SCENOGRAPHY
</span></p>
<p class="MsoNormal"><span lang="EN-US">[JOINT GENERAL PANEL WITH THE SCENOGRAPHY WORKING GROUP]</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">The Theatre Architecture and Scenography Working Groups invite proposals for contributions to a joint general panel during the IFTR Stockholm conference. This panel will represent both Working Groups by speaking to our
shared interest in the histories and genealogies of theatre architecture and scenography, and to the intersections between past and present practices. Panelists will attend their primary Working Group meetings but will present their work during this joint
panel. Contributions to this panel will take the form of 15 minute provocations that adopt a clear critical position in relation to this theme, and seek to open up further discussion with fellow panelists and members of both Working Groups.
</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">Proposals may wish to address (but are not limited to):</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">historical convergences, divergences and intersections between scenography and architecture (see Olwig 2011)</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
<p class="MsoNormal"><span lang="EN-US">different theoretical paradigms and sensual or aesthetic regimes that have influenced the development of scenography, architecture and theatre architecture</span></p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
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mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-ansi-language:EN-US;
mso-fareast-language:EN-US;}
</style>
<![endif]--><br>
</div>
</body>
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