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<p class="MsoNormal"><strong><span style="font-family:"Calibri","sans-serif";color:black">New
</span></strong><strong><i><span style="font-family:"Calibri","sans-serif";color:#FF6600">Ahead of Print</span></i></strong><strong><span style="font-family:"Calibri","sans-serif";color:red">
</span></strong><strong><span style="font-family:"Calibri","sans-serif";color:black">articles at
<i>Modern Drama Online …</i><o:p></o:p></span></strong></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="font-family:"Calibri","sans-serif";color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/MD_AofP_Aaron"><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%">Watching
</span><i><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%">A Raisin in the Sun</span></i><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"> and Seeing
 Red</span><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><o:p></o:p></span></a></span></u></span></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto"><span class="articleentryauthorslinks"><span style="font-family:"Calibri","sans-serif"">Aaron C. Thomas</span></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="font-family:"Calibri","sans-serif";color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/MD_AofP_JoannaM"><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%">Racing
 toward History: Utopia and Progress in John Guare’s </span><i><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%">A Free Man of Color</span></i><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><o:p></o:p></span></a></span></u></span></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto"><span class="articleentryauthorslinks"><span style="font-family:"Calibri","sans-serif"">Joanna Mansbridge</span></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
<p class="MsoNormal"><span class="hlfld-title"><b><u><span style="font-family:"Calibri","sans-serif";color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/MD_AofP_EunhaN"><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%;font-weight:normal">“True
 Heart”: Reimagining Transnational Subjects through Sentimentality in Velina Hasu Houston’s Plays</span><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%;font-weight:normal"><o:p></o:p></span></a></span></u></b></span></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto"><span class="articleentryauthorslinks"><span style="font-family:"Calibri","sans-serif"">Eunha Na</span></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="font-family:"Calibri","sans-serif";color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/MD_AofP_JacobS"><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%">How
 (Not) to Write Broadcast Plays: Pinter and the BBC</span><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><o:p></o:p></span></a></span></u></span></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto"><span class="articleentryauthorslinks"><span style="font-family:"Calibri","sans-serif"">Jacob Stulberg</span></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="font-family:"Calibri","sans-serif";color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><a href="http://bit.ly/MD_AofP_PaigeR"><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%">“A
 Theatre of the Head”: Material Culture, Severed Heads, and the Late Drama of W.B. Yeats</span><span style="color:#17375E;mso-style-textfill-fill-color:#17375E;mso-style-textfill-fill-alpha:100.0%"><o:p></o:p></span></a></span></u></span></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto"><span class="articleentryauthorslinks"><span style="font-family:"Calibri","sans-serif"">Paige Reynolds<o:p></o:p></span></span></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto"><span class="articleentryauthorslinks"><span style="font-family:"Calibri","sans-serif"">________________________________________</span></span><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
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 Drama Online</span></span></a></span></i><b><i><span style="font-family:"Calibri","sans-serif"">
</span></i></b><span lang="EN-CA" style="font-family:"Calibri","sans-serif"">is a fully searchable electronic resource and includes a comprehensive
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<p class="MsoNormal"><i><span style="font-family:"Calibri","sans-serif";color:black">Modern Drama<o:p></o:p></span></i></p>
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