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<h1><i><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">CTR</span></i><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""> 164 / Fall 2015<br>
<i>Vancouver after 2010<span class="MsoHyperlink"><br>
</span></i></span><a href="http://bit.ly/ctrpmuse164"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h1>
<p class="MsoNormal" style="text-align:justify;text-autospace:none;vertical-align:baseline">
<span style="font-size:14.0pt;color:black">A startling correspondence across former Olympic and Paralympic host cities is that aggressive social welfare cuts have followed the event.</span><b><span style="font-size:14.0pt;color:#C47C2F">
</span></b><span style="font-size:14.0pt;color:black">These cuts have serious material consequences for those very artists and minority groups that proved so central to winning bids and staging Opening and Closing ceremonies. Five years after the 2010 Vancouver
Olympic and Paralympic Winter Games, with the city’s arts communities still recovering from a series of provincial funding cuts that actually began in 2009, and with post-Olympics development projects encroaching on artist live-work spaces, this special issue
of <i>Canadian Theatre Review </i>brings together scholars, artists, and cultural producers to ask what kinds of resources remain after a mega-event has left town? How do artists and companies adapt to new economic circumstances and leverage audience attention
for and investment in new projects? And what might a reading of the specific aesthetic, social, and affective legacies of different Olympics- and Paralympics-related performances tell us about the state of arts and culture in Vancouver today? From public art
and sound walks, to hockey games and real estate speculation, this issue reveals the pervasive power of the Olympics to continue to shape how Vancouverites move through and live within the city.
<i>Fix</i>, the published script by award-winning playwright Alex Bulmer, demonstrates how citizens of host cities from Vancouver to London must continually renew the fight to the right to the city. Bulmer’s “audio provocation” seeks to engage youth in the
deep questions of citizenship, particularly concerning disability and inclusion. Her script is one of many battle cries in this issue that show art and performance to be more than a stage for official culture, but a political force with which to be reckoned.<o:p></o:p></span></p>
<h3><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#00B0F0">Features<o:p></o:p></span></h3>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Vancouver after 2010: An Introduction
<span class="MsoHyperlink"><br>
</span></span><a href="http://muse.jhu.edu/results?section1=author&search1=Peter%20Dickinson"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal;text-decoration:none">Peter Dickinson</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">,
</span><a href="http://muse.jhu.edu/results?section1=author&search1=Kirsty%20Johnston"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal;text-decoration:none">Kirsty Johnston</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal">,
</span><a href="http://muse.jhu.edu/results?section1=author&search1=Keren%20Zaiontz"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal;text-decoration:none">Keren Zaiontz</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black">
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><br>
</span><a href="http://bit.ly/ctrpmuse164a"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164a</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Public Art and the Mega-Event: Two Case Studies
<br>
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Vanessa Kwan<br>
</span><a href="http://bit.ly/ctrpmuse164b"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164b</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">
<o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Hijacked Narratives
<br>
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Barbara Cole<br>
</span><a href="http://bit.ly/ctrpmuse164c"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#00B0F0;font-weight:normal">http://bit.ly/ctrpmuse164c</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#00B0F0">
<o:p></o:p></span></h4>
<h3><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#00B0F0">Script<o:p></o:p></span></h3>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Fix: A Play Provocation and Workshop for Young Audiences
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Alex Bulmer<br>
</span><a href="http://bit.ly/ctrpmuse164d"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164d</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Preface to <i>
Fix</i> <span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Alex Bulmer</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">
<br>
</span><a href="http://bit.ly/ctrpmuse164e"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164e</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><a href="http://muse.jhu.edu/journals/canadian_theatre_review/v164/164.bulmer02.html"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;text-decoration:none">Fix: A Play Provocation and Workshop for Young Audiences
</span></a><span class="MsoHyperlink"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><br>
</span></span><a href="http://muse.jhu.edu/results?section1=author&search1=Alex%20Bulmer"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black;font-weight:normal;text-decoration:none">Alex Bulmer</span></a><span class="MsoHyperlink"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal;text-decoration:none"><br>
</span></span><a href="http://bit.ly/ctrpmuse164f"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164f</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Digital Natives
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Lorna Brown<span class="MsoHyperlink"><br>
</span></span><a href="http://bit.ly/ctrpmuse164g"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164g</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal"><br>
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><br>
Forward with <i>The Road Forward</i>: A Conversation with Marie Clements <span class="MsoHyperlink">
<br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Peter Dickinson<br>
</span><a href="http://bit.ly/ctrpmuse164h"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164h</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Theatrical Activism in Vancouver: From the Native Brotherhood and Sisterhood of BC to Marie Clements’s
<i>The Road Forward</i> and Back … <span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Selena Couture</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">
<br>
</span><a href="http://bit.ly/ctrpmuse164i"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164i</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Vancouver’s Olympic Decade from the Professional Arts Perspective
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Duncan Low<br>
</span><a href="http://bit.ly/ctrpmuse164j"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164j</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><br>
<br>
Years of Challenge and Risk <span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Norman Armour</span><span class="MsoHyperlink"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><br>
</span></span><a href="http://bit.ly/ctrpmuse164k"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164k</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Four Olympic Legacies
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">David Roche<br>
</span><a href="http://bit.ly/ctrpmuse164l"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164l</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Kickstart’s Experience of the 2010 Cultural Olympiad
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Geoff McMurchy<br>
</span><a href="http://bit.ly/ctrpmuse164m"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164m</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal"><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Legacy: Reflecting on the Impact of the 2010 Olympics on Creative and Producing Practices
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Adrienne Wong<br>
</span><a href="http://bit.ly/ctrpmuse164n"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164n</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">The Show Must Go On: Birthing SFU Woodward’s Before and After the 2010 Olympics
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Michael Boucher<br>
</span><a href="http://bit.ly/ctrpmuse16o"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse16o</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">The Hidden Costs of Aspiring to Global City Status: Robert Lepage, Vancouver, and Twenty-First Century China Collide at the 2010 Cultural Olympiad
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Melissa Poll<br>
</span><a href="http://bit.ly/ctrpmuse164p"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164p</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Hockey Sticks and Heartstrings: The Men’s Gold Medal Hockey Game and the Affective Legacy of the 2010 Olympic Games
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Kelsey Blair</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><br>
</span><a href="http://bit.ly/ctrpmuse164q"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164q</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Vancouver 2010 and Cultural Impact
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Erica Commons<br>
</span><a href="http://bit.ly/ctrpmuse164r"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164r</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h3><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#00B0F0">Views and Reviews<o:p></o:p></span></h3>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Editorial <span class="MsoHyperlink">
<br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Jenn Stephenson</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">
<br>
</span><a href="http://bit.ly/ctrpmuse164s"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164s</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Embarking on the Hemispheric Project
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Martha Herrera-Lasso</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">
<br>
</span><a href="http://bit.ly/ctrpmuse164t"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164t</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">René Descartes as Theatre Theorist and the Revolution of the Western Stage
<span class="MsoHyperlink"><br>
</span></span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Alan Ackerman<br>
</span><a href="http://bit.ly/ctrpmuse164u"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164u</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Unsettling Beauty
<br>
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Elizabeth Schewe<br>
</span><a href="http://bit.ly/ctrpmuse164v"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164v</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Who Pays for the Public to Play?
<br>
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Nicholas Hanson<br>
</span><a href="http://bit.ly/ctrpmuse164w"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164w</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-size:14.0pt;font-family:"Calibri","sans-serif"">Reading <i>
Contemporary Women Playwrights</i>: A Conversation, a Review, Some Revelations <br>
</span><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Moynan King, Erica Kopyto, Beatriz Pizano<br>
</span><a href="http://bit.ly/ctrpmuse164x"><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse164x</span></a><span style="font-size:14.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
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<i>Canadian Theatre Review</i> features award-winning, thought-provoking plays and articles on current issues and trends in Canadian theatre.
<i>CTR</i> provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.
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