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<pre><span style="font-size:12.0pt;font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";mso-bidi-font-family:"Times New Roman"">The next issue of <i style="mso-bidi-font-style:normal">TRIC/RTAC </i>(36.2) has arrived from the press and should be in all subscriber
mailboxes in the next few days. <o:p></o:p></span></pre>
<pre><span style="font-size:12.0pt;font-family:"Times New Roman";mso-fareast-font-family:
"Times New Roman";mso-bidi-font-family:"Times New Roman""><o:p> </o:p></span></pre>
<pre><span style="font-size:12.0pt;font-family:"Times New Roman";mso-fareast-font-family:
"Times New Roman";mso-bidi-font-family:"Times New Roman"">Le dernier numéro de TRIC/RTAC (36.1) est arrivé de chez Coach House Press et vous sera
envoyé dans les prochain jours.<o:p></o:p></span></pre>
<pre><b><i style="mso-bidi-font-style:normal"><span style="font-size:12.0pt;font-family:
"Times New Roman""><o:p> </o:p></span></i></b></pre>
<pre><b><i style="mso-bidi-font-style:normal"><span style="font-size:12.0pt;font-family:
"Times New Roman"">Theatre Research in Canada/ </span></i></b><b style="mso-bidi-font-weight:normal"><i style="mso-bidi-font-style:normal"><span style="font-size:12.0pt;font-family:"Times New Roman"">Recherches théâtrales au Canada<o:p></o:p></span></i></b></pre>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><b><i
style="mso-bidi-font-style:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New Roman""
lang="EN-US"><o:p> </o:p></span></i></b></p>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US">FALL
/ AUTOMNE 2015<o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US">VOL
36 / NO 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US"><o:p> </o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US">Theatre
and Immigration / </span></b><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;line-height:115%;font-family:"Times
New Roman"" lang="EN-US">Théâtre
et immigration</span></b><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;line-height:115%;font-family:"Times
New Roman";
mso-bidi-font-family:"Times New Roman"" lang="EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b><span style="font-size:12.0pt;font-family:"Times
New Roman";
mso-bidi-font-family:"Times New Roman"" lang="EN-US"><o:p> </o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><span style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">INTRODUCTION</span></span><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US"><o:p> </o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">Yana Meerzon</span></b><span
style="font-size:
12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US">, Theatre
and Immigration: From the Multiculturalism Act to the Sites of
Imagined Communities/
</span><span style="font-size:12.0pt;font-family:"Times New
Roman";
mso-bidi-font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Théâtre et
immigration : De la loi sur le multiculturalisme jusqu’aux lieux
de
l’imaginaire national </span><span style="font-size:12.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US"><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><span style="font-size:12.0pt;font-family:"Times New
Roman";
mso-bidi-font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><span style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">ARTICLES</span></span><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><span style="font-size:12.0pt;font-family:"Times New
Roman";
mso-bidi-font-family:"Times New
Roman";mso-bidi-font-weight:bold" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b><span style="font-size:12.0pt;font-family:"Times
New Roman";
mso-bidi-font-family:"Times New Roman"" lang="EN-US">Eury
Colin Chang</span></b><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">, <span
style="mso-bidi-font-weight:bold">Towards
Reconciliation: Immigration in Marty Chan’s <i
style="mso-bidi-font-style:normal">The
Forbidden Phoenix</i> and David Yee’s <i
style="mso-bidi-font-style:normal">lady
in the red dress</i></span><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-top:0in;margin-right:0in;margin-bottom:0in;
margin-left:1.0in;margin-bottom:.0001pt;line-height:normal"><i
style="mso-bidi-font-style:normal"><span
style="font-size:12.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman";
mso-bidi-font-weight:bold" lang="EN-US"><o:p> </o:p></span></i></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">Sheila Rabillard</span></b><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">, <span
style="color:#222222;background:white;mso-bidi-font-weight:
bold">Carmen Aguirre’s<span class="apple-converted-space"> </span><i>The
Refugee
Hotel<span class="apple-converted-space"> </span></i>and the
Space
Between Limited and Unlimited Hospitality</span><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-top:0in;margin-right:0in;margin-bottom:0in;
margin-left:1.0in;margin-bottom:.0001pt;line-height:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:
12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman";
mso-ansi-language:FR" lang="FR">Manuel García Martínez</span></b><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New
Roman";mso-ansi-language:FR-CA;mso-bidi-font-weight:bold"
lang="FR-CA">, </span><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New
Roman";color:#222222;background:white;mso-ansi-language:FR;
mso-bidi-font-weight:bold" lang="FR">Le temps de l’immigré dans<span
class="apple-converted-space"> </span><i>Silences</i>,<span
class="apple-converted-space"> </span><i>Addolorata</i><span
class="apple-converted-space"> </span>et<span
class="apple-converted-space"> </span><i>Déjà
l’agonie</i><span class="apple-converted-space"> </span>de
Marco Micone</span><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New
Roman";mso-ansi-language:FR-CA;mso-bidi-font-weight:bold"
lang="FR-CA"><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-top:0in;margin-right:0in;margin-bottom:0in;
margin-left:1.0in;margin-bottom:.0001pt;line-height:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New
Roman";color:#222222;background:white;mso-ansi-language:FR;
mso-bidi-font-weight:bold" lang="FR"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b><span style="font-size:12.0pt;font-family:"Times
New Roman";
mso-bidi-font-family:"Times New Roman"" lang="EN-US">Diana
Manole</span></b><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman";mso-bidi-font-weight:bold"
lang="EN-US">, Accented Actors: From Stage to
Stages via a Convenience Store <o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-top:0in;margin-right:0in;margin-bottom:0in;
margin-left:1.0in;margin-bottom:.0001pt;line-height:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman";mso-ansi-language:FR" lang="FR"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">Andrew Houston</span></b><span
style="font-size:12.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman";
mso-ansi-language:EN-CA">, </span><i><span
style="font-size:12.0pt;
font-family:"Times New
Roman";mso-fareast-font-family:"Times New
Roman";
mso-bidi-font-family:"Times New
Roman";mso-fareast-language:EN-CA" lang="EN-US">Dis-ing</span></i><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-fareast-font-family:
"Times New Roman";mso-bidi-font-family:"Times New
Roman";mso-fareast-language:
EN-CA" lang="EN-US"> the Main Drag and Walking toward the Public
Good in <i>Here
Be Dragons:</i></span><span
style="font-size:12.0pt;font-family:
"Times New Roman";mso-fareast-font-family:"Times
New Roman";mso-bidi-font-family:
"Times New
Roman";mso-ansi-language:EN-CA;mso-fareast-language:EN-CA"
lang="EN-US"> </span><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-fareast-font-family:
"Times New Roman";mso-bidi-font-family:"Times New
Roman";mso-fareast-language:
EN-CA" lang="EN-US">Mapping Queer, Asian-Canadian Identity in
Kitchener, Ontario</span><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman";mso-ansi-language:EN-CA"><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-top:0in;margin-right:0in;margin-bottom:0in;
margin-left:1.0in;margin-bottom:.0001pt;line-height:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman";mso-ansi-language:EN-CA"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b><span style="font-size:12.0pt;font-family:"Times
New Roman";
mso-bidi-font-family:"Times New Roman"" lang="EN-US">Yana
Meerzon</span></b><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman";mso-bidi-font-weight:bold"
lang="EN-US"><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><span style="font-size:12.0pt;font-family:"Times New
Roman";
mso-bidi-font-family:"Times New
Roman";background:white;mso-bidi-font-weight:
bold" lang="EN-US">Between Je and Moi: Staging the Heteroglossia
of Immigrant Autobiography</span><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US"><o:p></o:p></span></p>
<p class="MsoListParagraph"
style="margin:0in;margin-bottom:.0001pt;mso-add-space:
auto"><span style="font-size:12.0pt;line-height:115%;font-family:
"Times New Roman";mso-bidi-font-family:"Times New
Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><span
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US">FORUM</span></span><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><b
style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;
line-height:115%;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US"><o:p> </o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">Lina de Guevara</span></b><span
style="font-size:
12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""
lang="EN-US">, <span
style="color:#222222;mso-bidi-font-weight:bold">Impact of the
Immigrant
Experience on My Theatre Career</span><o:p></o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US"><o:p> </o:p></span></b></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">Cynthia Ashperger</span></b><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman"" lang="EN-US">, The Tongue Play: An
Auto-Ethnography<o:p></o:p></span></p>
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style="margin-bottom:0in;margin-bottom:.0001pt;text-indent:
.5in;line-height:normal"><span
style="font-size:12.0pt;font-family:
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Roman"" lang="EN-US"><o:p> </o:p></span></p>
<p class="MsoNormal"
style="margin-bottom:0in;margin-bottom:.0001pt;line-height:
normal"><b style="mso-bidi-font-weight:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Geneviève
De Viveiros</span></b><span
style="font-size:12.0pt;font-family:
"Times New Roman";mso-bidi-font-family:"Times New
Roman";mso-ansi-language:
FR-CA" lang="FR-CA">, </span><i
style="mso-bidi-font-style:normal"><span
style="font-size:12.0pt;font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA">Le
Tour du monde en 80 jours : </span></i><span
style="font-size:12.0pt;
font-family:"Times New Roman";mso-ansi-language:FR-CA"
lang="FR-CA">Entretien avec Hugo
Bélanger</span><span
style="font-size:12.0pt;font-family:"Times New Roman";
mso-bidi-font-family:"Times New
Roman";mso-ansi-language:FR-CA" lang="FR-CA"><o:p></o:p></span></p>
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