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<h1 style="margin-bottom:30.0pt"><i><span style="font-size:12.0pt;color:black;font-weight:normal">Modern Drama</span></i><i><span style="font-size:12.0pt;font-weight:normal"><br>
</span></i><span style="font-size:12.0pt;font-weight:normal">Volume 58, Number 4, Winter 2015<br>
</span><span style="font-size:12.0pt"><a href="http://bit.ly/MD_MUSE584">http://bit.ly/MD_MUSE584</a><o:p></o:p></span></h1>
<h3><span style="font-size:12.0pt;color:#953735;mso-style-textfill-fill-color:#953735;mso-style-textfill-fill-alpha:100.0%">Articles<o:p></o:p></span></h3>
<h4><a href="http://bit.ly/MD_MUSE584a">Racing toward History: Utopia and Progress in John Guare’s
<i>A Free Man of Color</i> </a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Joanna Mansbridge</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584b">“A Theatre of the Head”: Material Culture, Severed Heads, and the Late Drama of W.B. Yeats
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Paige Reynolds</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584c">Watching <i>A Raisin in the Sun</i> and Seeing Red
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Aaron C. Thomas</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584d">“True Heart”: Reimagining Transnational Subjects through Sentimentality in Velina Hasu Houston’s Plays
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Eunha Na</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584e">How (Not) to Write Broadcast Plays: Pinter and the BBC
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Jacob Stulberg</span> </h4>
<h3><span style="font-size:12.0pt;color:#953735;mso-style-textfill-fill-color:#953735;mso-style-textfill-fill-alpha:100.0%">Reviews<o:p></o:p></span></h3>
<h4><a href="http://bit.ly/MD_MUSE584f"><i>Art, Vision, and the Nineteenth-Century Stage: Acts of Seeing</i> by Amy Holzapfel (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Matthew Buckley</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584g"><i>Tennessee Williams: Mad Pilgrimage of the Flesh</i> by John Lahr (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Brian Parker</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584h"><i>Simming: Participatory Performance and the Making of Meaning</i> by Scott Magelssen (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Carran Waterfield</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584i"><i>Bernstein Meets Broadway: Collaborative Art in a Time of War</i> by Carol J. Oja (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Bradley Rogers</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584j"><i>Performing Asian Transnationalisms: Theatre, Identity and the Geographies of Performance</i> by Amanda Rogers (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Sean Metzger</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584k"><i>Mapping South Asia Through Contemporary Theatre: Essays on the Theatre of India, Pakistan, Bangladesh, Nepal and Sri Lanka</i> ed. by Ashis Sengupta (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">David Mason</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584l"><i>Staging the Slums, Slumming the Stage: Class, Poverty, Ethnicity, and Sexuality in American Theatre</i> by J. Chris Westgate (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Brenda Murphy</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584m"><i>Blue-Collar Broadway: The Craft and Industry of American Theatre</i> by Timothy R. White (review)
</a><span class="MsoHyperlink"><br>
</span><span style="font-weight:normal">Jonathan Chambers</span> </h4>
<h4><a href="http://bit.ly/MD_MUSE584n">Index to Volume 58, 2015 </a></h4>
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<p class="BasicParagraph" style="margin-bottom:8.3pt;border:none;padding:0in"><b><span style="font-family:"Times New Roman","serif";color:red"><o:p> </o:p></span></b></p>
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<p class="BasicParagraph" style="line-height:normal"><b><span style="font-family:"Times New Roman","serif";color:red"><br>
</span></b><b><span style="font-family:"Times New Roman","serif";color:#953735;mso-style-textfill-fill-color:#953735;mso-style-textfill-fill-alpha:100.0%"><span style="color:windowtext">For submissions information, please contact the editor at:</span></span></b><b><span style="font-family:"Times New Roman","serif""><br>
</span></b><i><span style="font-family:"Times New Roman","serif"">Modern Drama</span></i><span style="font-family:"Times New Roman","serif""> Editorial Office<br>
c/o Centre for Drama, Theatre and Performance Studies<br>
214 College Street, 3rd Floor (room 326)<br>
University of Toronto<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Toronto, Ontario<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Canada M5T 2Z9<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Fax: 416-971-1378<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:black">Email: </span><a href="mailto:modern.drama@utpress.utoronto.ca">modern.drama@utpress.utoronto.ca</a><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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