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<p class="MsoPlainText"><b><i><span style="font-size:12.0pt;font-family:"Times New Roman","serif";color:black">Modern Drama<o:p></o:p></span></i></b></p>
<p class="MsoPlainText"><span style="font-size:12.0pt;font-family:"Times New Roman","serif""><a href="http://bit.ly/MDonline591">Volume 59, Number 1, Spring 2016<i><o:p></o:p></i></a></span></p>
<h1><span style="font-size:12.0pt;font-weight:normal">This issue contains:<o:p></o:p></span></h1>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591a">The Physics of the Mola: Writing Indigenous Resurgence on the Contemporary Stage<o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Jill Carter</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591m">Realizing Personality in
<i>The Importance of Being Earnest</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Sarah Balkin</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591c">Performing Catastrophe: Erwin Piscator’s Documentary Theatre<o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Minou Arjomand</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591d">Dramatizing Biographers: Michael Meyer’s
<i>A Meeting in Rome</i> and Robert Ferguson’s <i>Dr. Ibsen’s Ghosts</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Ellen Rees</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591e">The Future and the Commodity: Walter Benjamin and Eric Overmyer’s
<i>On the Verge</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Keith Appler<o:p></o:p></span></p>
<p class="MsoNormal"><span class="articleentryauthorslinks"><o:p> </o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks"><b>REVIEWS</b></span><b><o:p></o:p></b></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591f">Faedra Chatard Carpenter,
<i>Coloring Whiteness: Acts of Critique in Black Performance</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Jennifer Larson</span></p>
<p class="MsoNormal"><a href="http://bit.ly/MDonline591g"><span class="hlfld-title">Diana Looser,
<i>Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania</i></span></a></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Margaret Werry</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591h">Liang Luo,
<i>The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Siyuan Liu</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591i">Mary Noonan,
<i>Echo’s Voice: The Theatres of Sarraute, Duras, Cixous and Renaude</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Judith G. Miller</span></p>
<p class="MsoNormal"><a href="http://bit.ly/Mdonline591j"><span class="hlfld-title">Laurence Senelick and Sergei Ostrovsky, eds.,
<i>The Soviet Theater: A Documentary History</i></span></a></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Ania Aizman</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591k">Kirsten Shepherd-Barr,
<i>Theatre and Evolution from Ibsen to Beckett</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Mike Vanden Heuvel</span></p>
<p class="MsoNormal"><span class="hlfld-title"><u><span style="color:blue"><a href="http://bit.ly/MDonline591l">Bryoni Trezise and Caroline Wake, eds.,
<i>Visions and Revisions: Performance, Memory, Trauma</i><o:p></o:p></a></span></u></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><span class="articleentryauthorslinks">Patrick Duggan<o:p></o:p></span></p>
<p class="MsoNormal"><span class="articleentryauthorslinks">____________________________________________</span></p>
<p class="MsoNormal" style="margin-top:24.0pt"><b><span style="color:#002060">COMPLETE ARCHIVE NOW AVAILABLE!</span><span style="color:#00B0F0"><o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span style="color:black">Modern Drama </span></i><span style="color:black">'s complete archive of regular and special thematic issues, including over 3000 articles and reviews from 1958 to the present, is now available at
</span><a href="http://utpjournals.metapress.com/content/120885/" target="_blank"><i><span style="color:#0070C0">Modern Drama Online</span></i><span style="color:#0070C0">
</span></a>and <a href="http://muse.jhu.edu/journals/modern_drama/" target="_blank">
<span style="color:#0070C0">Project MUSE</span></a><span style="color:black">.<o:p></o:p></span></p>
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