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<p><span style="font-size:12.0pt">TRI 41.1 is now available at <a id="LPlnk514951" href="http://journals.cambridge.org/jid_TRI" target="_blank">
http://journals.cambridge.org/jid_TRI</a> . It contains:</span></p>
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<p><strong><span style="font-size:12.0pt;font-family:"Times","serif";
mso-bidi-font-family:"Times New Roman"">Editorial:</span></strong><span style="font-size:12.0pt">
</span></p>
<p><span style="font-size:12.0pt">Begin, Again<br>
PAUL RAE</span></p>
<p style="margin-bottom:12.0pt"><strong><span style="font-size:12.0pt;
font-family:"Times","serif";mso-bidi-font-family:"Times New Roman"">Articles:</span></strong><span style="font-size:12.0pt"><br>
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Agitating for Change: Theatre and a Feminist ‘Network of Resistance’<br>
ELAINE ASTON<br>
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Remember September: Re-performing the Burmese ‘Saffron Revolution’ at the Singapore Biennale<br>
RIVKA SYD EISNER<br>
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Sbeik Thom at the Season of Cambodia Festival: Performing Memory after the Killing Fields in a Post-9/11 New York City<br>
JENNIFER GOODLANDER<br>
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Heirlooms of the Everyday: The Material Performances of Slamet Gundono<br>
MIGUEL ESCOBAR VARELA<br>
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Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance<br>
ADELE SENIOR</span></p>
<p><strong><span style="font-size:12.0pt;font-family:"Times","serif";
mso-bidi-font-family:"Times New Roman"">Book Reviews:</span></strong><span style="font-size:12.0pt"></span></p>
<p><span style="font-size:12.0pt">A History of the Berliner Ensemble. By David Barnett. Cambridge: Cambridge University Press, 2015. Pp. 528 + 21 illus. £84.99 Hb.<br>
Anselm Heinrich<br>
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Lob des Realismus. By Bernd Stegemann. Berlin: Theater der Zeit, 2015. Pp. 212. €18 Pb.<br>
Jonas Tinius<br>
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Adorno and Performance. Edited by Will Daddario and Karoline Gritzner. Basingstoke and New York: Palgrave Macmillan, 2014. Pp. xvii + 244.<br>
£55/\$90 Hb.<br>
Daniela Sacco<br>
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Embodied Consciousness: Performance Technologies. Edited by Jade Rosina McCutcheon and Barbara Sellers-Young. Basingstoke: Palgrave<br>
Macmillan, 2013. Pp. xiii + 229; £55/\$90 Hb.<br>
William W. Lewis<br>
<br>
Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. By Rebecca Rossen. Oxford: Oxford University Press, 2014. Pp. 336 +<br>
50 illus. \$99 Hb; \$29.95 Pb.<br>
C. Tova Markenson</span></p>
<p><span style="font-size:12.0pt">Evita, Inevitably: Performing Argentina's Female Icons before and after Eva Perón. By Jean Graham-Jones. Ann Arbor: University of Michigan Press,<br>
2014. Pp. vii + 271. \$80 Hb; \$37.50 Pb.<br>
Victoria Fortuna<br>
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Circus as Multimodal Discourse: Performance, Meaning, and Ritual. By Paul Bouissac. London: Bloomsbury, 2014. Pp. 216 + 38 illus. £80 Hb; £79.99<br>
Eb; £24.99 Pb.<br>
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Performance and the Global City. Edited by D. J. Hopkins and Kim Solga. New York: Palgrave Macmillan, 2013. Pp. xiv + 277+ 36 illus. £58/\$95 Hb;<br>
£18.99/\$29 Pb.<br>
Laine Zisman Newman<br>
<br>
Theatre: A Very Short Introduction. By Marvin Carlson. Oxford: Oxford University Press, 2014. Pp. 131 + 10 illus. £7.99/\$11.95 Pb.<br>
Jen Harvie</span></p>
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<div id="Signature">
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<p>Dr Sarah Balkin</p>
<p>Assistant Editor, <i>Theatre Research International</i></p>
<p>Lecturer in English & Theatre Studies, University of Melbourne<br>
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<p><span style="font-family: arial, helvetica, sans-serif; font-size: x-small;">C</span><span style="font-family: arial, helvetica, sans-serif; font-size: x-small;">ambridge University Press is the publishing business of the University of Cambridge with VAT
registered number GB 823 8476 09. Our principal office is at University Printing House, Shaftesbury Road, Cambridge, CB2 8BS, United Kingdom.</span></p>
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