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<p class="MsoPlainText"><b><i><span style="font-size:12.0pt;color:black">Modern Drama<o:p></o:p></span></i></b></p>
<p class="MsoPlainText"><span style="font-size:12.0pt;color:black">Volume 58, Number 3, Fall 2015<br>
<a href="http://bit.ly/MD_pm583">http://bit.ly/MD_pm583</a><o:p></o:p></span></p>
<p class="MsoPlainText"><span style="font-size:12.0pt;color:black"><o:p> </o:p></span></p>
<p class="MsoPlainText" style="margin-top:24.0pt"><span style="font-size:12.0pt;color:black">This issue contains:
<o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591491"><span style="color:black">The Field of
</span><span style="color:black;font-style:normal">Modern Drama</span><span style="color:black">, or Arcadia</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22R.%20Darren%20Gobert%22"><span style="color:black">R. Darren Gobert</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif""><a href="http://bit.ly/MD_pm583a">http://bit.ly/MD_pm583a</a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591492"><span style="color:black">Kinetic Texts: From Performance to Poetry</span></a>
<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Matt%20Cornish%22"><span style="color:black">Matt Cornish</span></a><br>
<a href="http://bit.ly/MD_pm583b">http://bit.ly/MD_pm583b</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591493"><span style="color:black">Learning from the Dramaturg: Suzan-Lori Parks’s
</span><span style="color:black;font-style:normal">The America Play</span><span style="color:black"> in the Literature Classroom</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Heidi%20R.%20Bean%22"><span style="color:black">Heidi R. Bean</span></a><br>
<a href="http://bit.ly/MD_pm583c">http://bit.ly/MD_pm583c</a> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591494"><span style="color:black">Unsettling Gertrude Stein: On the Citability of Baroque Gesture in
<i>Four Saints in Three Acts</i></span></a> <o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Joseph%20Cermatori%22"><span style="color:black">Joseph Cermatori</span></a><br>
<a href="http://bit.ly/MD_pm583d">http://bit.ly/MD_pm583d</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591495"><span style="color:black">Krapp at the Hawk’s Well: Beckett, Yeats, and Joyce</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Paul%20Lawley%22"><span style="color:black">Paul Lawley</span></a><br>
<a href="http://bit.ly/MD_pm583e">http://bit.ly/MD_pm583e</a><o:p></o:p></span></p>
<h1><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#9900CC">Reviews<o:p></o:p></span></h1>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591496"><span style="color:black">A Race So Different: Performance and Law in Asian America</span><span style="color:black">
</span><span style="color:black;font-style:normal">by Joshua Takano Chambers-Letson (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Christine%20Mok%22"><span style="color:black">Christine Mok</span></a><br>
<a href="http://bit.ly/MD_pm583f">http://bit.ly/MD_pm583f</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591497"><span style="color:black">Animal Acts: Performing Species Today</span><span style="color:black"> ed.
</span><span style="color:black;font-style:normal">by Una Chaudhuri, Holly Hughes (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Lourdes%20Orozco%22"><span style="color:black">Lourdes Orozco</span></a><br>
<a href="http://bit.ly/MD_pm583g">http://bit.ly/MD_pm583g</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591498"><span style="color:black">New World Drama: The Performative Commons in the Atlantic World, 1649–1849</span><span style="color:black">
</span><span style="color:black;font-style:normal">by Elizabeth Maddock Dillon</span><span style="color:black">
</span><span style="color:black;font-style:normal">(review)</span></a> <o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Jason%20Shaffer%22"><span style="color:black">Jason Shaffer</span></a><br>
<a href="http://bit.ly/MD_pm583h">http://bit.ly/MD_pm583h</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591499"><span style="color:black">Eugene O’Neill: A Life in Four Acts</span><span style="color:black">
</span><span style="color:black;font-style:normal">by Robert M. Dowling (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Alexander%20Pettit%22"><span style="color:black">Alexander Pettit</span></a><br>
<a href="http://bit.ly/MD_pm583i">http://bit.ly/MD_pm583i</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591500"><span style="color:black">Kinship and Performance in the Black and Green Atlantic: Haptic Allegories</span><span style="color:black">
</span><span style="color:black;font-style:normal">by Kathleen M. Gough (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Mary%20Trotter%22"><span style="color:black">Mary Trotter</span></a><br>
<a href="http://bit.ly/MD_pm583k">http://bit.ly/MD_pm583k</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591501"><span style="color:black">Theatre and Ghosts: Materiality, Performance and Modernity</span><span style="color:black">
</span><span style="color:black;font-style:normal">ed. by Mary Luckhurst, Emilie Morin (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Andrew%20Sofer%22"><span style="color:black">Andrew Sofer</span></a><br>
<a href="http://bit.ly/MD_pm583l">http://bit.ly/MD_pm583l</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591502"><span style="color:black">Staging the Blues: From Tent Shows to Tourism</span><span style="color:black">
</span><span style="color:black;font-style:normal">by Paige A. McGinley (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Ulrich%20Adelt%22"><span style="color:black">Ulrich Adelt</span></a><br>
<a href="http://bit.ly/MD_pm583m">http://bit.ly/MD_pm583m</a><o:p></o:p></span></p>
<h4><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/article/591503"><span style="color:black">Acts: Theatre, Philosophy, and the Performing Self</span><span style="color:black">
</span><span style="color:black;font-style:normal">by Tzachi Zamir (review)</span></a>
<o:p></o:p></span></h4>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:black"><a href="http://muse.jhu.edu/results?searchtype=regular&filtered_content=author&search_term=%22Freddie%20Rokem%22"><span style="color:black">Freddie Rokem</span></a><br>
<a href="http://bit.ly/MD_pm583n">http://bit.ly/MD_pm583n</a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif""><o:p> </o:p></span></p>
<div style="mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.0pt;padding:0in 0in 1.0pt 0in">
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;border:none;padding:0in"><i><span style="font-family:"Calibri","sans-serif";color:black"><o:p> </o:p></span></i></p>
</div>
<p class="MsoNormal" style="margin-top:24.0pt"><i><span style="font-family:"Calibri","sans-serif";color:black">Modern Drama</span></i><span style="font-family:"Calibri","sans-serif";color:black"> was founded in 1958 and is the most prominent journal in English
to focus on dramatic literature. The terms "modern" and "drama" are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser-known dramatic texts from a range
of methodological perspectives. The journal features refereed articles written from a variety of geo-political points of view which enhance our understanding, both formal and historical, of the dramatic literature of the past two centuries; there is also an
extensive book review section.<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-top:24.0pt"><b><span style="font-family:"Calibri","sans-serif";color:#9900CC">COMPLETE ARCHIVE NOW AVAILABLE!<o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span style="font-family:"Calibri","sans-serif";color:black">Modern Drama
</span></i><span style="font-family:"Calibri","sans-serif";color:black">'s complete archive of regular and special thematic issues, including over 3000 articles and reviews from 1958 to the present, is now available at
</span><span style="font-family:"Calibri","sans-serif""><a href="http://utpjournals.metapress.com/content/120885/" target="_blank"><i><span style="color:#6666FF">Modern Drama Online</span></i>
</a>and <a href="http://muse.jhu.edu/journals/modern_drama/" target="_blank"><span style="color:#6666FF">Project MUSE</span></a><span style="color:black">.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="margin-top:24.0pt"><b><span style="font-family:"Calibri","sans-serif";color:#7030A0">Join
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<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif"">Please sign up for important news relating to
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