<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">(Apologies to those of you receiving this more than once...)<div class=""><br class=""></div><div class="">Hello friends!</div><div class=""><br class=""></div><div class="">Below you'll find the table of contents for TRIC/RTC 37.1, Spring 2016, as well as our general journal CFP. </div><div class=""><br class=""></div><div class="">Please feel free to pass this information along to any colleagues or students you think will be interested!</div><div class=""><br class=""></div><div class="">Should you have queries, please feel free to direct them to me at this email address.</div><div class=""><br class=""></div><div class="">Warmly,</div><div class="">Kim Solga</div><div class="">Editor in Chief, <i class="">Theatre Research in Canada/Recherches théâtrales au Canada</i></div><div class=""><br class=""></div><div class="">***<br class=""><div class=""><br class=""></div><div class="">
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<!--StartFragment--><p class="MsoNormal"><b class=""><i class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri" class="">Theatre
Research in Canada /Recherches théâtrales au Canada</span></i></b><b class=""><span lang="EN-US" style="font-size:10.0pt;
font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class=""> <o:p class=""></o:p></span></b></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">37.1
(Spring 2016) <o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class="">“</span></b><b class=""><span lang="EN-US" style="font-size:10.0pt;
font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">Réflexions sur les
représentations des relations hégémonie</span></b><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Symbol;mso-ascii-font-family:
Calibri;mso-hansi-font-family:Calibri;mso-bidi-font-family:"Times New Roman";
mso-char-type:symbol;mso-symbol-font-family:Symbol" class="">¾</span></b><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">minorités en littérature, illustrées de
trois pièces de théâtre franco-canadiennes”<o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">Nicole </span><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class="">Côté </span><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:
"Times New Roman"" class="">investigates the politics of language as expressed through
the ongoing “linguistic minoritization” of the French language in western
Canadian theatre. <o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class="">Nicole Côté
examine les politiques linguistiques telles qu’elles sont exprimées à travers
la « minorisation linguistique » continue du français dans le théâtre
de l’Ouest canadien.</span><span lang="EN-US" style="font-size:10.0pt;font-family:
Calibri;mso-bidi-font-family:"Times New Roman"" class=""><o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class="">“</span></b><b class=""><span lang="EN-US" style="font-size:10.0pt;
font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">Around the
Backside: Productive Disbelief in <i class="">Burning
Vision</i></span></b><b class=""><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class="">” <o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">Alana Fletcher explores the materiality
of <i class="">Burning Vision</i> in relation to its
fictional world(s), zooming in on moments when the collapse of time and space deliberately
confuses, frustrates, or leads audiences astray. <o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class="">Alana Fletcher
examine la matérialité de <i class="">Burning Vision</i>
en relation avec les(s) monde(s) fictif(s), se concentrant sur les moments ou
l’effacement du temps et de l’espace volontairement déroute, frustre ou égare
l’auditoire.</span><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""><o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">“Challenging
Age Binaries by Viewing <i class="">King Lear</i> in
Temporal Depth”<o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">Julia Henderson explores aging as
staged in the Honest Fishmonger’s Equity Coop’s 2012 production of <i class="">King Lear</i>, deploying the “depth model of
aging” developed by theatre and age studies scholar Anne Davis Basting.<o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class="">À l’aide du
« <i class="">depth model of aging</i> » mis au
point par Anne Davis Basting</span><span lang="EN-US" style="font-size:10.0pt;
font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">, Julia Henderson </span><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:
"Times New Roman";mso-ansi-language:FR-CA" class="">explore le vieillissement tel qu’il
est représenté sur scène dans une production de <i class="">King Lear </i>de la Honest Fishmonger’s Equity Coop en 2012. </span><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:
"Times New Roman"" class=""><o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size: 10pt; font-family: Calibri; background-color: white; background-position: initial initial; background-repeat: initial initial;" class=""> </span><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:
"Times New Roman"" class=""><o:p class=""></o:p></span></b></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">“The
Speed of Queer: La La La Human Steps and Perceptions of the Body in Edouard
Lock’s Choreography”<o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">Stephen Low analyzes choreographer
Edouard Lock’s recent work, <i class="">Untitled</i>,
arguing that his distinctive “aesthetic of speed” challenges normative views of
the gendered body. <o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">Stephen </span><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman";
mso-ansi-language:FR-CA" class="">Low analyse une œuvre récente de Edouard Lock,
intitulée <i class="">Untitled</i>, et fait valoir
que « l’esthétique de la vitesse » qui la caractérise remet en
question nos perceptions normatives du corps genré.</span><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class=""><o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">“Les
visages du théâtrecommunautaire francophone à Edmonton entre les années 1970 et
1990 : une confusion des genres?” <o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class="">Sathya Rao and Learry Gagné
offer a rich overview of two decades in the history of Edmonton’s francophone
community theatre. <o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class=""> </span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size: 10pt; font-family: Calibri;" class="">Sathya
Rao et Learry Gagné proposent un survol riche en détails des vingt ans
d’existence du théâtre communautaire de langue française à Edmonton.</span><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class=""><o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size: 10pt; font-family: Calibri;" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">“Investigating
<i class="">Afghanada</i>: Situating<i class=""> </i>the CBC Radio Drama in the Context and
Politics of Canada and the War on Terror”<o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">Lindsay Thistle traces the
under-examined history of the long-running CBC radio series about Canadian
soldiers serving in Afghanistan. <o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
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"Times New Roman";mso-ansi-language:FR-CA" class="">retrace l’histoire d’un feuilleton
radiophonique de longue durée diffusé sur les ondes de la CBC.</span><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:
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mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">Forum
1<o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">“</span><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman";
mso-ansi-language:FR-CA;mso-bidi-font-weight:bold" class="">Jonctions linguistiques et
culturelles dans le théâtre canadien / Linguistic and Cultural Junctures in
Canadian Theatre,</span><span lang="EN-US" style="font-size:10.0pt;font-family:
Calibri;mso-bidi-font-family:"Times New Roman"" class="">” edited by Louise Ladouceur
and Stephen Johnson<o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class="">« Jonctions linguistiques et culturelles dans
le théâtre canadien / Linguistic and Cultural Junctures in Canadian Theatre », </span><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">sous
la direction de Louise Ladouceur et Stephen Johnson.<o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class=""> </span></p><p class="MsoNormal"><b class=""><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;mso-bidi-font-family:"Times New Roman"" class="">Forum
2<o:p class=""></o:p></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman"" class="">“Performance of Labour,” edited by
Cassandra Silver and Myrto Koumarianos <b class=""><o:p class=""></o:p></b></span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA;mso-bidi-font-weight:
bold" class=""> </span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class="">« Performance
of Labour », sous la direction de Cassandra Silver et Myrto Koumarianos<o:p class=""></o:p></span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class=""><br class=""></span></p><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA" class="">***</span></p><div class=""><br class=""></div><div class="">
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<!--StartFragment--><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><b class=""><span lang="EN-CA" style="font-size:10.0pt;
font-family:Calibri" class="">CALL FOR GENERAL SUBMISSIONS<o:p class=""></o:p></span></b></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">CFP: <i class="">Theatre Research in Canada /Recherches
théâtrales au Canada<o:p class=""></o:p></i></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><i class=""><span lang="EN-CA" style="font-size:10.0pt;
font-family:Calibri" class="">Theatre Research in Canada / Recherches théâtrales au
Canada</span></i><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">
has been the “go-to” publication for scholarship on Canadian theatre and
performance for over three decades. In that time, our award-winning articles
have helped shape the field of Canadian theatre studies, and we continue to
mark-out new territories with upcoming special topics issues on <b class="">Disability and Performance </b>and </span><b class=""><i class=""><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri;mso-fareast-font-family:
"Times New Roman";mso-bidi-font-family:Arial" class="">Bousculer la scène unilingue :
Pratiques théâtrales bi- et plurilingues au Canada</span></i></b><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">. One of the hallmarks
of the journal is that we also continue to publish non-themed issues
highlighting the diversity of scholarship in our field submitted by individuals
on any number of topics. <o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">This message is a
reminder and an invitation to consider sending your article-length pieces to <i class="">TRIC/RTAC</i> for consideration in general
issues. We encourage excellent research from both established and emerging
scholars on any topic related to theatre or performance in Canada. </span><span style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:EN-GB" class="">For our
Forum Section we consider position papers, commentary on issues of significance
to the journal’s mandate, information about new and old projects, and research
notes. The editor welcomes enquiries about ideas for articles or suggestions
for possible special topics issues.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">Articles should be in
the range of 7,000 words and presented in MLA format; Forum submissions are
usually much shorter. You can send your submissions directly to the <i class="">TRIC/RTAC</i> office via email to
<a href="mailto:tric.rtac@utoronto.ca" class="">tric.rtac@utoronto.ca</a>. See our website <a href="http://tricrtac.ca/en/" class="">http://tricrtac.ca/en/</a>) or a copy of a
recent issue of the journal for additional information.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">Kim Solga, General Editor<o:p class=""></o:p></span></p>
<div style="mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.0pt;
mso-border-bottom-alt:solid windowtext .75pt;padding:0cm 0cm 1.0pt 0cm;
margin-left:36.0pt;margin-right:0cm" class=""><p class="MsoNormal" style="line-height:normal;border:none;mso-border-bottom-alt:
solid windowtext .75pt;padding:0cm;mso-padding-alt:0cm 0cm 1.0pt 0cm"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p>
</div><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Times;mso-fareast-font-family:
"Times New Roman"" class=""><br class="">
</span><b class=""><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri;mso-fareast-font-family:"Times New Roman";
mso-bidi-font-family:Arial;color:#212121;background:white" class="">APPEL DE DOSSIERS
GÉNÉRAUX</span></b><b class=""><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri;mso-fareast-font-family:"Times New Roman"" class=""><o:p class=""></o:p></span></b></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">CFP: <i class="">Theatre Research in Canada /Recherches
théâtrales au Canada<o:p class=""></o:p></i></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class="">Depuis
plus de trente ans, la revue <i class="">Theatre
Research in Canada / Recherches théâtrales au Canada</i> est la référence des
chercheurs en théâtre et en performance au Canada. Depuis ses débuts, nous
publions des articles primés qui aident à façonner les études en théâtre au
Canada, et nous continuons de fouler des territoires nouveaux en préparant des
numéros thématiques qui paraîtront bientôt sur<b class=""> </b></span><b class=""><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">Disability and Performance </span></b><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">et </span><b class=""><i class=""><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri;mso-fareast-font-family:
"Times New Roman";mso-bidi-font-family:Arial" class="">Bousculer la scène unilingue :
Pratiques théâtrales bi- et plurilingues au Canada</span></i></b><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">.</span><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class="">
Ce qui caractérise notre revue, c’est que nous continuons de publier des
numéros généraux afin de mettre en vedette la diversité des contributions que
nous proposent les chercheurs de notre domaine. <o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><i class=""><span lang="FR-CA" style="font-size:10.0pt;
font-family:Calibri;mso-ansi-language:FR-CA" class="">TRIC/RTAC</span></i><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class="">
est toujours à la recherche d’articles à publier. Nous appuyons l’excellence en
recherche tant chez les chercheurs chevronnés que chez les chercheurs en début
de parcours, et les invitons à soumettre leur travail sur un thème lié au
théâtre ou au jeu au Canada. Pour notre Forum, nous prendrons en considération
les exposés de principe, les observations sur des enjeux d’intérêt pour la
revue, les informations sur les projets anciens et nouveaux et les notes de
recherche. Le rédacteur en chef vous invite également à lui soumettre vos idées
d’articles ou à lui proposer d’éventuels numéros thématiques.<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class="">Les
articles proposés seront d’environ 7.000 mots et seront préparés selon les
exigences du format MLA (renvois bibliographiques entre parenthèses, avec la
liste d’ouvrages cités placés à la fin du document); les textes à paraître dans
la section Forum seront normalement beaucoup plus courts. Les personnes
intéressées sont priées d’envoyer leur texte par courriel à l’équipe de la
revue <i class="">TRIC/RTAC</i> au
<a href="mailto:tric.rtac@utoronto.ca" class="">tric.rtac@utoronto.ca</a>. Pour de plus amples détails, consultez notre site Web
(<a href="http://tricrtac.ca/fr/" class="">http://tricrtac.ca/fr/</a>) ou un numéro récent de <i class="">RTAC</i>. <o:p class=""></o:p></span></p><p class="MsoNormal" style="line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class="">Kim Solga, </span><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;mso-ansi-language:FR-CA" class="">Rédactrice<o:p class=""></o:p></span></p><p class="MsoNormal" style="margin-left:36.0pt;line-height:normal"><span lang="EN-CA" style="font-size:10.0pt;font-family:Calibri" class=""> </span></p>
<!--EndFragment--></div><p class="MsoNormal"><span lang="FR-CA" style="font-size:10.0pt;font-family:Calibri;
mso-bidi-font-family:"Times New Roman";mso-ansi-language:FR-CA;mso-bidi-font-weight:
bold" class=""> </span></p>
<!--EndFragment--></div></div></body></html>