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<div>Dear Colleagues,</div>
<div>The November edition of <em>Stanislavski Studies </em>is now available online.<br>
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<div><a href="http://www.tandfonline.com/toc/rfst20/current" target="_blank">http://www.tandfonline.com/toc/rfst20/current</a><br>
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<div>This new edition contains the following articles:</div>
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<div>Ysabel Clare - A system behind the System: but is it Stanislavski?</div>
<div>Stefan Aquilina - As simple but as complex as everyday cooking: Stanislavski's use of physical actions in the recreation of nature.</div>
<div>Mikhail Butkevich - the bridge to the contemporary avant-garde (introduced and edited by David Chambers/Translated by Maxim Krivosheyev).</div>
<div>Yana Meerzon - On expressionistic mysterium: Michael Chekhov's tragic character on page and on stage.</div>
<div>John Gillett - Experiencing the voice in Stanislavski's psycho-physical approach.</div>
<div>Anna Shulgat: Vsevolod Myerhold, actor as the texture of theatre.</div>
<div>Steven Dykes - Strange Fruit: Chekhov's The Cherry Orchard in the Deep South.</div>
<div>Fabio Polanco and Diane Bonfiglio - Stanislavski's objectives, given circumstances and magic "ifs"through the lens of optimal experience.</div>
<div>Joseph Dunne - Research Resources - the Beckett Collection, University of Reading.</div>
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<div>Reviews by F. Jane Schopf and Jayne Richards.</div>
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<div>Individual articles can be bought and downloaded direct from the link above.</div>
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<div>Complete issues are available both as hard-copy and download from the website.</div>
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<div><em>Stanislavski Studies</em> operates a revolving submissions policy and we will consider proposals and submissions at any time for inclusion in the next available issue.</div>
<div>Please note: the May 2017 issue (5.1) is already full, and will comprise papers from the
<em>S Word: Stanislavski and the Future of Acting </em>symposium held in March 2016.<br>
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<div>Regards,</div>
<div>Paul.</div>
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<div style="margin-top:0; margin-bottom:0"><strong><em>Professor Paul Fryer FRSA, FHEA.</em></strong></div>
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<div style="margin-top:0; margin-bottom:0"><strong><em>Associate Director of Research</em></strong></div>
<div style="margin-top:0; margin-bottom:0"><strong><em>Head of The Stanislavski Centre</em></strong></div>
<div style="margin-top:0; margin-bottom:0"><strong><em>Research Degrees Coordinator</em></strong></div>
<div style="margin-top:0; margin-bottom:0"><strong><em>Editor in Chief, Stanislavski Studies (Routledge/Taylor & Francis)</em></strong></div>
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