<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Friends!<br class=""><br class="">I’m thrilled to announce the publication of <i class="">Theatre Research in Canada/Recherches théâtrales au Canada 37.2</i> (Fall 2016), a special issue on disability and performance guest edited by Kirsty Johnson.<br class=""><br class="">Articles include:<br class=""><br class="">"A Mobile Social Realm: Labour, Sovereignty, and Subjecthood in Disabled Theater / Affordance Creations of Disability Performance: Limits of a Disabled Theater”, by Katherine Zien and Arseli Dokumaci<br class=""><br class="">"'Come and see Our Art of Being Real': Disabling Inspirational Porn and Rearticulating Affective Productivities”, by Ashley McAskill<br class=""><br class="">“'Please Look at Yourself': Insecurity and the Failure of Ethical Encounter in Autobiographical Performance”, by Jenn Stephenson<br class=""><br class="">"May I have this dance? Teaching, Performing, and Transforming in a University-Community Mixed-Ability Dance Theatre Project”, by Lisa Doolittle, Callista Chasse, Corey Makoloski, Pamela Boyd, Annalee Yassi<br class=""><br class="">...as well as a special edition of our Forum, with work by Alex Bulmer, Jan Derbyshire, Sarah Garton Stanley and Pippa Ruddy.<br class=""><br class="">The full table of contents plus links to articles (for subscribers) are available here: <a href="http://tricrtac.ca/en/current-issue/" class="">http://tricrtac.ca/en/current-issue/</a><br class=""><br class="">Enjoy!<br class="">Kim Solga<br class="">General Editor<div class=""><br class=""></div><div class=""><img apple-inline="yes" id="DEF1109E-4CDF-478C-9F5E-483C6B9C6D39" height="240" width="320" apple-width="yes" apple-height="yes" src="cid:6A84941C-2F5F-48A1-8963-75DE148B6517" class=""></div></body></html>