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<h3><i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";font-weight:normal">CTR
</span></i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";font-weight:normal">168, Fall 2016</span><span style="font-size:12.0pt;font-family:"Calibri","sans-serif"">
<br>
</span><a href="http://bit.ly/ctrpmuse168"><span style="font-size:12.0pt;font-family:"Calibri","sans-serif"">Theatre Criticism</span></a><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#F7901D"><br>
</span><span class="articleentryauthorslinks"><i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Edited by
</span></i></span><i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";font-weight:normal">Karen Fricker and Michelle MacArthur</span></i><span style="font-size:12.0pt;font-family:"Calibri","sans-serif""><o:p></o:p></span></h3>
<h3><span style="font-size:12.0pt;font-family:"Calibri","sans-serif"">Features<o:p></o:p></span></h3>
<h4><span style="font-family:"Calibri","sans-serif"">Critical Futures <br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Michelle MacArthur<br>
</span><a href="http://bit.ly/ctrpmuse168a"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168a</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Mapping the New Critical Terrain: Rules, Ethics, Hierarchies
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Melissa Poll<br>
</span><a href="http://bit.ly/ctrpmuse168b"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168b</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Regional Reports: Theatre Criticism across Canada
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Alex Lazaridis Ferguson, Stephen Hunt, Martin Morrow, Sarah Waisvisz, Sylvain Lavoie, Amanda Campbell<br>
</span><a href="http://bit.ly/ctrpmuse168c"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168c</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4 style="margin-left:.2in"><span style="font-family:"Calibri","sans-serif"">Vancouver: Urgent Critical Response Needed
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Alex Lazaridis Ferguson</span><span style="font-family:"Calibri","sans-serif"">
<br>
</span><a href="http://bit.ly/ctrpmuse168ca"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168ca</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4 style="margin-left:.2in"><span style="font-family:"Calibri","sans-serif"">The Prairies: Critics Dwindle Down to a Precious Few
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Stephen Hunt<br>
</span><a href="http://bit.ly/ctrpmuse168cb"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168cb</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4 style="margin-left:.2in"><span style="font-family:"Calibri","sans-serif"">Toronto’s Changing of the Old Guard
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Martin Morrow<br>
</span><a href="http://bit.ly/ctrpmuse168cc"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168cc</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4 style="margin-left:.2in"><span style="font-family:"Calibri","sans-serif"">Ottawa: Competing Priorities in the Nation’s Capital
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Sarah Waisvisz<br>
</span><a href="http://bit.ly/ctrpmuse168cd"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168cd</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4 style="margin-left:.2in"><span style="font-family:"Calibri","sans-serif"">Quebec Theatre Criticism: A 2016 Portrait
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Sylvain Lavoie<br>
</span><a href="http://bit.ly/ctrpmuse168ce"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168ce</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4 style="margin-left:.2in"><span style="font-family:"Calibri","sans-serif"">Criticism in Crisis: Theatre Reviews in Atlantic Canada
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Amanda Campbell<br>
</span><a href="http://bit.ly/ctrpmuse168cf"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168cf</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Reimagining Theatre Criticism
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Nikki Shaffeeullah<br>
</span><a href="http://bit.ly/ctrpmuse168d"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168d</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">The Pedagogy of Theatre Criticism in Canada
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Carly Maga<br>
</span><a href="http://bit.ly/ctrpmuse168e"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168e</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Going Inside: The New-Old Practice of Embedded Criticism
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Karen Fricker<br>
</span><a href="http://bit.ly/ctrpmuse168f"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168f</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Theatre Criticism in Canada: A Round Table and Its Aftermath
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Hervé Guay, Laura Levin, Peter Dickinson, Alvina Ruprecht, Alexandre Cadieux Kristen Cochrane<br>
</span><a href="http://bit.ly/ctrpmuse168h"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168h</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">The Perversity of Drunk Feminist Films
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Kristen Cochrane<br>
</span><a href="http://bit.ly/ctrpmuse168g"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168g</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Artists on Critics <br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Robert Lepage, Michel Vaïs, Brendan Healy, Marjorie Chan, Karen Hines, Morris Panych, Joël Beddows, Brigitte Haentjens, Naomi Skwarna, Donna-Michelle St. Bernard<br>
</span><a href="http://bit.ly/ctrpmuse168i"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168i</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h3><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#00B0F0">Script<o:p></o:p></span></h3>
<h4><span style="font-family:"Calibri","sans-serif"">I Really, Really Mean Something: Ten Micro-Plays about Theatre
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Rosamund Small<br>
</span><a href="http://bit.ly/ctrpmuse168j"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168j</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h3><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#00B0F0">Views and Reviews<o:p></o:p></span></h3>
<h4><span style="font-family:"Calibri","sans-serif"">Editorial: How to Do Things with Theatre
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Heather Davis-Fisch<br>
</span><a href="http://bit.ly/ctrpmuse168k"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168k</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">Exactly. <i>This</i> Is Why Theatre Matters
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Kirsten Sadeghi-Yekta<br>
</span><a href="http://bit.ly/ctrpmuse168l"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168l</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">The Art of Seduction and Provocation in Applied Theatre: A View
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Yasmine Kandil<br>
</span><a href="http://bit.ly/ctrpmuse168m"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168m</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><i><span style="font-family:"Calibri","sans-serif"">Flying Hearts</span></i><span style="font-family:"Calibri","sans-serif""> and Sharing Joy: Theatre for Children with Multiple Exceptionalities and Their Adult Companions
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Heather Fitzsimmons Frey<br>
</span><a href="http://bit.ly/ctrpmuse168n"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168n</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">The <i>Writing Names Project</i>: UnSilencing the Number of Missing and Murdered Indigenous Women and Girls
<br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Sorouja Moll</span><span style="font-family:"Calibri","sans-serif""><br>
</span><a href="http://bit.ly/ctrpmuse168o"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168o</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">The Good, the Bad, and the Ugly: A Review of
<i>God and the Indian</i> by Drew Hayden Taylor <br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Michelle La Flamme,</span><span style="font-family:"Calibri","sans-serif"">
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Taylor Breckles<br>
</span><a href="http://bit.ly/ctrpmuse168p"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168p</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<h4><span style="font-family:"Calibri","sans-serif"">On <i>Reckoning</i> <br>
</span><span style="font-family:"Calibri","sans-serif";font-weight:normal">Kim Solga<br>
</span><a href="http://bit.ly/ctrpmuse168q"><span style="font-family:"Calibri","sans-serif";font-weight:normal">http://bit.ly/ctrpmuse168q</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></h4>
<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="font-size:12.0pt;color:#365F91">_____________________________________________________________</span></b><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<h3><span style="font-size:12.0pt;font-family:"Calibri","sans-serif";color:#548DD4">Online Feature<o:p></o:p></span></h3>
<p><span style="font-family:"Calibri","sans-serif"">Initiated by artist Erin Brubacher in 2015 as an experiment in creating dialogue about Canadian theatre and how it’s made, the Facebook Interview Relay invited participants to tag another participant and direct
a question to them; the respondent would then answer and tag someone else, posing a new question. The resulting commentary, which involved 344 members, demonstrates how social media can be used to generate dialogue, build community, and challenge traditional
hierarchies structuring critical discourse. The CTR 168 slideshow features highlights from the relay and information about its participants and their artistic works.
</span><a href="http://www.utpjournals.press/ctr/168/slideshow"><span style="font-family:"Calibri","sans-serif"">http://www.utpjournals.press/ctr/168/slideshow</span></a><span style="font-family:"Calibri","sans-serif""><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="font-size:12.0pt;color:#365F91">_____________________________________________________________</span></b><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span lang="EN-CA" style="font-size:12.0pt">The
<i>Canadian Theatre Review</i> features award-winning, thought-provoking plays and articles on current issues and trends in Canadian theatre.
<i>CTR</i> provides the Canadian theatre community with in-depth feature articles, manifestos, slideshows, videos, design portfolios, photo essays, and other documents that reflect the challenging forms that theatre takes in the contemporary Canadian arts scene.
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