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<pre style="text-align:center"><b><i><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">Performing Canadian Frontiers: Theatre and (Im)Migration</span></i></b><b><i><u><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:red"> </span></u></i></b><b><i><u><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:red"> <o:p></o:p></span></u></i></b></pre>
<pre style="text-align:center"><b><u><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:windowtext">Volume 9 (May 2019)<o:p></o:p></span></u></b></pre>
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"></span></b><b><span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></b></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:12.0pt;font-family:"Times New Roman",serif">New Essays on Canadian Theatre<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:12.0pt;font-family:"Times New Roman",serif">Editor, Yana Meerzon<o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-size:12.0pt;font-family:"Times New Roman",serif">General Editor, Roberta Barker<o:p></o:p></span></p>
<pre style="text-align:center"><b><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">PLAYWRIGHTS CANADA PRESS<o:p></o:p></span></b></pre>
<pre style="text-align:center"><b><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">(CALL FOR PAPERS)</span></b><b><i><u><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:red"><o:p></o:p></span></u></i></b></pre>
<pre><b><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></b></pre>
<pre><b><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></b></pre>
<pre style="margin-left:18.0pt"><b><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></b></pre>
<pre style="text-align:justify"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">Contributions are invited for a new publication dedicated to studying the impact immigrant artists have made and continue to make on the development of Canadian theater: its themes, characters, political and social issues, financial structures, as well as its artistic devices. The collection of scholarly articles <i>Performing Canadian Frontiers: Theatre and (Im)Migration</i> is scheduled to appear with the Playwrights Canada Press, May 2019, constituting Volume 9 of the series <i>New Essays on Canadian Theatre</i>. <o:p></o:p></span></pre>
<pre><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></pre>
<pre style="text-align:justify"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">The objective of this collection is to investigate the historical and contemporary impact immigrant populations have had on a rapidly changing Canadian society. It invites the participants to examine the historical, artistic, educational and methodological influence immigrant theatre artists had, could have had, or did not have on the development of Canadian theatre and performance stages, both in English and French, and /or other languages. It seeks to demonstrate how the increased presence of immigrant theatre artists actively contributing to English Canadian, Quebec, and Franco-Canadian theatre today prompts their audiences to rethink such fundamental concepts of Canadian social wellbeing as “civic nationalism” (Ignatieff 1994)<a style="mso-endnote-id:edn1" href="#_edn1" name="_ednref1" title=""><span class="MsoEndnoteReference"><span class="MsoEndnoteReference"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black;mso-fareast-language:X-NONE">[i]</span></span></span></a> and “multiculturalism” (Taylor 1994)<a style="mso-endnote-id:edn2" href="#_edn2" name="_ednref2" title=""><span class="MsoEndnoteReference"><span class="MsoEndnoteReference"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black;mso-fareast-language:X-NONE">[ii]</span></span></span></a>. <o:p></o:p></span></pre>
<pre><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></pre>
<pre style="text-align:justify"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">Following Alan Filewod’s argument that English Canadian theatre has been produced in the process of creating “imagined community” through theatre arts (2002:2-11)<a style="mso-endnote-id:edn3" href="#_edn3" name="_ednref3" title=""><span class="MsoEndnoteReference"><span class="MsoEndnoteReference"><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black;mso-fareast-language:X-NONE">[iii]</span></span></span></a>, this publication invites contributions on methodologies of making immigrant theatre in Canada and Quebec, which can be viewed as stemming from such a process. It encourages discussions of the history of performative rendering of immigration in Canada and Quebec; of the diverse experiences of artists-immigrants seeking professional employment in Canada; of the financial, material and economic conditions of making theatre in immigration; and of the work of 2<sup>nd</sup> generation (im)migrants, as well as of the themes and artistic methodologies proposed and practiced by the performance work (playwriting, acting, directing, design, choreography, soundscapes, to name a few) of immigrant theatre artists working on Canadian and Quebecois stages. <o:p></o:p></span></pre>
<pre><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></pre>
<pre><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">Looking at the cross-disciplinary scholarship on post-nationalism and globalization, this book invites contributions that make use of diverse methodological models of inquiry in theatre studies, such as but not limited to <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">historiography, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">performance studies, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">theatre semiotics, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">production, developmental and digital dramaturgy, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">anthropology and (auto)ethnography, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">sociology, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">art and film history and theory, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">audience and cognitive studies, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">language studies (linguistics and translation), <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">theatre pedagogy,<o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">documentary and participatory theatre, <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">applied theatre, and <o:p></o:p></span></pre>
<pre style="margin-left:36.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1"><![if !supportLists]><span lang="EN-US" style="font-size:12.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman""> </span></span></span><![endif]><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif">literature and drama theory. <o:p></o:p></span></pre>
<pre><span lang="EN-US" style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p> </o:p></span></pre>
<p class="MsoNormal" style="background:white"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black;mso-fareast-language:EN-CA">The proposed working timeline for this publication is:
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<![if !supportLists]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA"><span style="mso-list:Ignore">1.<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA">Abstracts (250 words); Bios (100 words) – September 1, 2017.<o:p></o:p></span></p>
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<![if !supportLists]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA"><span style="mso-list:Ignore">2.<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA">Finished articles (7000 words including Works Cited and Notes, MLA style) – March 1, 2018<o:p></o:p></span></p>
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<![if !supportLists]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA"><span style="mso-list:Ignore">3.<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA">Peer-review process and editing – Spring-Summer 2018;
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<![if !supportLists]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA"><span style="mso-list:Ignore">4.<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA">Files to be sent to the publisher – December 2018;
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</span></span></span><![endif]><span style="font-family:"Times New Roman",serif;mso-fareast-language:EN-CA">Publication Date -- May 2019
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif">For all questions and inquiries, please, write to me directly at
</span><a href="mailto:ymeerzon@uottawa.ca"><span style="font-size:12.0pt;font-family:"Times New Roman",serif">ymeerzon@uottawa.ca</span></a><span style="font-size:12.0pt;font-family:"Times New Roman",serif"><o:p></o:p></span></p>
<p class="MsoNormal">Cordially,<o:p></o:p></p>
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<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Yana Meerzon, Ph.D.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Associate Professor,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Department of Theatre, University of Ottawa<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">135 Séraphin-Marion, Room 304B
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<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Ottawa ON Canada, K1N 6N5<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">Telephone: 613 562-5800, ext. 2243
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<p class="MsoNormal"><span style="mso-fareast-language:EN-CA">E-mail: ymeerzon@uOttawa.ca<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FR-CA" style="mso-fareast-language:EN-CA">Webpage: www.theatre.uottawa.ca/eng/faculty/meerzon.html<o:p></o:p></span></p>
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<p class="MsoEndnoteText"><a style="mso-endnote-id:edn1" href="#_ednref1" name="_edn1" title=""><span class="MsoEndnoteReference"><span lang="EN-US"><span class="MsoEndnoteReference"><span lang="EN-US" style="font-size:10.0pt;font-family:"Times New Roman",serif;mso-fareast-language:EN-US">[i]</span></span></span></span></a><span lang="EN-US">
Ignatieff, Michael. <i>Blood and Belonging: Journeys Into the New Nationalism</i>, 1994.</span><o:p></o:p></p>
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<p class="MsoEndnoteText"><a style="mso-endnote-id:edn2" href="#_ednref2" name="_edn2" title=""><span class="MsoEndnoteReference"><span lang="EN-US"><span class="MsoEndnoteReference"><span lang="EN-US" style="font-size:10.0pt;font-family:"Times New Roman",serif;mso-fareast-language:EN-US">[ii]</span></span></span></span></a><span lang="EN-US">
Taylor, Charles. “The Politics of Recognition”, <i>Multiculturalism: Examining the Politics of Recognition</i> . Ed. Gutman, Amy. Princeton University Press; Expanded Paperback edition, 1994. 25-75.</span><o:p></o:p></p>
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<p class="MsoEndnoteText"><a style="mso-endnote-id:edn3" href="#_ednref3" name="_edn3" title=""><span class="MsoEndnoteReference"><span lang="EN-US"><span class="MsoEndnoteReference"><span lang="EN-US" style="font-size:10.0pt;font-family:"Times New Roman",serif;mso-fareast-language:EN-US">[iii]</span></span></span></span></a><span lang="EN-US">
Filewod, Alan. <i>Performing Canada: The Nation Enacted in the Imagined Theatre.</i> Textual Studies in Canada Monograph Series: Critical Performance/s in Canada. Kamloops, BC: Textual Studies in Canada, 2002.</span><o:p></o:p></p>
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