<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Dear Colleagues:<br class=""><br class=""><i class="">Performance Matters</i> has just published its latest issue at <a href="http://performancematters-thejournal.com/index.php/pm" class="">http://performancematters-thejournal.com/index.php/pm</a>. This special issue,"Performing Religion," was guest-edited by PM Consortium Editor Joy<br class="">Palacios.<br class=""><br class="">We invite you to review the Table of Contents here and then visit our web site to read articles and items of interest.<br class=""><br class=""><br class=""><i class="">Performance Matters</i><br class="">Vol 3, No 1 (2017): Special Issue: Performing Religion<br class="">Table of Contents<br class=""><a href="http://performancematters-thejournal.com/index.php/pm/issue/view/6" class="">http://performancematters-thejournal.com/index.php/pm/issue/view/6</a><br class=""><br class="">Editorial Notes<br class="">--------<br class="">Introduction: Performing Religion (1-6)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Joy Palacios<br class=""><br class="">Articles<br class="">--------<br class="">Sacred Feeling: A Dramaturgy of Religious Emotion (7-18)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Donnalee Dox and Amber Dunai<div class=""><br class="">Romans and Christians: Bearing Witness and Performing Persecution in Bible Camp Simulations (19-38)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Scott Magelssen and Ariaga Mucek</div><div class=""><br class="">“I Name Myself in Power”: The Roman Catholic Womenpriests and the Performance of Relational Authority (39-61)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Claire Maria Chambers<br class=""><br class=""></div><div class="">Awakening Imagination: Glimpses of Ignatian Spirituality in Seventeeth-Century French Hagiographic Theatre (62-87)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Ana Fonseca Conboy<br class=""><br class="">Forum<br class="">--------<br class="">Blaspheming Against Ourselves: Folk Categories in Religion and Theatre (88-93)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Lance Gharavi<br class=""><br class=""></div><div class="">Deep Stories of the Demonized: Empathy and Trump Evangelicals (94-102)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>John Fletcher<br class=""><br class=""></div><div class="">Goodluck the Performer (103-111)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Ebenezer Obadare<br class=""><br class=""></div><div class="">Recuperating Religion in Art History: Contemporary Art History, Performance, and Christian Jankowski’s The Holy Artwork (112-115)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Karen Gonzalez Rice<br class=""><br class="">Materials<br class="">--------<br class="">Jesus Camp Queen (116-131)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Angela J Latham<br class=""><br class=""></div><div class="">Fundamental Femininity in Performance: An Artist's Reflection on "Jesus Camp Queen" (132-137)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Angela J Latham<br class=""><br class=""></div><div class="">Performing Fugue: Desire, Denial, and Death in Jesus Camp Queen (138-142)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Patrick Santoro<br class=""><br class=""></div><div class="">Jesus Camp Queen and the Performance of (Fundamentalist Christian) Gender (143-146)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Julie Ingersoll<br class=""><br class=""></div><div class="">Encountering the Ramlila of Ramnagar: From Fieldnotes in 1978 and 2013 (147-156)<br class=""><span class="Apple-tab-span" style="white-space: pre;"> </span>Richard Schechner</div><div class=""><br class=""><div class="">
<div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">_________________</div><div style="color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Peter Dickinson, PhD</div><div style="color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">604-908-0993 •<span class="Apple-converted-space"> </span><a href="mailto:peter_dickinson@sfu.ca" class="">peter_dickinson@sfu.ca</a></div><div style="color: rgb(0, 0, 0); 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line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Simon Fraser University • Office: AQ 6117</div><div style="color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><a href="http://www.sfu.ca/english" class="">www.sfu.ca/english</a></div><div style="color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; 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