<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class="">Friends!<div class=""><br class=""></div><div class="">I’m pleased to announce the publication of TRIC/RTaC 38.1 (Spring 2017), which will shortly be posted to subscribers and available on our website.</div><div class=""><br class=""></div><div class="">Contents include:</div><div class=""><br class=""></div><div class="">ARTICLES<br class=""><br class="">Moira Day, "Ryga, Miss Donohue, and Me: Forty Years of The Ecstasy of Rita Joe in the University”<br class=""><br class=""></div><div class="">Andrew Bretz, "An Effigy of Empire: A Midsummer Night’s Dream and Canadian Imperial Nationalism During the Second Boer War"<br class=""><br class="">Josh Stenberg, "Staging the International Embrace: George Leslie Mackay Narratives on Taiwanese Stages"<br class=""><br class="">Michèle Laliberté, "Un surtitrage fonctionnel, artistique ou intermédial? Réalités théâtrales multilingues à l’ère numérique"<br class=""><br class="">Brenda Vellino, "Restaging Indigenous – Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements’s and Rita Liestner’s The Edward Curtis Project"<br class=""><br class="">FORUM<br class=""><br class=""></div><div class="">Ric Knowles, in conversation with ahdri zhina mandiela, Alison Sealy Smith, and Rhoma Spencer, “'Having a whole lot of show going on': Diasporic Caribbean Theatre in Toronto"<br class=""><br class="">BOOK REVIEWS / COMPTES RENDUS<br class=""><br class=""></div><div class="">Wes D Pearce on Kathleen Gallagher and Barry Freeman, eds., In Defence of Theatre: Aesthetic Practices and Social Interventions<br class=""><br class="">Alexandra (Sasha) Kovacs on Jordan Tannahill, Theatre of the Unimpressed: In Search of Vital Drama<br class=""><br class=""></div><div class="">Joe Culpepper on Louis Patrick Leroux and Charles R Batson, eds. Cirque Global: Quebec’s Expanding Circus Boundaries<br class=""><br class="">Emily A Rollie on David Fancy et al., Diversities in Actor Training</div><div class=""><br class=""></div><div class="">***</div><div class=""><br class=""></div><div class="">Please see the attached cover for full details. </div><div class=""><br class=""></div><div class="">Enjoy!</div><div class=""><br class=""></div><div class="">
<div style="color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px;"><b class="">KIM SOLGA</b><br class="">Editor in Chief, <i class="">Theatre Research In Canada/Recherches théâtrales au Canada</i><br class=""></div></div></div></div></body></html>