<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);">Dear Colleagues,</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);">Please find a CFP below for a special issue of <i class="">Performance Matters </i>on 21st-century shifts in Spectatorship and Audience Research.</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);">Many thanks,</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="white-space: pre-wrap; background-color: rgb(255, 255, 255);">Kelsey</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><br class=""></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;">Kelsey Jacobson<br class="">PhD Candidate | University of Toronto<br class="">Centre for Drama, Theatre and Performance Studies<br class=""><a href="mailto:jacobson.kelseylaine@gmail.com" class="">jacobson.kelseylaine@gmail.com</a><br class="">647-964-0600<br class=""><a href="http://kelseylainejacobson.com" class="">kelseylainejacobson.com</a></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">CALL FOR PAPERS </span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class=""></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-align: center;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; white-space: normal; margin: 0px; line-height: normal;">Full CFP here: <a href="https://centreforspectatorship.wordpress.com/2017/09/21/cfp-special-issue-of-performance-matters/" class="">https://centreforspectatorship.wordpress.com/2017/09/21/cfp-special-issue-of-performance-matters/</a></div><div class="" style="font-family: Helvetica; font-size: 12px; font-weight: normal; text-align: start; white-space: normal; margin: 0px; line-height: normal;"><br class=""></div></span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Performance Matters</span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> Special Issue on 21st-century shifts in Spectatorship and Audience Research </span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">We are inviting contributions for an upcoming special issue of </span><span class="" style="font-size: 11pt; font-family: Calibri; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Performance Matters</span><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> that will explore whether and how the rapid emergence and persistence of new media and technologies shifts how we conceive of and learn about spectatorship. </span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">We are interested in how the context of </span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">being</span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> a spectator may have changed spectatorship itself in the 21st century. </span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">CALL FOR ARTICLES</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">We are seeking proposals for articles that will be between 7000-9000 words in length. It is important to us that this issue reflects different modalities of spectatorship and we are therefore particularly interested in articles that address non-theatrical performance. Topics of interest include (but are not limited to) the following questions:</span></div><br class=""><ul class="" style="margin-top: 0pt; margin-bottom: 0pt;"><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Is the Rancierian (2009) epoch upon us? If so, how are artistic ‘masters’ surrendering their authority and who are the spectators being emancipated (or erased)? </span><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Do prosumers ultimately strip performance culture of its expertise and finesse?</span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">How do we newly perceive and engage; how do we (or indeed do we at all) delimit the actions that constitute spectatorship in contemporary culture?</span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Following Maaike Bleeker and Isis Germano (2014), does the theatrical event offer a model for understanding the roles and responsibilities of spectators in an always-performing staged world? What are the pragmatics and ethics of watching?</span><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> </span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">How do we come to understand the diverse groups of individuals we call an audience? What research methodologies allow us to engage with them accurately and ethically?</span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Which audiences continue to be marginalized? How might their increased presence shift our conception of spectatorship? How do ‘prosumers’ negotiate accessibility?</span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Following on Adrian Athique’s 2016 study on the ways in which technology breaks down national barriers, how can performance serve to construct a transnational audience? </span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Do emergent technologies complicate the unique claims on liveness in performance reception? What avenues might this open in inter-disciplinary research? How might spectators perceive differently in the future in light of these developing technologies?</span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">How do the ethos and legalities of remix culture manifest in analog or live spaces like the classroom (Jenkins et al 2013) or on the street with murals and installations, which Nicholas Bourriaud helpfully grouped among his formulation of ‘postproduction’ art (2005)? </span></div></li><li dir="ltr" class="" style="list-style-type: disc; font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline;"><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">What are the dramaturgies of theatre with participant-spectators? How do artists negotiate the ethical and political implications of what might be considered audience-labour?</span></div></li></ul><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Proposals should be a maximum of 500 words, not including any footnotes or works cited. Please also include a brief, maximum 150 word, biography.</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">CALL FOR MATERIALS</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">As a project in exploring and modeling methodologies in audience research, we invite scholars to share their documents, scripts, and accounts of unique spectatorship experiences. We imagine that these will be diverse in presentation, and may include first-hand reportage on a performance event as well as video or photographic documentation, audience interviews, or other outputs. Photo and/or video essays, amalgamating theorization with documentation would be prized. We also welcome short scripts or scenarios for already-performed pieces that re-imagine the role of the spectator, particularly if the performance cannot be represented by a traditional play. </span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Proposals should be a maximum of 300 words, not including any footnotes or works cited. Please also include a brief, maximum 150 word, biography.</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">CALL FOR BOOKS FOR REVIEW AND BOOK REVIEWERS</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">If you are an author with a book on spectatorship that will be published between September 2018 and April 2019, and would like us to consider it for review, please be in touch. In a brief letter, outline what your book explores and let us know both who is publishing the book and when you expect it to be available. Relatedly, if you are a scholar who works on spectatorship and would like to be a book reviewer, please send us a brief letter outlining your area of expertise as an audience researcher so that we can match you with a book that we have available.</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">SUBMISSION GUIDELINES</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Please send proposals to </span><a href="mailto:centreforspectatorship@gmail.com" class="" style="text-decoration: none;"><span class="" style="font-size: 11pt; font-family: Calibri; color: rgb(17, 85, 204); background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">centreforspectatorship@gmail.com</span></a><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> by midnight on January 31, 2018. You may also direct inquiries, at any time, to this email address.</span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class="kix-line-break"><br class="kix-line-break"></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">IMPORTANT DATES</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Proposals Due: January 31, 2018</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Decisions announced: February 28, 2018</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Publication: Fall 2019</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">GUEST EDITORS</span></div><br class=""><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class="kix-line-break"></span><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Kelsey Jacobson</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><a href="mailto:jacobson.kelseylaine@gmail.com" class="">jacobson.kelseylaine@gmail.com</a></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Scott Mealey</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><a href="mailto:scott.mealey@mail.utoronto.ca" class="">scott.mealey@mail.utoronto.ca</a></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Jenny Salisbury</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><a href="mailto:jenny.salisbury@mail.utoronto.ca" class="">jenny.salisbury@mail.utoronto.ca</a></span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Cassandra Silver</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><a href="mailto:cassandra.silver@mail.utoronto.ca" class="">cassandra.silver@mail.utoronto.ca</a></span></div><br class=""><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"><br class="kix-line-break"></span><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; font-weight: 700; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">WORKS CITED</span></div><br class=""><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Athique, Adrian. </span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Transnational Audiences: Media Reception on a Global Scale</span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">. Polity Press, 2016.</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Bleeker, M. & Germano, I. "Perceiving and Believing: An Enactive Approach to Spectatorship." </span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-indent: 36pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Theatre Journal</span><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">, vol. 66, no. 3, 2014, pp. 363-383.</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Bourriaud, Nicholas. </span><span class="" style="font-size: 11pt; font-family: Calibri; color: rgb(51, 51, 51); background-color: rgb(255, 255, 255); font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Postproduction: Culture as Screenplay - How Art Reprograms the World.</span><span class="" style="font-size: 11pt; font-family: Calibri; color: rgb(51, 51, 51); background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> Ram </span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-indent: 36pt;"><span class="" style="font-size: 11pt; font-family: Calibri; color: rgb(51, 51, 51); background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Publications, 2005.</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Jenkins, Henry and Wyn Kelley, editors. </span><span class="" style="font-size: 11pt; font-family: Calibri; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Reading in a Participatory Culture: Remixing </span><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Moby Dick</span><span class="" style="font-size: 11pt; font-family: Arial; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;"> in </span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; text-indent: 36pt;"><span class="" style="font-size: 11pt; font-family: Calibri; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">the English Classroom</span><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">. Teachers College Press, 2013.</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Keltie, Emma. </span><span class="" style="font-size: 11pt; font-family: Calibri; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">The Culture Industry and Participatory Audiences</span><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">. Palgrave Macmillan, 2017.</span></div><div class="" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">Rancière, Jacques, and Gregory Elliott. </span><span class="" style="font-size: 11pt; font-family: Calibri; font-style: italic; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">The Emancipated Spectator</span><span class="" style="font-size: 11pt; font-family: Calibri; font-variant-ligatures: normal; font-variant-east-asian: normal; font-variant-position: normal; vertical-align: baseline; white-space: pre-wrap;">. Verso, 2009.</span></div><div class="">
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