<div dir="ltr"><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-size:12pt;font-family:Arial"><i>Now Available on Project Muse:</i></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><a href="https://www.mitpressjournals.org/toc/pajj/40/2" target="_blank" style="font-size:12pt;font-family:Arial;color:rgb(5,99,193)">PAJ 119</a><span style="font-size:12pt;font-family:Arial"> </span><span style="font-size:12pt;font-family:Arial">(</span><span style="font-size:12pt;font-family:Arial">Volume 40, </span><a href="https://www.mitpressjournals.org/toc/pajj/40/2" target="_blank" style="font-size:12pt;color:rgb(5,99,193);font-family:Arial">Issue 2</a><span style="font-size:12pt">, </span><span style="font-size:12pt;font-family:Arial">May 2018)</span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><br></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Articles<span></span></span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/abs/10.1162/pajj_a_00404" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Richard III in the Era of Trump<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Dan Venning<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00405" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Hillbilly Tragedy: What's Not Playing in American Theatres in the 2017–18 Season<span></span></a> <span style="background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline">(Free Access)</span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Paul David Young <span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00407" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Empty Duration and the Generosity of John Cage<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Kay Larson<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00411" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">The Occult Art of L'ordre de la Rose+Croix du Temple et du Graal: Sâr Joséphin Péladan's R+C Salons, 1892–1897<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Edmund B. Lingan<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Special Section:<span> </span><i>Dance and Drawing<span></span></i></span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span>           </span><span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00406" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Thinking/Drawing/Dancing<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Bonnie Marranca<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00418" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Stuff<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Annie-B Parson<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00419" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Drawing Clarification<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Walter Dundervill<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00420" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Self-Portraiture/Self-Prompt<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Gwen Welliver<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00421" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Drawing the Language of Dance<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Jan Rae<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00422" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">What's My Line?<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Cathy Weis<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00423" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Process Notation<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Okwui Okpokwasilli and Peter Born<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00424" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">The Methodology for Choreographing Extreme Action<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Elizabeth Streb<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00425" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">The Dancer and the Computer, Part Two<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Laurent Goldring<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00426" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Movement Engineer<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Jon Kinzel<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00427" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Atlas of the Gesture<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Virgilio Sieni<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Art and Performance Notes<span></span></span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00408" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">No Exit (Review of The Exterminating Angel, Thomas Ades)<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Thomas Peattie<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00409" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Scorched Earth (Review of Burning Doors, Belarus Free Theatre)<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Curtis Russell<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00410" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Black Political Breathwork (Review of CODED, Xaviera Simmons)<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Kristin Moriah<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Play<span></span></span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00412" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Memory Divided<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Benjamin Gillespie<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_a_00413" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Ruff<span></span></a></span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Peggy Shaw and Lois Weaver<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><b><u><span style="font-family:Arial">Books & Company<span></span></span></u></b></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><br></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00414" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Reconsidering Archives in Performance (Review Essay)<span></span></a></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Stephanie Vella<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00415" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Black Performance on the Outskirts of the Left: A History of the Impossible<span style="font-style:normal">. By Malik Gaines.<span></span></span></a></span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">James F. Wilson<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00416" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Performance Art in Eastern Europe since 1960<span style="font-style:normal">. By Amy Bryzgel.<span></span></span></a></span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Cristina Modreanu<span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial"><span> </span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><i><span style="font-family:Arial"><a href="https://www.mitpressjournals.org/doi/pdf/10.1162/pajj_r_00417" target="_blank" style="color:rgb(5,99,193);text-decoration:underline">Microdramas: Crucibles for Theater and Time<span style="font-style:normal">. By John H. Muse.<span></span></span></a></span></i></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;font-size:12pt;font-family:Calibri"><span style="font-family:Arial">Aaron C. Thomas<span></span></span></p><div style="font-size:12.8px;text-decoration-style:initial;text-decoration-color:initial"><br></div><div style="font-size:12.8px;text-decoration-style:initial;text-decoration-color:initial"><br></div><div style="font-size:12.8px;text-decoration-style:initial;text-decoration-color:initial"><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;background:white;font-size:12pt;font-family:Calibri"><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)">To sign up for PAJ’s email listserv,</span></b><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(80,0,80);background:white"> </span></b><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)"><a href="http://visitor.r20.constantcontact.com/manage/optin?v=001sG2XUya07Kpdzy-ubRDJP9Rc8C9LMICZRLkpgwKxRI3ud18uqyB-cQriMo0iAHE3rPJFFRIwwZAAZMkLwwXRwOaU3QwslAhgc8SYA1k0p3I%3D" target="_blank" style="color:rgb(17,85,204)"><span style="color:rgb(17,85,204);background:white">click here</span></a></span></b><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(80,0,80);background:white">. Submissions of a</span></b><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)">rticles and reviews can be sent to</span></b><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(80,0,80);background:white"> </span></b><b><span style="font-size:9.5pt;font-family:Arial;color:rgb(17,85,204);background:white"><a href="mailto:submissions.paj@gmail.com" target="_blank" style="color:rgb(17,85,204)"><span style="color:rgb(17,85,204)">submissions.paj@gmail.com</span></a>. </span></b><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)"><span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;background:white;font-size:12pt;font-family:Calibri"><span style="font-size:9.5pt;font-family:Arial;color:rgb(80,0,80)"> </span><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)"><span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;background:white;font-size:12pt;font-family:Calibri"><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)"><a href="http://www.bonniemarranca.com/paj/" target="_blank" style="color:rgb(17,85,204)"><span style="color:rgb(17,85,204)">Subscribe here</span></a> to receive copies of PAJ and support an independent press. You can access and purchase our collection of published books <a href="http://www.tcg.org/TCGBookstore/PartnerPublishers/PAJPublications.aspx" target="_blank" style="color:rgb(17,85,204)"><span style="color:rgb(17,85,204)">here</span></a> and receive access to the <a href="http://www.mitpressjournals.org/paj" target="_blank" style="color:rgb(17,85,204)"><span style="color:rgb(17,85,204)">online archive of PAJ video/audio clips and interviews</span></a> and <a href="http://r20.rs6.net/tn.jsp?f=0016TmoVN7vr2YhkFIh09IPMhe2VTGWPhO8I9DZjtncNecCdE3WA6f9in4r50HtjcJgw4qiSNeWPIXl0Pccn0ru6PpE9N7V6AjDyh6aWhwgjTwIZNIEwphU402ZTcOVGx0bPUeqQS2jAjxDljk59H2PyZKxX98KTU9cOZw85Zm1RgUJdXd70LF6-32qnRDxmg9XOyd6Lsa5Bjk=&c=Hp_nWVRyZ6b0TPWpZl9J4PP0__qvndCaq5K3nk5nH6IsG266zQ8VgQ==&ch=NMscvCle1Aod2T0Y7xNY924AQ7w_YHnnGsVCCMJ1hOg-ccCoge84Vg==" target="_blank" style="color:rgb(17,85,204)"><span style="color:rgb(51,102,255)">PAJ's historic LIVE Magazine Archive</span></a></span><span style="font-size:9.5pt;font-family:Arial;color:rgb(51,102,255)">.</span><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)"><span></span></span></p><p class="MsoNormal" style="margin:0in 0in 0.0001pt;text-decoration-style:initial;text-decoration-color:initial;background:white;font-size:12pt;font-family:Calibri"><span style="font-size:9.5pt;font-family:Arial;color:rgb(34,34,34)"> </span></p></div><div class="gmail-m_-4512623760375157484m_-6628236366165921139gmail_signature" style="font-size:12.8px;text-decoration-style:initial;text-decoration-color:initial"><div dir="ltr"><div dir="ltr"><br></div></div></div><div><div class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><div><div><div style="font-size:small"></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>
</div>